A methodological follow-up to Arts of Living on a Damaged Planet The environmental and climatic crises of our time are fundamentally multispecies crises. And the Anthropocene, a time of “human-made” disruptions on a planetary scale, is a disruption of the fabric of life as a whole. The contributors to Rubber Boots Methods for the Anthropocene argue that understanding the multispecies nature of these disruptions requires multispecies methods. Answering methodological challenges posed by the Anthropocene, Rubber Boots Methods for the Anthropocene retools the empirical study of the socioecological chaos of the contemporary moment across the arts, human science, and natural science. Based on critical landscape history, multispecies curiosity, and collaboration across disciplines and knowledge systems, the volume presents thirteen transdisciplinary accounts of practical methodological experimentation, highlighting diverse settings ranging from the High Arctic to the deserts of southern Africa and from the pampas of Argentina to the coral reefs of the Western Pacific, always insisting on the importance of firsthand, “rubber boots” immersion in the field. The methodological companion to Arts of Living on a Damaged Planet: Ghosts and Monsters of the Anthropocene (Minnesota, 2017), this collection puts forth empirical studies of the multispecies messiness of contemporary life that investigate some of the critical questions of our time. Contributors: Filippo Bertoni, Museum für Naturkunde, Berlin; Harshavardhan Bhat, U of Westminster; Nathalia Brichet, U of Copenhagen; Janne Flora, Aarhus U, Denmark; Natalie Forssman, U of British Columbia; Peter Funch, Aarhus U; Kirsten Hastrup, U of Copenhagen; Colin Hoag, Smith College; Joseph Klein, U of California, Santa Cruz; Andrew S. Mathews, U of California, Santa Cruz; Daniel Münster, U of Oslo; Ursula Münster, U of Oslo; Jon Rasmus Nyquist, U of Oslo; Katy Overstreet, U of Copenhagen; Pierre du Plessis, U of Oslo; Meredith Root-Bernstein; Heather Anne Swanson, Aarhus U; Anna Lowenhaupt Tsing, U of California, Santa Cruz; Stine Vestbo.

In recent years, walking has emerged as a methodological tool and as a conceptually exciting point of departure across a range of disciplines and practices. This volume explores walking as a form of embodied research practice that offers fresh perspectives on key contemporary debates and areas of interest. These include the climate emergency and the debate around the Anthropocene, decolonial thinking and the struggle for social justice, feminist and queer walking methodologies, and the notion of the ‘infraordinary’ and practices of everyday life. Contributions to this volume are by scholars, artists and practitioners drawn from a wide range of disciplines and fields, and from across the Global South and North. An overarching theme of the volume is the manner in which the act of walking brings the body into presence as a material part of the research process, and the forms of attentiveness that this encourages. Another theme is the intimate connection between the act of walking and the act of writing. As familiar landscapes change under the weight of Anthropogenic environmental change, walking becomes an act of witnessing and a spur to action. Rather than being a singular activity, walking itself is understood as a socially, economically and politically constructed and contested act. This volume will serve as a source of inspiration to readers from across the arts, humanities, and social sciences who are interested in walking methodologies and in new and sustainable research practices.

The Anthropocene and the Undead describes how our experience of an increasingly erratic environment and the idea of the undead are more closely linked than the obvious zombie horde signaling the end of the world. In fact, as described here, much of how we understand the anthropocene both conceptually and in practice involves undead entities from the past that will not die, undead traumas that rise up and consume the world, and undead temporalities that can never end. Fifteen original essays by cultural and anthropological experts such as Kyle William Bishop, Nils Bubandt, Johan Höglund, and Steffen Hantke, among others, study the nature of humanity’s ongoing complicated relationship to the environment via the concept of the undead. In doing so, The Anthropocene and the Undead sheds invaluable light on adjacent concepts such as the Capitalocene, Necrocene, Disanthropocene, Post-anthropocene, and the Symbiocene to trace real and imagined trajectories of our more-than-human selves into undead and undying futures.

This book initiates multipolar climate/clime studies of the world’s altitudinal and latitudinal highlands with terrestrial, experiential, and affective approaches. Framed in the environmental humanities, it is an interdisciplinary, comparative study of the mutually-embodied relations of climate, nature, culture, and place in the Himalaya, Andes, and Arctic. Innovation-driven, the book offers multipolar clime case studies through the contributors’ historical findings, ethnographic documentations, and diverse conceptualizations and applications of clime, an overlooked but returning notion of place embodied with climate history, pattern, and changes. The multipolar clime case studies in the book are geared toward deeper, lively explorations and demonstrations of the translatability, interchangeability, and complementarity between the notions of clime and climate. "Multipolar" or "multipolarity" in this book connotes not only the two polar regions and the tectonically shaped highlands of the earth but also diversely debated perspectives of climate studies in the broadest sense. Contributors across the twelve chapters come from diverse fields of social and natural sciences and humanities, and geographically specialize, respectively, in the Himalayan, Andean, and Arctic regions. The first comparative study of climate change in altitudinal and latitudinal highlands, this will be an important read for students, academics, and researchers in environmental humanities, anthropology, climate science, indigenous studies, and ecology.

Landlocked and surrounded by South Africa on all sides, the mountain kingdom of Lesotho became the world's first "water-exporting country" when it signed a 1986 treaty with its powerful neighbor. An elaborate network of dams and tunnels now carries water to Johannesburg, the subcontinent's water-stressed economic epicenter. Hopes that proceeds from water sales could improve Lesotho's fortunes, however, have clashed with fears that soil erosion from overgrazing livestock could fill its reservoirs with sediment. In this wide-ranging and deeply researched book, Colin Hoag shows how producing water commodities incites a fluvial imagination: a sense for how water flows. As we enter our planet's water-export era, Lesotho exposes the possibilities and perils ahead. "Colin Hoag's keen ethnographic eye shows how the Basotho's beloved pula (rain) was transformed into exportable and commodified 'water,' demonstrating how dams are entangled with a host of thorny social and political issues." - James Ferguson, author of Give a Man a Fish: Reflections on the New Politics of Distribution "A rich account of the ecological, political, and economic contradictions produced through Lesotho's water-export economy. The work is engaging and well-written, based on long-term fieldwork in Lesotho's grazing communities, where lives and livelihoods are bound by the state's management of water." - Laura A. Ogden, author of Swamplife: People, Gators, and Mangroves Entangled in the Everglades "A beautifully written and thoroughly interdisciplinary book that shows why and how it is necessary to engage histories of racialization and commoditization in scientific practice, on the one hand, and natural scientific practices in the social sciences, on the other. In describing the ongoing histories and infrastructures that make water and empire durable forces, Hoag's work is a wonderful and timely contribution." - Nikhil Anand, author of Hydraulic City: Water and the Infrastructures of Citizenship in Mumbai.