For abstracts see: Caribbean Abstracts, no. 11, 1999-2000 (2001); p. 111.

Rum, Sodomy, Prayers and the Lash Revisited is an examination of British naval social policy in the opening decades of the twentieth century, under the command of Winston Churchill. It highlights an often forgotten aspect of Churchill's career and his attempts to bring the senior service into the modern world.

Explores the sexual world of the one of the most fabled and romanticized character in history--the pirate Pirates are among the most heavily romanticized and fabled characters in history. From Bluebeard to Captain Hook, they have been the subject of countless movies, books, children's tales, even a world-famous amusement park ride. In Sodomy and the Pirate Tradition, historian B. R. Burg investigates the social and sexual world of these sea rovers, a tightly bound brotherhood of men engaged in almost constant warfare. What, he asks, did these men, often on the high seas for years at a time, do for sexual fulfillment? Buccaneer sexuality differed widely from that of other all- male institutions such as prisons, for it existed not within a regimented structure of rule, regulations, and oppressive supervision, but instead operated in a society in which widespread toleration of homosexuality was the norm and conditions encouraged its practice. In his new introduction, Burg discusses the initial response to the book when it was published in 1983 and how our perspectives on all-male societies have since changed.

An examination into the homoerotic and other transgressive aspects of the pirate's world Despite, or perhaps because of, our lack of actual knowledge about pirates, an immense architecture of cultural mythology has arisen around them. Three hundred years of novels, plays, painting, and movies have etched into the popular imagination contradictory images of the pirate as both arch-criminal and anti-hero par excellence. How did the pirate-a real threat to mercantilism and trade in early-modern Britain-become the hypermasculine anti-hero familiar to us through a variety of pop culture outlets? How did the pirate's world, marked as it was by sexual and economic transgression, come to capture our collective imagination? In Rum, Sodomy, and the Lash, Hans Turley delves deep into the archives to examine the homoerotic and other culturally transgressive aspects of the pirate's world and our prurient fascination with it. Turley fastens his eye on historical documents, trial records, and the confessions of pirates, as well as literary works such as Robinson Crusoe, to track the birth and development of the pirate image and to show its implications for changing notions of self, masculinity, and sexuality in the modern era. Turley's wide-ranging analysis provides a new kind of history of both piracy and desire, articulating the meaning of the pirate's contradictory image to literary, cultural, and historical studies.

Punk protagonist, legendary drinker, Irish musical icon. The complete and extraordinary journey of the Pogues' notorious frontman from outcast to national treasure has never been told - until now. A Furious Devotion vividly recounts the experiences that shaped the greatest songwriter of his generation: the formative trips to his mother's homestead in Tipperary, the explosion of punk which changed his life, and the drink and drugs that nearly ended it. As well as exclusive interviews with Shane himself, author Richard Balls has secured contributions from his wife and family, and people who have never spoken publicly about Shane before: close associates, former girlfriends and the English teacher who first spotted his literary gift. Nick Cave, Aidan Gillen, Cillian Murphy, Christy Moore, Sinead O'Connor and Dermot O'Leary are on the rollcall of those paying tribute to the gifted songwriter and poet. This frank and extensive biography also includes many previously unseen personal photographs, printed in black and white.

James Cook never laid eyes on the sea until he was in his teens. He then began an extraordinary rise from farmboy outsider to the hallowed rank of captain of the Royal Navy, leading three historic journeys that would forever link his name with fearless exploration (and inspire pop-culture heroes like Captain Hook and Captain James T. Kirk). In Farther Than Any Man, noted modern-day adventurer Martin Dugard strips away the myth of Cook and instead portrays a complex, conflicted man of tremendous ambition (at times to a fault), intellect (though Cook was routinely underestimated) and sheer hardheadedness. When Great Britain announced a major circumnavigation in 1768 -- a mission cloaked in science, but aimed at the pursuit of world power -- it came as a political surprise that James Cook was given command. Cook's surveying skills had contributed to the British victory over France in the Seven Years' War in 1763, but no commoner had ever commanded a Royal Navy vessel. Endeavor's stunning three-year journey changed the face of modern exploration, charting the vast Pacific waters, the eastern coasts of New Zealand and Australia, and making landfall in Tahiti, Tierra del Fuego, and Rio de Janeiro. After returning home a hero, Cook yearned to get back to sea. He soon took control of the Resolution and returned to his beloved Pacific, in search of the elusive Southern Continent. It was on this trip that Cook's taste for power became an obsession, and his legendary kindness to island natives became an expectation of worship -- traits that would lead him first to greatness, then to catastrophe. Full of action, lush description, and fascinating historical characters like King George III and Master William Bligh, Dugard's gripping account of the life and gruesome demise of Capt. James Cook is a thrilling story of a discoverer hell-bent on traveling farther than any man.

To absorb Rum, Sodomy, and the Lash is to be taken on a wild voyage with a cast of downtrodden revolutionaries. Despite this notion, the epic themes of the Pogues' second full length record have been overlooked by both critics and biographers in favor of two things: the band's penchant for combining Celtic folk with punk rhythms ("the sound") and the excesses of Shane MacGowan ("the creator"). Instead of reiterating these aspects, this book discusses, in the form of a sea-faring narrative, the record's articulation of what it is found to be magnificently trodden. Through epic imagery gracing the cover of the album and reverberating throughout the lyrics, Roesgen's book shows that what the Pogues created is far more than pub-room music created by drunken men wallowing in Irish nostalgia and pining for something subversive.