Originally published in 1906, A Royal Tragedy is the historical dramatization of the murders of young King Alexander and Queen Draga, the last of the Obrenovich rulers of Servia. Mijatovic aimed to tell the truth about their rule, both good and ill, so that readers might discover why the royals were brutally assassinated in the Queen's bedroom. Mijatovic was a personal acquaintance of the royal family, and so the story is told from his perspective, detailing what he knew and observed firsthand. History buffs will find the story of Alexander and Draga a moving tale of political and personal calamity. Serbian writer and statesman CEDOMILIJ MIJATOVIC (1842-1932) was one of the leaders of Serbia's Progressive Party. He became the minister of finance at the age of thirty-one and passed many important reforms, including the development of a new currency and protections for the poor. He wrote a number of books in English, including Servia and the Servians (1908) and The Memoirs of a Balkan Diplomatist (1917).

Vicious battles, powerful monarchs, and royal intrigue abound in this “gripping, complex, and sensational” (Hilary Mantel) true story of the War of the Roses—a struggle among three brothers, two of whom became kings, and the inspiration for Shakespeare’s renowned play, Richard III. In 15th-century England, two royal families, the House of York and the House of Lancaster, fought a bitter, decades-long civil war for the English throne. As their symbols were a red rose for Lancaster and a white rose for York, the conflict became known as the Wars of the Roses. During this time, the house of York came to dominate England. At its heart were three charismatic brothers—King Edward IV, and his two younger siblings George and Richard—who became the figureheads of a spectacular ruling dynasty. Together, they looked invincible. But with Edward’s ascendancy the brothers began to turn on one another, unleashing a catastrophic chain of rebellion, vendetta, fratricide, usurpation, and regicide. The brutal end came at Bosworth Field in 1485, with the death of the youngest, then Richard III, at the hands of a new usurper, Henry Tudor, later Henry VII, progenitor of the Tudor line of monarchs. Fascinating, dramatic, and filled with vivid historical detail, The Brothers York is a brilliant account of a conflict that fractured England for a generation. Riven by internal rivalries, jealousy, and infighting, the three York brothers failed to sustain their power and instead self-destructed. It is a rich and bloody tale as gripping as any historical fiction.

This work provides a portrait of Nepal's doom-laden royal dynasty from its staggering expansion in the 18th century to the massacre in June 2001 - a sequence of events worthy of a Greek tragedy. Nepal, a fabulous country of sublime natural beauty, has a history inextricably mixed with kingship. There have been kings in its mountain valleys for millennia. Buddha Siddharta was born a Nepalese prince and the current dynasty traces its ancestry to the Rajput princes from Rajasthan. Nepal is the last Hindu kingdom in the world, in which the same traditions of kingship are practised now as in Vedic times. Kings are gods, and history, kingship and myth are culturally woven together. The current Shah dynasty created modern Nepal and was the complete focus of national identity.

On October 25, 1836, the sidewheel steamer Royal Tar caught fire in Maine's Penobscot Bay. On board was a small circus menagerie returning to Boston from a summer-long tour of the Canadian Maritimes. Plagued by gale-force winds and rough seas, the usual overnight trip from Saint John, New Brunswick, stretched out to four days and, on the fourth day, disaster struck off the island of Vinalhaven. Thirty-two people and all of the circus animals perished in the tragedy. Mark Warner explores the events leading up to that fateful day. Beginning with the construction of the Royal Tar, he traces the vessel's service history, the menagerie's tour of the Maritimes, the cause of the fire, and details of the rescue operation.

William Shakespeare explores political survival as a question of interaction at court in King Lear, Macbeth, and Antony and Cleopatra. Through a discussion of authority as an element that is distinct from power, this book offers a new perspective on the importance of acts of persuasion and the contribution the late tragedies make to Shakespeare’s portrayal of monarchy. It argues that the most productive uses of the material power to judge or reward are those that reinforce royal authority and establish the monarch at the centre of the web of noble relationships. In the late tragedies, rulership is exercised at court. It acquires a nature of its own as the interaction of powerful and potentially powerful individuals among the nobility. The persuasive exercise of authority complements the tangible power that is founded on the monarch’s material resources, so that consent to the monarch’s supremacy is obtained through various discourses of justification and the performance of the monarch’s social role. Shakespeare’s combination of emotional intimacy with political concerns becomes central to the tragedies of these three plays when the failure to establish control over power and authority leads to the breakdown of established values and political traditions.