An intriguing portrait of Holy Roman Emperor Rudolf II, heir to the Habsburg empire, focuses on the thirty-six-year reign and the extraordinary mathematicians, alchemists, artists, astronomers, and philosophers who made up his court--including Johannes Kepler, Tycho Brahe, Francis Bacon, and others--and made Prague the artistic and scientific center of Europe. 25,000 first printing.

Nearly 400 years after the death of Rudolph II, the city of Prague is hosting during the summer of 1997 a celebration of art, music, and science in honor of the enlightened and eccentric Hapsburg ruler. Prepared with the Prague Castle Administration, this official and comprehensive catalog contains significant artistic achievements of both court and city. 1500 illus. 250 in color.

A selection of forty-one pages of the manuscript Mira calligraphiae monumenta, comprising Joris Hoefnagel's illumination of Georg Bocskay's model book of calligraphy, now in the manuscript collection of the J. Paul Getty Museum.

The court of Holy Roman Emperor Rudolf II produced nothing more amazing than the Mira colligrophioe monumenta, a flamboyant demonstration of two arts-calligraphy and miniature painting. The project began when Rudolf's predecessor commissioned the master calligrapher Georg Bocskay to create a model book of calligraphy. A preeminent scribe, Bocskay assembled a vast selection of contemporary and historic scripts. Many were intended not for practical use but for virtuosic display. Years later, at Rudolf's behest, court artist Joris Hoefnagel filled the spaces on each manuscript page with images of fruit, flowers, insects, and other natural minutiae. The combination of word and images is rare and, on its tiny scale, constitutes one of the marvels of the Central European Renaissance. The manuscript is now in the collections of the Getty Museum. Forty-eight of its pages are reproduced in this book, containing samples of classic italic hands; historical, invented, and exhibition hands; Rotunda, a classicizing humanist script based on Carolingian miniscule; classically based scripts; and Gothic blackletter and chancery.

Rudolf II-Habsburg heir, Holy Roman Emperor, king of Hungary, Germany, and the Romans-is one of history's great characters, and yet he remains largely an unknown figure. His reign (1576-1612) roughly mirrored that of Queen Elizabeth I of England, and while her famous court is widely recognized as a sixteenth century Who's Who, Rudolf 's collection of mathematicians, alchemists, artists, philosophers and astronomers-among them the greatest and most subversive minds of the time-was no less prestigious and perhaps even more influential. Driven to understand the deepest secrets of nature and the riddle of existence, Rudolf invited to his court an endless stream of genius-Danish astronomer Tycho Brahe, German mathematician Johannes Kepler, English magus John Dee, Francis Bacon, and mannerist painter Giuseppe Archimboldo among many others. Prague became the artistic and scientific center of the known world-an island of intellectual tolerance between Catholicism, Protestantism, and Islam. Combining the wonders and architectural beauty of sixteenth century Prague with the larger than-life characters of Rudolf 's court, Peter Marshall provides an exciting new perspective on the pivotal moment of transition between medieval and modern, when the foundation was laid for the Scientific Revolution and the Enlightenment.

In the late 16th century the greatest philosophers, alchemists, astronomers, painters, and mathematicians of the day flocked to Prague to work under the patronage of the Holy Roman Emperor Rudolf II, an emperor more interested in the great minds of his times than in the exercise of his immense power. Rarely leaving Prague Castle, he gathered around him a galaxy of famous figures: among them the painter Arcimboldo, the astronomer Tycho Brahe, the mathematician Johannes Kepler, the philosopher Giordano Bruno and the magus John Dee. Fascinated by the new Renaissance learning, Rudolf found it nearly impossible to make decisions of state. Like Faust, he was prepared to risk all in the pursuit of magical knowledge and the Philosopher's Stone which would turn base metals into gold and prolong life indefinitely. But he also faced threats: religious discord, the Ottoman Empire, his own deepening melancholy and an ambitious younger brother. As a result he lost his empire and nearly his sanity. But he enabled Prague to enjoy a golden age of peace and creativity before Europe was engulfed in the Thirty Years' War. Filled with angels and devils, high art and low cunning, talismans and stars, The Mercurial Emperor offers a captivating perspective on a pivotal moment in the history of Western civilisation.