The parks that surround England's Windsor Castle were established in the Middle Ages for the protection of the royal deer. With the assistance of documents in the Public Record Office and the Royal Archives, and works of art in the Royal Collection, Jane Roberts has created an extensive and beautifully illustrated history of this royal acreage. 200 color & 300 b&w illustrations.

There has been a remarkable resurgence in the past decade of intellectual interplay between geography and the humanities in both academic and public circles. Terminology and concepts such as space, place, landscape, mapping and geography are becoming pervasive as conceptual frameworks and core metaphors in recent publications by humanities scholars and well-known writers. Envisioning Landscapes, Making Worlds examines the depth and complexity of human meaning invested in maps, attached to landscapes, and embedded in the spaces and places of modern life. The clashing and blending of cultures caused by globalization and the new technologies that profoundly alter human environmental experience suggest new geographical narratives and representations that are explored here by a multidisciplinary group of authors. With contributions from leadng scholars, this text is essential reading for scholars and students seeking to understand the new synergies and interconnectedness of geography and the humanities.

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The papers in Karia and the Dodekanese, Vol. I, focus on regional developments and interregional relations in western Asia Minor and the Dodekanese during the Late Classical and Early Hellenistic period. Throughout antiquity, this region was a dynamic meeting place for eastern and western civilizations. Cultural achievements of exceptional and everlasting importance, including significant creations of ancient Greek literature, philosophy, art and architecture, originated in the coastal cities of western Anatolia and the adjoining Aegean islands. In the fourth century BC, the eastern cities experienced a new economic boom, and a revival of Archaic culture, sometimes termed ‘The Ionian Renaissance’, began. The cultural revival furthered rebuilding of old major works such as the Artemision at Ephesos, the embellishment of sanctuaries and a new royal architecture, such as the Maussolleion at Halikarnassos. The rich cultural revival was initially promoted by the satrapal family of the Hekatomnids in Karia and in particular by its most famous member, Maussollos, whose influence was not confined to Asia Minor, but included the Dodekanese islands Kos and Rhodos. Partly under the influence of the Karian satrapy, a number of cities were founded on a new common urban model in Rhodos, Halikarnassos, Priene, Knidos and Kos. When Alexander the Great conquered the satrapies in western Asia Minor in 334 BC, the culture initially promoted at the satrapal courts was carried on by gifted thinkers, poets and architects, preparing the way for Hellenistic cultural centres such as Alexandria.

Although the integration of sculpture in gardens is part of a long tradition dating back at least to antiquity, the sculptures themselves are often overlooked, both in the history of art and in the history of the garden. This collection of essays considers the changing relationship between sculpture and gardens over the last three centuries, focusing on four British archetypes: the Georgian landscape garden, the Victorian urban park, the outdoor spaces of twentieth-century modernism and the late-twentieth-century sculpture park. Through a series of case studies exploring the contemporaneous audiences of gardens, the book uncovers the social, political and gendered messages revealed by sculpture's placement and suggests that the garden can itself be read as a sculptural landscape.

Early modern Naples has been characterized as a marginal, wild and exotic place on the fringes of the European world, and as such an appropriate target of attempts, by Catholic missionaries and others, to ’civilize’ the city. Historiographically bypassed in favour of Venice, Florence and Rome, Naples is frequently seen as emblematic of the cultural and political decline in the Italian peninsula and as epitomizing the problems of southern Italy. Yet, as this volume makes plain, such views blind us to some of its most extraordinary qualities, and limit our understanding, not only of one of the world's great capital cities, but also of the wider social, cultural and political dynamics of early modern Europe. As the centre of Spanish colonial power within Europe during the vicerealty, and with a population second only to Paris in early modern Europe, Naples is a city that deserves serious study. Further, as a Habsburg dominion, it offers vital points of comparison with non-European sites which were subject to European colonialism. While European colonization outside Europe has received intense scholarly attention, its cultural impact and representation within Europe remain under-explored. Too much has been taken for granted. Too few questions have been posed. In the sphere of the visual arts, investigation reveals that Neapolitan urbanism, architecture, painting and sculpture were of the highest quality during this period, while differing significantly from those of other Italian cities. For long ignored or treated as the subaltern sister of Rome, this urban treasure house is only now receiving the attention from scholars that it has so long deserved. This volume addresses the central paradoxes operating in early modern Italian scholarship. It seeks to illuminate both the historiographical pressures that have marginalized Naples and to showcase important new developments in Neapolitan cultural history and art history. Those developments showcased here include bot

The image of King Arthur's Round Table is well-known. An archaeological find at Windsor Castle sheds new light on the idea of a round table as a gathering, in the shape of the 'House of the Round Table' which Edward III ordered to be constructed in 1344.