A gripping supernatural mystery and romance set in post-Katrina New Orleans.Rebecca couldn't feel more out of place in New Orleans. She's staying in a creepy house with her aunt, who reads tarot cards. And at the snooty prep school, a pack of filthy-rich girls treat Rebecca like she's invisible. Only gorgeous, unavailable Anton Grey gives Rebecca the time of day, but she wonders if he's got a hidden agenda. Then one night, among the oak trees in Lafayette Cemetery, Rebecca makes a friend. Sweet, mysterious Lisette is eager to show Rebecca the nooks and crannies of New Orleans. There's just one catch.Lisette is a ghost.

"Beautifully paced . . . heartbreaking and hilarious."—USA Today Augusten Burroughs meets Mary Karr: a deeply funny and wickedly entertaining family memoir. The youngest of four daughters in an old, celebrated St. Louis family-- of prominent journalists and politicians on one side, debutantes and equestrians on the other-- Jeanne Darst grew up hearing stories of past grandeur. And the message she internalized as a young girl was clear: While things might be a bit tight for us right now, it’s only temporary. Soon her father would sell the Great American Novel and reclaim the family’s former glory. The Darsts move from St. Louis to New York, and Jeanne’s father writes one novel, then another, which don’t find publishers. This, combined with her mother’s burgeoning alcoholism, lead to financial disaster and divorce. And as Jeanne becomes an adult, she is horrified to discover that she is not only a drinker like her mother, but a writer like her father. At first, and for years, she embraces both activities— and until she can stop putting drinking and writing ahead of everything else, it’s a questionable choice. Ultimately, Darst sets out to discover whether a person can have the writing without the ruin, whether it’s possible to be both sober and creative, ambitious and happy, a professional author and a parent. Filled with brilliantly flawed, idiosyncratic characters and punctuated by Darst’s irreverent eye for absurdity, Fiction Ruined My Family is a lovingly told, wickedly funny portrait of an unconventional life.

'My most anticipated book of the year' - Peter F. Hamilton, Britain's no.1 science fiction writer Children of Ruin follows Adrian Tchaikovsky's extraordinary Children of Time, winner of the Arthur C. Clarke award. It is set in the same universe, with new characters and a thrilling narrative. It has been waiting through the ages. Now it's time . . . Thousands of years ago, Earth’s terraforming program took to the stars. On the world they called Nod, scientists discovered alien life – but it was their mission to overwrite it with the memory of Earth. Then humanity’s great empire fell, and the program’s decisions were lost to time. Aeons later, humanity and its new spider allies detected fragmentary radio signals between the stars. They dispatched an exploration vessel, hoping to find cousins from old Earth. But those ancient terraformers woke something on Nod better left undisturbed. And it’s been waiting for them. 'Books like this are why we read science fiction' - Ian McDonald, author of the Luna series All underpinned by great ideas. And it is crisply modern - but with the sensibility of classic science fiction' Stephen Baxter, author of the Long Earth series (with Terry Pratchett)

The book gives a comprehensive treatment of the classical and modern ruin probability theory. Some of the topics are Lundberg's inequality, the Cramér-Lundberg approximation, exact solutions, other approximations (e.g., for heavy-tailed claim size distributions), finite horizon ruin probabilities, extensions of the classical compound Poisson model to allow for reserve-dependent premiums, Markov-modulation, periodicity, change of measure techniques, phase-type distributions as a computational vehicle and the connection to other applied probability areas, like queueing theory. In this substantially updated and extended second version, new topics include stochastic control, fluctuation theory for Levy processes, Gerber-Shiu functions and dependence.

DigiCat Publishing presents to you this special edition of "Casa Grande Ruin" (Thirteenth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1891-92, Government Printing Office, Washington, 1896, pages 289-318) by Cosmos Mindeleff. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Dorothea Olkowski's exploration of the philosophy of Gilles Deleuze clarifies the gifted French thinker's writings for specialists and nonspecialists alike. Deleuze, she says, accomplished the "ruin of representation," the complete overthrow of hierarchic, organic thought in philosophy, politics, aesthetics, and ethics, as well as in society at large. In Deleuze's philosophy of difference, she discovers the source of a new ontology of change, which in turn opens up the creation of new modes of life and thought, not only in philosophy and feminism but wherever creation is at stake. The work of contemporary artist Mary Kelly has been central to Olkowski's thinking. In Kelly she finds an artist at work whose creative acts are in themselves the ruin of representation as a whole, and the text is illustrated with Kelly's art. This original and provocative account of Deleuze contributes significantly to a critical feminist politics and philosophy, as well as to an understanding of feminist art.