Against the odds, monarchies flourished in nineteenth-century Europe. In an era marked by dramatic change and revolutionary upheaval, Europe's monarchies experienced an unexpected late flowering. Royal Heirs focuses on the roles and personalities of the heirs to the throne from more than a dozen different dynasties that ruled the continent between the French Revolution and the end of the First World War. The book explores how these individuals contributed to the remarkable survival of the crowns they were born to wear. Constitutions, family relationships, education, politics, the media, the need to generate 'soft power' and the militarisation of monarchy all shaped the lives of princes and princesses while they were playing their part to embody and secure the future of monarchy. Ranging from Norway to Spain and from Greece to Britain, Royal Heirs not only paints a vivid picture of a monarchical age, but also explores how such disparate monarchies succeeded in adapting to change and defending their position.

This volume brings together a fascinating selection of studies exploring the soft power tools used by heirs to the throne in order to enhance the communication of monarchies with their audiences during the nineteenth-century. How we perceive royals and their dynasties today – as families, as celebrities, as charitable figureheads of society or as superfluous relics of a bygone age – has deep roots in the monarchical cultures of nineteenth-century Europe. By focusing on the role played by heirs to the throne, this volume offers an original perspective on the ability of monarchies to persuade sceptical audiences, nourish positive emotions and thereby strengthen the position of each dynasty within its respective nation. Using examples from Britain, Italy, Spain, the Netherlands, Austria, Greece, Sweden, Norway and Prussia, an international team of experts analyzes and explains the development of the very soft power tools which are still being used by Ruling Houses today.

A prince's surprise twins may turn his royal marriage into something more... Prince Gabriel Alessandro's top priority is continuing the family line, and he's found the perfect bride-to-be in Lady Olivia Darcy. While their royal marriage is not based on love, he desires her. Making a baby together will be pure pleasure. Then Gabriel learns he is already a father...to twins. Olivia surprises Gabriel with her acceptance of his motherless girls, making him believe their loveless union could blossom into something more. But Olivia's agreement conceals a devastating secret. In danger of losing the dynasty he so desires, will he risk choosing love over duty?

This book explores the development and viability of Germany’s sub-national monarchies in the decades before their sudden demise in 1918. It does so by focusing on the men who turned out to be the last ones to inherit the crowns of the country’s three smaller kingdoms: Prince Ludwig of Bavaria, Prince Friedrich August of Saxony and Prince Wilhelm of Württemberg. Imperial Germany was not a monolithic block, but a motley federation of more than twenty allied regional monarchies, headed by the Kaiser. When the German Reich became a republic at the end of the First World War, all of these kings, grand dukes, dukes and princes were swept away within a fortnight. By examining the lives, experiences and functions of these three men as heirs to the throne during the decades when they prepared themselves for their predestined role as king, this study investigates what the future of the German model of constitutional monarchy looked like before it was so abruptly discarded.

An “original and moving” (The New York Times Book Review), “must-read” (People) portrait of an unforgettable, patrician Manhattan family and the tangled nature of inheritance and legacy, from the author of Like Mother, Like Mother “An absorbing page-turner, full of sex and secrets . . . I loved getting to know the entire Falkes clan.”—New York Times bestselling author Emma Straub AN NPR BEST BOOK OF THE YEAR When English-born lawyer Rupert Falkes dies, his wife and five adult sons are bereft—even more so when six months later, their grieving is interrupted by an unknown woman suing Rupert’s estate, claiming that he was also the father to her two sons. The Falkes brothers are pitched into turmoil, at once missing their father and feeling betrayed by him. In disconcerting contrast, their mother, Eleanor, is cool and calm, showing preternatural composure. Eleanor and Rupert had made an admirable life together, and they were proud of their handsome, talented sons: Harry, a brash law professor; Will, a savvy Hollywood agent; Sam, an astute doctor and scientific researcher; Jack, a jazz trumpet prodigy; Tom, a public-spirited federal prosecutor. The brothers see their identity and success as inextricably tied to family loyalty—a loyalty they always believed their father shared. Struggling to reclaim their identity, the brothers find Eleanor’s sympathy toward the woman and her sons confounding, and they begin to question whether they knew either of their parents at all.

A prince’s surprise twins and the bride’s secret complicate their new marriage in this contemporary romantic series opener. Prince Gabriel Alessandro’s top priority is continuing the family line, and he’s found the perfect bride-to-be in Lady Olivia Darcy. While their royal marriage is not based on love, he does desire her. Making a baby together will be pure pleasure. Then Gabriel learns he is already a father . . . to twins. Olivia surprises Gabriel with her acceptance of his motherless girls, making him believe their loveless union could blossom into something more. But Olivia’s agreement conceals a devastating secret. In danger of losing the dynasty he so desires, will he risk choosing love over duty? Praise for Royal Heirs Required “This is a wonderful start to a romantic new series. . . . The surprise fairy tale-style twist of how they met will have readers sighing with happiness.” —RT Book Reviews,Top Pick

High comedy, low pratfalls, and thrilling derring-do combine in a magical and fantastic epic about the Ancient and Honorable Kingdom of the Hydrangeans; the mighty, though rather stupid, warrior Gudge; and the mysterious Black Weasel. "Confusion reigns in this often funny, frequently precious fantasy about usurped thrones and lost heirs. After the Gorgorian barbarians conquer the civilized kingdom of Hydrangea, their leader Gudge makes himself king, marries Hydrangean Princess Artemisia and settles down to a highly satisfactory life of drinking and debauchery. Royal triplets, separated at birth because of a Gorgorian superstition that multiple births suggest the mother's infidelity, receive very different upbringings. The only girl, Avena, is brought up in the palace as Prince Arbol, heir to the throne and a fearsome swordsman. One brother, Wulfrith, is raised by a shepherd; although a young ewe is his favorite companion, his size makes him a fearsome battler. The other brother, Dunwin, reared by the outlawed wizard Clootie, develops into a talented magician. To this basic brew Watt-Evans (the Ethshar series) and Friesner (Gnome Man's Land ) have added a couple of dragons, some attempted seductions, mistaken identities and misguided spells to produce a lighthearted fantasy." -- Publishers Weekly