Bloom surveys with majestic view the literature of the West from the Old Testament to Samuel Beckett. He provocatively rereads the Yahwist (or J) writer, Jeremiah, Job, Jonah, the Iliad, the Aeneid, Dante's Divine Comedy, Hamlet, King Lear, Othello, the Henry IV plays, Paradise Lost, Blake's Milton, Wordsworth's Prelude, and works by Freud, Kafka, and Beckett. In so doing, he uncovers the truth that all our attempts to call any strong work more sacred than another are merely political and social formulations. This is criticism at its best. Table of Contents: 1. The Hebrew Bible 2. From Homer to Dante 3. Shakespeare 4. Milton 5. Enlightenment and Romanticism 6. Freud and Beyond Reviews of this book: Bloom's puissance is not entirely his own; for some of it, he is indebted to Nietzsche, Freud, Schopenhauer, Gershom Scholem, and other masters. But enough of it is his own to constitute a distinctive form of splendor. --Denis Donoghue, New York Review of Books Reviews of this book: The wit, the eclecticism and the gripping paradoxes...the force of [Bloom's] intellect carries the reader from pinnacle to pinnacle, showing a new spiritual landscape from each. --Roger Scruton, Washington Times Reviews of this book: In some ways the wildest of the wild men (and women), in some ways the most traditional of the traditionalists, Harold Bloom remains serene amid the turbulence--much of it caused by him. He stands dauntless, a party of one, as thrilling to behold up on the high wire as he is (at times) throttling to read on the page...From this strong critic dealing with these strong poets comes a potent mix of insight. --Mark Feeney, Boston Globe

A controversial national best seller upon its initial publication, The Book of J is an audacious work of literary restoration revealing one of the great narratives of all time and unveiling its mysterious author. J is the title that scholars ascribe to the nameless writer they believe is responsible for the text, written between 950 and 900 BCE, on which Genesis, Exodus, and Numbers is based. In The Book of J, accompanying David Rosenberg's translation, Harold Bloom persuasively argues that J was a woman--very likely a woman of the royal house at King Solomon's court--and a writer of the stature of Homer, Shakespeare, and Tolstoy. Rosenberg's translations from the Hebrew bring J's stories to life and reveal her towering originality and grasp of humanity. Bloom argues in several essays that "J" was not a religious writer but a fierce ironist. He also offers historical context, a discussion of the theory of how the different texts came together to create the Bible, and translation notes.

La 4ème de couv. indique : "In this fascinating work of religious criticism, Harold Bloom examines a number of American-born faiths: Pentecostalism, Mormonism, Seventh-day Adventism, Christian Science, Jehovah's Witnesses, Southern Baptism and Fundamentalism, and African American spirituality. He traces the distinctive features of American religion while asking provocative questions about the role religion plays in American culture and in each American's concept of his or her relationship to God. Bloom finds that our spiritual beliefs provide an exact portrait of our national character."

Featuring a selection from over 80 key texts, this anthology aims to help the reader to understand the common origins of religious expression and of literature. The texts included cover classical literature, the Bible, English and European classics and contemporary works.

Christopher Hitchens, described in the London Observer as “one of the most prolific, as well as brilliant, journalists of our time” takes on his biggest subject yet–the increasingly dangerous role of religion in the world. In the tradition of Bertrand Russell’s Why I Am Not a Christian and Sam Harris’s recent bestseller, The End Of Faith, Christopher Hitchens makes the ultimate case against religion. With a close and erudite reading of the major religious texts, he documents the ways in which religion is a man-made wish, a cause of dangerous sexual repression, and a distortion of our origins in the cosmos. With eloquent clarity, Hitchens frames the argument for a more secular life based on science and reason, in which hell is replaced by the Hubble Telescope’s awesome view of the universe, and Moses and the burning bush give way to the beauty and symmetry of the double helix.

Presents a comprehensive A-to-Z reference with approximately 400 entries providing facts about British poets and their poetry from the seventeenth and eighteenth centuries.