Looking For Alice by British photographer Sian Davey tells the story of her young daughter Alice and their family. Alice was born with Down's Syndrome, but is no different to any other little girl or indeed human being. She feels what we all feel. Their family is also like many other families, and Sian's portraits of Alice and their daily life are both intimate and familiar. She states: My family is a microcosm for the dynamics occurring in many other families. Previously as a psychotherapist I have listened to many stories and it is interesting that what has been revealed to me, after fifteen years of practice, is not how different we are to one another, but rather how alike we are as people. It is what we share that is significant. The stories vary but we all experience similar emotions. However despite the normality, the underlying fact is that society does not acknowledge Alice as such, and her very existence was given little or no value. She entered a world where routine genetic screening at twelve weeks gestation is thrust towards birth prevention rather than birth preparation. Indeed, prior to the introduction of screening, children such as Alice would have been severely marginalised and ultimately institutionalised and given little or limited medical care. I was also deeply shocked when Alice was born as an 'imperfect' baby. I was fraught with anxiety that rippled through to every aspect of my relationship with her. My anxieties penetrated my dreams. On reflection I saw that Alice was feeling my rejection of her and that caused me further pain. I saw that the responsibility lay with me; I had to dig deep into my own prejudices and shine a light on them. The result was that as my fear dissolved I fell in love with my daughter. We all did.

Marching To The Freedom Dream presents American photojournalist Dan Budniks significant body of work documenting three seminal marches of the civil rights movement. It is published to coincide with the 50th anniversary of the Civil Rights Act of 1964, and precedes the 50th anniversaries of the Selma-Montgomery March and the Voting Rights Act in 2015. An introduction to the book is written by prolific civil rights activist, Harry Belafonte.

Nestled within the redwood forests of Monte Rio, northern California, sits Bohemian Grove, a 2,700-acre retreat owned by the exclusive gentlemen's San Francisco Bohemian Club, founded in 1872. Every summer, the retreat is frequented by the political and business elite of the US. Shrouded in secrecy, the activities at the grove have become the subject of countless conspiracy theories and rumours. In 2000, Alex Jones, the founder of infowars, broke into the encampment in an attempt to "expose the new world order" and filmed the Cremation of Care, a theatrical ceremony in which an effigy of the members' "worldly cares" is burnt. Beyond inspiring a bizarre attack on Bohemian Grove by a masked vigilante calling himself the Phantom Patriot in 2002, the release of the video footage, set within an alarmist context, was instrumental in increasing Jones' profile as a far-right activist and subsequently springboarded infowars to become an influential outlet of fake news in recent US politics. In 'Parliament of Owls', Jack Latham investigates the effects that a vacuum of information can cause. Includes 13 transcripts from various sources and an essay by Professor Peter Phillips

Daniel Meadows is a pioneer of contemporary British documentary practice. His photographs and audio recordings, made over forty-five years, capture the life of England's 'great ordinary'. Challenging the status quo by working collaboratively, he has fashioned from his many encounters a nation's story both magical and familiar.This book includes important work from Meadows' ground-breaking projects, drawing on the archives now held at the Bodleian Library. Fiercely independent, Meadows devised many of his creative processes: he ran a free portrait studio in Manchester's Moss Side in 1972, then travelled 10,000 miles making a national portrait from his converted double-decker the Free Photographic Omnibus, a project he revisited a quarter of a century later. At the turn of the millennium he adopted new 'kitchen table' technologies to make digital stories: 'multimedia sonnets from the people', as he called them. He sometimes returned to those he had photographed, listening for how things were and how they had changed. Through their unique voices he finds a moving and insightful commentary on life in Britain. Then and now. Now and then.

In 'Another Way of Looking at Love', the landscape is explored as a metaphor to consider the personal, societal, and environmental consequences of disconnection, and simultaneously, our yearning to be connected. From 2015-2018, Janelle Lynch (born 1969) has used an 8 x 10 camera to create still lives in the landscape that combine similar and disparate visual and biological elements. This process begins by identifying details in nature that, based on a unique vantage point, created geometric formations of closure. The connective point, or nucleus, that is created by the union becomes the artist?s plane of focus. The work is informed by Lynch?s recent immersion in drawing and painting from perception, primarily by charcoal mark-making?a new aspect of her practice that has allowed for a deeper inquiry into the nature of seeing, such as: formal abstraction, color relativity, and the notion of relationality.