ROYAL SAVAGE I CAN'T CLOSE MY EYES... I refuse to. Every time I do, all I see is blood, death, and pain. I can feel it - almost taste it, bringing me back to that night. It doesn't matter that I'm still breathing; I no longer need it, I no longer want it. I despise it along with everything else around me. The only thing I long for is to fade away. I've given up. Until her at least... AVALON. She comes into my world, knocking me on my a@s. It turns me on to have her around me. Makes me want to wrap my hand around her tight little throat and fu@k her until she feels my pain, feels the monster in me, but also makes me want to protect her from the very thing that she should be afraid of... me. Once she sees the damage that I'm capable of; she'll look at me like everyone else around me does: with fear. AVALON KNIGHT HIS EYES... THE DARKNESS IN them draws me to him, making me want to taste him, feel him... and save him. I shouldn't have gotten on the back of his motorcycle that day. I know that now. Colton warned me. I was told it was dangerous. I was told that nothing would be the same. He was right. ROYAL is dangerous, dark, and seductive; the very thing that keeps me hanging on, willing to give my last breath just to touch him... breathe him in. He's savage, inked, and highly captivating. So different from his brother... He's hazardous to my health, mind, and body, yet the only thing that I crave. I want to free him. I want to change his mind, but I'm afraid that he's already too faded...

Miss Lucinda Westerville, a country vicar's daughter, agrees to a marriage in name only to the Marquess of Rockingham, despite his reputation as a rake

As president of my MC, I've always had to hide a part of who I am. I was fine with that until he walked into my life. Now, I can't shove that half of myself into the dark anymore. My club won't understand and the woman I want definitely won't get it, but what choice do I have? I want them both and I'm done with not taking what I want. Yeah, I'm savage enough to screw the rules to get what I want and I want them.Both of them--and I won't settle for less. You can't control who you love but sometimes, it's savage enough to make its own heat.

This is the first book to cover every aspect of the Savage 99 family of centerfire rifles from the prototypes to the last rifle produced, including Savage's only production military rifle, the Montreal Home Guard musket from WWI. It is also the first book on the Model 99 to be photo driven, with more than 250 color images. The book covers the variations in each model and addresses comparisons between similar models; dispels a number of myths, misconceptions, and catalog errors and omissions; and contains complete production figures by serial number and year. Special features and factory engraved rifles are also included, covering every style of engraving by Enoc Tue in the early twentieth century, the 99K, the PE and DE, and commemoratives.

“An incredibly interesting work.” —Jane Smiley “A straight up masterwork.” —Sarah Silverman “Blisteringly funny.” —Corey Seymour “A transcendent apocalyptic satire.” —Michael Silverblatt “Crackling with life.” —Paul Theroux “Great fun.” —Salman Rushdie “A provocative debut.” —Kirkus Reviews From legendary actor and activist Sean Penn comes a scorching, “charmingly weird” (Booklist, starred review) novel about Bob Honey—a modern American man, entrepreneur, and part-time assassin. Bob Honey has a hard time connecting with other people, especially since his divorce. He’s tired of being marketed to every moment, sick of a world where even an orgasm isn’t real until it is turned into a tweet. A paragon of old-fashioned American entrepreneurship, Bob sells septic tanks to Jehovah’s Witnesses and arranges pyrotechnic displays for foreign dictators. He’s also a contract killer for an off-the-books program run by a branch of United States intelligence that targets the elderly, the infirm, and others who drain society of its resources. When a nosy journalist starts asking questions, Bob can’t decide if it’s a chance to form some sort of new friendship or the beginning of the end for him. With treason on everyone’s lips, terrorism in everyone’s sights, and American political life sinking to ever-lower standards, Bob decides it’s time to make a change—if he doesn’t get killed by his mysterious controllers or exposed in the rapacious media first. A thunderbolt of startling images and painted “with a broadly satirical, Vonnegut-ian brush” (Kirkus Reviews), Bob Honey Who Just Do Stuff is one of the year's most controversial and talked about literary works.

"Jon Snow won't be the only 'bastard' whose name readers will remember." —Entertainment Weekly Being a bastard blows. Tilla would know. Her father, Lord Kent of the Western Province, loved her as a child, but cast her aside as soon as he had trueborn children. At sixteen, Tilla spends her days exploring long-forgotten tunnels beneath the castle with her stablehand half-brother, Jax, and her nights drinking with the servants, passing out on Jax's floor while her castle bedroom collects dust. Tilla longs to sit by her father's side, enjoying feasts with the rest of the family. Instead, she sits with the other bastards, like Miles of House Hampstedt, an awkward scholar who's been in love with Tilla since they were children. Then, at a feast honoring the visiting princess Lyriana, the royal shocks everyone by choosing to sit at the Bastards' Table. Before she knows it, Tilla is leading the sheltered princess on a late-night escapade. Along with Jax, Miles, and fellow bastard Zell, a Zitochi warrior from the north, they stumble upon a crime they were never meant to witness. The bastards band together, realizing they alone have the power to prevent a civil war that will tear their kingdom apart—if they can warn the king in time. And if they can survive the journey...