Traditionally a critical component of the education of any architect was to draw the ruins of ancient Rome, reconstructing either from ancient sources or, more often, pure fantasy, what the original structures must have looked like. From this training emerged generations of architects imbued with the aesthetic ideals that would form the Neoclassical and Beaux-Arts building styles. In this magnificently printed volume are reproduced some of the most extraordinarily handsome drawings of the ruins of ancient Rome made by French "Prix de Rome" architects from 1775 through 1925. Accompanied by text that explains how the Prix de Rome was awarded and the significance of the prize in the history of architecture, as well as how the study of ancient models formed the basis for nineteenth- and early twentieth-century architectural styles, these drawings provide an invaluable understanding of how the modern imagination recorded and transformed ancient fragments into a modern architectural idiom.

"An illuminating reassessment of the architect whose innovative drawings of ruins shaped the enduring image of ancient Rome"--

The Ruin of the Eternal City provides the first systematic analysis of the preservation practices of the popes, civic magistrates, and ordinary citizens of Renaissance Rome. This study offers a new understanding of historic preservation as it occurred during the extraordinary rebuilding of a great European capital city.

This is the first book of its kind to address Shakespeare's relationship with Rome's authoritative myth, archaeologically, by taking as a point of departure a chronological reversal, namely the vision of the 'eternal' city as a ruinous scenario.

Charles Barry's victory in the competition to design the new Houses of Parliament in 1836 has been widely regarded as the moment in English architecture when the influence of Greece gave way to Victorian Gothic. In this beautifully illustrated book, Frank Salmon redirects attention to the importance of classical archaeology in the education of British architects and to major classically-inspired buildings in Birmingham, Cambridge, Liverpool and the City of London, also commissioned in this period.