Quest. What happened to the missing King? Magic, spells, psi powers, political intrigue. Humans, elves, dwarves, and exotic blue-skin race. Discrimination, racism, sexism hatred spawned from jealousy. Compassion, love and humor too. Medieval atmosphere with futuristic architecture, time-portals and fantastic flying war ships.

Alva rushes through the trees in the dead of night with her sniffer wolf, Fen. Being out alone when there's a kidnapper on the loose is reckless, but if she ever wants to be an investigator like her Uncle Magnus, she'll need to be first to the crime scene. But what Alva discovers raises more questions than it answers, drawing her into a dangerous search for truth, and for treasure.

This book presents the first comprehensive study of Anglo-Saxon manuscript texts containing runic letters. To date there has been no comprehensive study of these works in a single volume, although the need for such an examination has long been recognized. This is in spite of a growing academic interest in the mise-en-page of early medieval manuscripts. The texts discussed in this study include Old English riddles and elegies, the Cynewulfian poems, charms, Solomon and Saturn I, and the Old English Rune Poem. The focus of the discussion is on the literary analysis of these texts in their palaeographic and runological contexts. Anglo-Saxon authors and scribes did not, of course, operate within a vacuum, and so these primary texts are considered alongside relevant epigraphic inscriptions, physical objects, and historical documents. Victoria Symons argues that all of these runic works are in various ways thematically focused on acts of writing, visual communication, and the nature of the written word. The conclusion that emerges over the course of the book is that, when encountered in the context of Anglo-Saxon manuscripts, runic letters consistently represent the written word in a way that Roman letters do not.

Alva rushes through the trees in the dead of night with her sniffer wolf, Fen. Being out alone when there's a kidnapper on the loose is reckless, but if she ever wants to be an investigator like her Uncle Magnus, she'll need to be first to the crime scene. But what Alva discovers raises morequestions than it answers, drawing her into a dangerous search for truth, and for treasure.

Reading the Runes in Old English and Old Norse Poetry is the first book-length study to compare responses to runic heritage in the literature of Anglo-Saxon England and medieval Iceland. The Anglo-Saxon runic script had already become the preserve of antiquarians at the time the majority of Old English poetry was written down, and the Icelanders recording the mythology associated with the script were at some remove from the centres of runic practice in medieval Scandinavia. Both literary cultures thus inherited knowledge of the runic system and the traditions associated with it, but viewed this literate past from the vantage point of a developed manuscript culture. There has, as yet, been no comprehensive study of poetic responses to this scriptural heritage, which include episodes in such canonical texts as Beowulf, the Old English riddles and the poems of the Poetic Edda. By analysing the inflection of the script through shared literary traditions, this study enhances our understanding of the burgeoning of literary self-awareness in early medieval vernacular poetry and the construction of cultural memory, and furthers our understanding of the relationship between Anglo-Saxon and Norse textual cultures. The introduction sets out in detail the rationale for examining runes in poetry as a literary motif and surveys the relevant critical debates. The body of the volume is comprised of five linked case studies of runes in poetry, viewing these representations through the paradigm of scriptural reconstruction and the validation of contemporary literary, historical and religious sensibilities.