RUBA'IYAT OF KHUSHAL The Sufi Saint, Poet & Warrior of Afghanistan Translation & Introduction Paul Smith Khushal Khan Khattak (1613-1689) was a Pashtun poet, warrior, Sufi Master and chief of the Khattak tribe. He wrote in Pashtu during the reign of the Mughals and fought the fanatic Aurangzeb and admonished Afghans to forsake their divisive tendencies and unite. He was the father of fifty-seven sons, some fine poets and thirty daughters. He is the author of over 200 works in Pashtu and Persian, consisting of Poetry, Sufism, Medicine, Ethics, Religious Jurisprudence, Philosophy, Falconry, etc., together with an account of the events of his own life. He wrote many ghazals, over 2000 ruba'is (over 200 translated here), qasidas, qi'tas and masnavis. Introduction: Life, Times & Poetry of Khushal; Forms & History of the Ruba'i; Selected Bibliography. Correct rhyme-structure of the ruba'i is kept and the meaning of these beautiful, powerful, and often spiritual (Sufi) four line poems. Large Print (16pt), Large Format (7" x 10") Pages 300. Paul Smith (b. 1945) is a poet, author and translator of many books of Sufi poets of the Persian, Arabic, Urdu, Turkish, Pashtu and other languages... including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Jahan Khatun, Obeyd Zakani, Nesimi, Kabir, Anvari, Ansari, Jami, Khayyam, Rudaki, Yunus Emre, Lalla Ded, and many others, and his own poetry, fiction, plays, biographies, children's books, 12 screenplays. amazon.com/author/smithpa

>KHUSHAL KHAN KHATTAK

DIVAN OF KHUSHAL Translation & Introduction by Paul Smith Khushal Khan Khattak (1613-1689) was a Pashtun poet, warrior, Sufi and chief of the Khattak tribe. He wrote in Pashtu during the reign of the Mughals and fought the fanatic Aurangzeb and admonished Afghans to forsake their divisive tendencies and unite. He was the father of fifty-seven sons, some of them fine poets and thirty daughters. He is the author of over 200 works in Pashtu and Persian, consisting of Poetry, Sufism, Medicine, Ethics, Religious Jurisprudence, Philosophy, Falconry, etc., together with an account of the events of his own life. His poetry is said to consist of more than 45,000 poems! There is no other poet in the Afghan language who created so many poems on such a wide range of subjects. He wrote many ghazals, ruba'is, qasidas, qi'tas and masnavis. Introduction on his Life, Times & Poetry; Various Forms of Poetry Used by Khushal; Selected Bibliography. Correct rhyme-structure has been kept and the meaning of these beautiful, powerful, and often Sufi spiritual poems. Appendix: The Poems of Khushal Khan Kattak from...Selections from the Poetry of the Afghans, by H.G. Raverty, [1868], (died 1906)... Large Format Paperback. Pages 331 COMMENTS ON PAUL SMITH'S TRANSLATION OF HAFIZ'S 'DIVAN'. "It is not a joke... the English version of ALL the ghazals of Hafiz is a great feat and of paramount importance. I am astonished." Dr. Mir Mohammad Taghavi (Dr. of Literature) Tehran. "Superb translations. 99% Hafiz 1% Paul Smith." Ali Akbar Shapurzman, translator and knower of Hafiz's Divan off by heart. "Smith has probably put together the greatest collection of literary facts and history concerning Hafiz." Daniel Ladinsky (Penguin Books author). Paul Smith (b. 1945) is a poet, author and translator of many books of Sufi poets from the Persian, Arabic, Urdu, Turkish, Pashtu and other languages including Hafiz, Sadi, Nizami, Rumi, 'Attar, Sana'i, Obeyd Zakani, Mu'in, Amir Khusrau, Nesimi, Kabir, Anvari, Ansari, Jami, Khayyam, Rudaki, Seemab, Jigar, Hali, Makhfi, Abu Nuwas and others, and his own poetry, fiction, plays, biographies and screenplays. www.newhumanitybooks.com.

India has a rich literary assemblage produced by its many different regional traditions, religious faiths, ethnic subcultures and linguistic groups. The published literature of the 20th century is a particularly interesting subject and is the focus of this book, as it represents the provocative conjuncture of the transitions of Indian modernity. This reference book surveys the major regional literatures of contemporary India in the context of the country's diversity and heterogeneity. Chapters are devoted to particular regions, and the arrangement of the work invites comparisons of literary traditions. Chapters provide extensive bibliographies of primary works, thus documenting the creative achievement of numerous contemporary Indian authors. Some chapters cite secondary works as well, and the volume concludes with a list of general works providing further information. An introductory essay overviews theoretical concerns, ideological and aesthetic considerations, developments in various genres, and the history of publishing in regional literatures. The introduction provides a context for approaching the chapters that follow, each of which is devoted to the literature of a particular region. Each chapter begins with a concise introductory section. The body of each chapter is structured according to social and historical events, literary forms, or broad descriptive or analytic trends, depending on the particular subject matter. Each chapter then closes with an extensive bibliography of primary works, thus documenting the rich literary tradition of the region. Some chapters also cite secondary sources as an aid to the reader. The final chapters of the book address special topics, such as sub-cultural literatures, or the interplay between literature and film. A list of additional sources of general information concludes the volume.

First published in 1932, this slim volume of short stories created a firestorm of public outrage for its bold attack on the hypocrisy of conservative Islam and British colonialism. Inspired by British modernists like Woolf and Joyce as well as the Indian independence movement, the four young trailblazers who penned this collection were eager to revolutionize Urdu literature. Instead, they invited the wrath of the establishment: the book was burned in protest and then banned by the British authorities. Nevertheless, Angaaray spawned a new generation of Urdu writers and gave birth to the Progressive Writers' Association, whose members included, among others, stalwarts like Chughtai, Manto, Premchand and Faiz. This edition also provides a compelling account of the furore surrounding this explosive collection.