Don't miss this rare collector’s edition of the uplifting #1 New York Times bestseller from Matthew Gray Gubler. Rumple Buttercup has five crooked teeth, three strands of hair, green skin, and his left foot is slightly bigger than his right. He is weird. Join him and Candy Corn Carl (his imaginary friend made of trash) as they learn the joy of individuality as well as the magic of belonging. This keepsake edition is the perfect gift for kids (and grown-up kids), and features all new cover art, a ribbon bookmark, plus a special note from Matthew and Rumple.

Rhett is a Huntsman, skilled, secretive, and mysterious. A wanted man, he spends his life on the move. His sole retreat is the outskirts of an isolated village in the northern reaches of the duchies. Then one fall, he arrives to find his hovel burned to the ground and the village reeve offering a new arrangement. Catherine knows her father, the village miller, only cares about what she can bring him. The latest scheme of marrying her to the Huntsman is not the miller's first attempt to sell her. Cat's dread wanes when she meets the Huntsman. There is something honorable about him, and he treats her with respect, unlike her father or brother. Perhaps she can escape her father's influence forever. Despite his suspicions, Rhett agrees to the deal and frees Cat from her father's tyranny, at least for a time. But can he protect her when enemies from his past catch up to him? Inspired by Rumpelstiltskin.

A beautifully illustrated exploration of how Victorian novelty picture books reshape the ways children read and interact with texts The Victorian era saw an explosion of novelty picture books with flaps to lift and tabs to pull, pages that could fold out, pop-up scenes, and even mechanical toys mounted on pages. Analyzing books for young children published between 1835 and 1914, Playing with the Book studies how these elaborately designed works raise questions not just about what books should look like but also about what reading is, particularly in relation to children’s literature and child readers. Novelty books promised (or threatened) to make reading a physical as well as intellectual activity, requiring the child to pull a tab or lift a flap to continue the story. These books changed the relationship between pictures, words, and format in both productive and troubling ways. Hannah Field considers these aspects of children’s reading through case studies of different formats of novelty and movable books and intensive examination of editions that have survived from the nineteenth century. She discovers that children ripped, tore, and colored in their novelty books—despite these books’ explicit instructions against such behaviors. Richly illustrated with images of these ingenious constructions, Playing with the Book argues that novelty books construct a process of reading that involves touch as well as sight, thus reconfiguring our understanding of the phenomenology of reading.

Gold for a poor girl, Beauty for a twisted man, A child for a powerful sorcerer . . . Rumpelstiltskin can change anything he touches into gold, but he cannot change his own twisted body. The sorcerer Laurus can make Rumpelstiltskin tall, strong, and handsome-but he will only work his magic in exchange for a child in its first year of life. When Emily's deluded father claims she can spin straw into gold, the King demands proof. Caught between a mad father and a mad king, Emily's life hangs in the balance. Rumpelstiltskin will help keep up her ruse for three nights-if she promises him her firstborn child. When the King decides to marry Emily, the pretense must continue for much longer. And what Emily offers Rumpelstiltskin in return for his continued help has the power to change everything. This retelling of "Rumpelstiltskin" is best suited for ages 14 and up.