In this book, Steven Mann highlights the role of theology in the story of David’s departure and return as told in 2 Samuel 14–20. Mann’s method of narrative analysis employs a philosophy of language called speech act theory. His primary interest is ways in which speech act theory has been applied to biblical narrative, and he concentrates specifically on speech acts that include theological propositional content, that is, words used to denote God. In this way, Mann analyzes the theological speech acts of the narrative and then suggests a way to view the narrative itself as a speech act. The thesis of this study is that speech act theory illuminates the integral role of theology in the story of David’s departure and return. Theology is not merely one aspect of the story but is in fact a catalyst necessary to the plot. Furthermore, the act of telling the story as 2 Sam 14–20 does is the very act of portraying David’s faith in Yhwh. David’s speech acts demonstrate that he believes that Yhwh is someone who intervenes and who finds ways to bring his banished ones back to him. The narrative portrayal of David’s faith can be understood as an illocutionary act, with the potential effect of encouraging an audience, a perlocutionary act. In other words, Man demonstrates that this story can inspire any readers who see this narrative as a story not only about David but about themselves.

In this book, Steven Mann highlights the role of theology in the story of David's departure and return as told in 2 Samuel 14-20. Mann's method of narrative analysis employs a philosophy of language called speech act theory. His primary interest is ways in which speech act theory has been applied to biblical narrative, and he concentrates specifically on speech acts that include theological propositional content, that is, words used to denote God. In this way, Mann analyzes the theological speech acts of the narrative and then suggests a way to view the narrative itself as a speech act. The thesis of this study is that speech act theory illuminates the integral role of theology in the story of David's departure and return. Theology is not merely one aspect of the story but is in fact a catalyst necessary to the plot. Furthermore, the act of telling the story as 2 Sam 14-20 does is the very act of portraying David's faith in Yhwh. David's speech acts demonstrate that he believes that Yhwh is someone who intervenes and who finds ways to bring his banished ones back to him. The narrative portrayal of David's faith can be understood as an illocutionary act, with the potential effect of encouraging an audience, a perlocutionary act. In other words, Man demonstrates that this story can inspire any readers who see this narrative as a story not only about David but about themselves.

Get back to nature in this gorgeous sunlit filled book that celebrates the joy of being outdoors. "Hey, you! Sky's blue!" a girl shouts as she runs by the window of a boy bent over his digital device. Intrigued, the boy runs out after her, leaving his shoes (and phone) behind, and into a world of sunshine, dewey grass, and warm sand. Filled with the pleasures of being alive in the natural world, Run Wild is an exquisite and kid-friendly reminder of how wonderful life can be beyond doors and screens.

Is your daily run starting to drag you down? Has running become a chore rather than the delight it once was? Then The Happy Runner is the answer for you. Authors David and Megan Roche believe that you can’t reach your running potential without consistency and joyful daily adventures that lead to long-term health and happiness. Guided by their personal experiences and coaching expertise, they point out the mental and emotional factors that will help you learn exactly how to become a happy runner and achieve your personal best.

Mo is the star of his school's track-and-field meet in the sixth title of the perenially popular, Geisel Award-winning series by David A. Adler! Mo and his classmates from 2B will compete against the students from class 2M in a track-and-field meet and the winning team will get a surprise dessert! Mo, Jenna, and Dov will compete in the day's final event--the relay race--but first, Mo has to pass the baton without dropping it. He practices at lunch and during class, but the baton keeps slipping out of his hand. When the score is tied and the pressure is on, will Mo be able to win for his team?

A searing family memoir, hailed as “remarkable” (The New York Times), “compelling” (People), and “engrossing” (Kirkus Reviews), of a trial lawyer’s tempestuous boyhood in Texas that led to the vicious murder of his brother by the father of actor Woody Harrelson. In 1968, David Berg’s brother, Alan, was murdered by Charles Harrelson, a notorious hit man and father of Woody Harrelson. Alan was only thirty-one when he disappeared (David was twenty-six) and for more than six months his family did not know what had happened to him—until his remains were found in a ditch in Texas. There was an eyewitness to the murder: Charles Harrelson’s girlfriend, who agreed to testify. For his defense, Harrelson hired Percy Foreman, then the most famous criminal lawyer in America. Despite the overwhelming evidence against him, Harrelson was acquitted. After burying his brother all those years ago, David Berg rarely talked about him. Yet in 2008 he began to remember and research Alan’s life and death. The result is Run, Brother, Run: part memoir—about growing up Jewish in 1950s Texas and Arkansas—and part legal story, informed by Berg’s experience as a seasoned lawyer. Writing with cold-eyed grief and a wild, lacerating humor, Berg tells us first about the striving Jewish family that created Alan Berg and set him on a course for self-destruction, and then about the miscarriage of justice when Berg’s murderer was acquitted. David Berg brings us a painful family history, a portrait of an iconic American place, and a true-crime courtroom murder drama that “elegantly brings to life the rough-and-tumble boomtown that was 1960s-era Houston, and conveys with unflinching force the emotional damage his brother’s death did to his family” (The New York Times).

Terrified of being targeted by bullies for being overweight, Lionel tries to go through Grade 8 attracting as little notice as possible. But he discovers something about himself: he’s fast. And Lionel takes up running. That leads to joining a running group, and being recruited for the school track team. But being on the track team and getting more attention brings him closer to the bullies he’s been avoiding, and makes him a target.