Rudy Park: The People Must Be Wired is the hilarious first collection of the technocentric comic strip Rudy Park. The strip lampoons the fast pace of our technology-driven world, our obsession with materialism, and the foibles of our cultural and political icons. Set at an Internet café, the strip follows the lives of a regular cast of characters, including Rudy, the café's manager, who believes in all things Internet, the healing powers of consumption, and the conviction that inner peace lies in having the latest technological gadget. At the cybercafé, Rudy must deal with his new station in life, his entrepreneurial boss, and an odd assortment of regular patrons, like Mrs. Cohen, an irascible octogenarian who challenges Rudy at every turn. The café is also a crossroads for contemporary issues and celebrity and political visitors, such as John Ashcroft (who monitors people from his home inside a pastry container at the cafe), and Senator Tom Daschle (who, afraid to draw too much attention to himself, lives under a table). Writer Theron Heir grew up in Boulder, Colorado, but currently lives in San Francisco. He is biding his time with cartooning until he finds a way to profit from his revolutionary theories on napping. Cartoonist Darrin Bell grew up in East L.A. before making his current home in the San Francisco Bay Area. His other comic strip, Candorville, is syndicated by the Washington Post Writer's Group. His editorial cartoons appear regularly in the L.A. Times and other major newspapers.

A 2017 Quick Pick for Reluctant Young Adult Readers, this witty and entertaining contemporary debut deftly combines high school drama with pitch-perfect flirty banter. Taylor Simmons is screwed. Things were hard enough when her dedication to her studies earned her the title of Ice Queen, but after she got drunk at a party and woke up next to bad boy surfer Evan McKinley, the entire school seems intent on tearing Taylor down with mockery and gossip. Desperate to salvage her reputation, Taylor persuades Evan to pretend they're in a serious romantic relationship. After all, it's better to be the girl who tames the wild surfer than just another notch on his surfboard. Readers will be ready to sign their own love contract after reading The Way to Game the Walk of Shame, a fun and addicting contemporary YA romance by Jenn P. Nguyen and chosen by readers like you for Macmillan's young adult imprint Swoon Reads. Praise for The Way to Game the Walk of Shame: "The Way to Game the Walk of Shame is the cutest heart-swelling romance to hit the shelves in ages." —Pooled Ink "A feel good romance with tons of laughs and flirty banter." —Young Adult Book Madness “I love that it's so funny, yet at the same time the characters have a lot of depth and emotional growth.” —Ashley Maker, reader on SwoonReads.com

Rudy Park and the other regulars and misfits who hang out at the House of Java coffeehouse form a modern nuclear family, drawn together by something much more powerful than blood: caffeine. Just as cavemen once hung out around a campfire, our regulars gather around the espresso machine discussing issues of the day, coping with modern life, and engaging in the occasional violent dispute over the bathroom key. The cafe also serves as a crossroads for current events and a watering hole for celebrities and politicians, such as J-Lo and Ben Affleck (contemplating a joint run for governor), Dick Cheney (doling out dating advice), and the gang from Queer Eye for the Straight Guy (making sure everyone is dressed suitably for the comics page). So sit down with a warm cup of joe and enjoy Peace, Love, and Lattes, the second collection of Rudy Park, which Newsweek named as one of the top three contenders for new strip of the decade. Along the way, get to know the strip's main cast, including Rudy, a technolover of the highest order who is in a constant, chronic battle to stay current with the latest and greatest gadgets, pop culture, and fashion trends. Then there is Rudy's archnemesis, the aging technophobe and curmudgeon Sadie Cohen; Rudy's notoriously frugal 21-year-old boss, Armstrong Maynard; Darlene, the workaholic object of Rudy's affection; and a Fabioesque former football player named Randy "The Rock" Taylor. Rudy Park offers social and cultural commentary that is both insightful and hilarious. With Rudy at the forefront, this technocentric strip lampoons the fast pace of our technology-driven world, our obsession with material possessions, and the folly of our cultural and political icons. Since bursting onto the comics page in 2001, the strip has grown in syndication to nearly 100 newspapers and Web sites, including the Seattle Times, Las Vegas Review-Journal, Honolulu Star-Bulletin, Chicago Sun-Times, Detroit Free Press, and Denver's Rocky Mountain News.

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Syndicated cartoonist and illustrator Tim Jackson offers an unprecedented look at the rich yet largely untold story of African American cartoon artists. This book provides a historical record of the people who created seventy-plus comic strips, many editorial cartoons, and illustrations for articles. The volume covers the mid-1880s, the early years of the self-proclaimed Black press, to 1968, when African American cartoon artists were accepted in the so-called mainstream. When the cartoon world was preparing to celebrate the one hundredth anniversary of the American comic strip, Jackson anticipated that books and articles published upon the anniversary would either exclude African American artists or feature only the three whose work appeared in mainstream newspapers after Dr. Martin Luther King Jr.'s assassination in 1968. Jackson was determined to make it impossible for critics and scholars to plead an ignorance of Black cartoonists or to claim that there is no information on them. He began in 1997 cataloging biographies of African American cartoonists, illustrators, and graphic designers, and showing samples of their work. His research involved searching historic newspapers and magazines as well as books and “Who's Who” directories. This project strives not only to record the contributions of African American artists, but also to place them in full historical context. Revealed chronologically, these cartoons offer an invaluable perspective on American history of the Black community during pivotal moments, including the Great Migration, race riots, the Great Depression, and both World Wars. Many of the greatest creators have already died, so Jackson recognizes the stakes in remembering them before this hidden, yet vivid, history is irretrievably lost.