Agriculture, the backbone of South Carolina's economy since the time of the first settlers in the late 1600s, has truly shaped the identity of the Piedmont region, serving as a common touchstone for the people of the Upstate. As the Palmetto State moves away from small, independent farms into a landscape dominated by big corporations and franchised companies, it is important to pay tribute to the industry that has enabled this state to proceed so successfully into the twenty-first century, both financially and culturally. Farming is much more than "cattle and crops," as some may think, and Rural Life in the Piedmont of South Carolina deals with the subject in over 180 striking photographs, displaying the grace, hard work ethic, and inventiveness of these men and women who have toiled under the South Carolina sun. As you thumb through these pages, you will venture into an era not so far in the past, but which seems exceedingly distant and foreign with each passing year. Exploring the rural landscapes between the years 1918 and 1968, this volume will allow you to experience firsthand the people who worked the land, their machinery and homes, the county agents who demonstrated new techniques for farming improvements, and many scenes of different areas in the Upstate with its many different annual harvests, from pigs, chickens, and cows to sorghum, cotton, alfalfa, hay, corn, tobacco, and peaches.

South Carolina's Lowcountry is awash in history, mystery, and breathtaking beauty and is comprised of roughly 27 counties south and east of the Fall Line, a low, east-facing cliff paralleling the Atlantic coast. Over the past 300 years, farmers and their families, planters, and African Americans-both enslaved and freed-have shaped this area's culture. Through war, peace, poverty, and prosperity, the unique characteristics and customs of the Lowcountry have been woven together and form a rich, enigmatic tapestry distinct from any other.Rural Life in the Lowcountry of South Carolina contains over 200 previously unpublished images depicting life at the grassroots level during the first half of the 20th century. This volume presents a realistic and at times sobering view of everyday people and their struggles to make a living. Exploring such topics as growing crops, making syrup, and raising livestock, this volume also portrays the area's distinct architecture, evident in barns, farmhouses, and church buildings. As the state becomes more industrialized, residents are beginning to forget their agricultural heritage, and many know only the stories of elderly family members. These photographs, coupled with informative text, will bridge the present generations with the past.

A rich portrait of Black life in South Carolina's Upstate Encyclopedic in scope, yet intimate in detail, African American Life in South Carolina's Upper Piedmont, 1780–1900, delves into the richness of community life in a setting where Black residents were relatively few, notably disadvantaged, but remarkably cohesive. W. J. Megginson shifts the conventional study of African Americans in South Carolina from the much-examined Lowcountry to a part of the state that offered a quite different existence for people of color. In Anderson, Oconee, and Pickens counties—occupying the state's northwest corner—he finds an independent, brave, and stable subculture that persevered for more than a century in the face of political and economic inequities. Drawing on little-used state and county denominational records, privately held research materials, and sources available only in local repositories, Megginson brings to life African American society before, during, and after the Civil War. Orville Vernon Burton, Judge Matthew J. Perry Jr. Distinguished Professor of History at Clemson University and University Distinguished Teacher/Scholar Emeritus at the University of Illinois, provides a new foreword.

Scholarly essays on the achievements of female artists working in and inspired by the American South Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, "Art is central to my life. Not being able to make or see art would be a major deprivation." The Virginia native's creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised "not as notable women artists but as notable artists who happen to be women." In Central to Their Lives, twenty-six noted art historians offer scholarly insight into the achievements of female artists working in and inspired by the American South. Spanning the decades between the late 1890s and early 1960s, this volume examines the complex challenges these artists faced in a traditionally conservative region during a period in which women's social, cultural, and political roles were being redefined and reinterpreted. The presentation—and its companion exhibition—features artists from all of the Southern states, including Dusti Bongé, Anne Goldthwaite, Anna Hyatt Huntington, Ida Kohlmeyer, Loïs Mailou Jones, Alma Thomas, and Helen Turner. These essays examine how the variables of historical gender norms, educational barriers, race, regionalism, sisterhood, suffrage, and modernism mitigated and motivated these women who were seeking expression on canvas or in clay. Whether working from studio space, in spare rooms at home, or on the world stage, these artists made remarkable contributions to the art world while fostering future generations of artists through instruction, incorporating new aesthetics into the fine arts, and challenging the status quo. Sylvia Yount, the Lawrence A. Fleischman Curator in Charge of the American Wing at the Metropolitan Museum of Art, provides a foreword to the volume. Contributors: Sara C. Arnold Daniel Belasco Lynne Blackman Carolyn J. Brown Erin R. Corrales-Diaz John A. Cuthbert Juilee Decker Nancy M. Doll Jane W. Faquin Elizabeth C. Hamilton Elizabeth S. Hawley Maia Jalenak Karen Towers Klacsmann Sandy McCain Dwight McInvaill Courtney A. McNeil Christopher C. Oliver Julie Pierotti Deborah C. Pollack Robin R. Salmon Mary Louise Soldo Schultz Martha R. Severens Evie Torrono Stephen C. Wicks Kristen Miller Zohn

How do towns come into existence? What circumstances determine whether they succeed or fail? In The Colonial Towns of Piedmont North Carolina, author Christopher E. Hendricks looks at one region in eighteenth-century America to explore answers to these questions. He examines the establishment and development of eleven towns in the Piedmont, classifying them into three types: county towns formed by the establishment of government institutions, such as a courthouse; trade towns formed around commercial opportunities; and religious towns such as the three towns developed in Wachovia, a region where Moravians settled. He uses these classifications to tell the stories of how these towns came into being, and how, in their development, they struggled against economic, cultural, and political challenges. Ultimately, The Colonial Towns of Piedmont North Carolina deepens our understanding of the influence that American towns had on the settlement of the backcountry. Hendricks tells the poignant story of the Moravians’ struggle to maintain their neutral stance during the Revolutionary War, surviving exploitation and brutality from both the Continental Army and the British. The author also integrates the history of Native Americans into this mix of competing forces and shows how they were challenged by—and resisted—the newcomers. He emphasizes the role of individual initiative as well as the impetus of government, specifically courthouses, in establishing towns. By utilizing a variety of rarely examined primary sources, methodological approaches ranging from geographic theory to material culture studies, and a deep examination of local history, Hendricks provides a comprehensive analysis of the emergence of these towns on the frontier.

Building on their analysis in Sociology in Government (Penn State, 2003), Julie Zimmerman and Olaf Larson again join forces across the generations to explore the unexpected inclusion of rural and farm women in the research conducted by the USDA’s Division of Farm Population and Rural Life. Existing from 1919 to 1953, the Division was the first, and for a time the only, unit of the federal government devoted to sociological research. The authors explore how these early rural sociologists found the conceptual space to include women in their analyses of farm living, rural community social organization, and the agricultural labor force.