A long-missing manuscript from a famous eighteenth-century philosopher with a dark secret, the late twentieth-century murder in Paris of a prominent Princeton professor—and the connection between the two—form the core of this fast-paced mystery novel. Set primarily in Paris and Oxford, Rousseau's Ghost weaves a riveting tale of scholarly intrigue and murder. An urgent but cryptic request from Professor Ted Porter summons his old friend and former Rhodes Scholar Jack Davis to Paris. Once there Jack finds his friend dead, apparently electrocuted by a faulty laptop computer. The Parisian police rule the death an accident and close the case. But Jack well knew his friend's deep aversion to modern technology, and to computers in particular, and believes the computer was not Ted's and his death no accident. Unable to convince the police, Jack begins his own investigation, aided by Danielle, a beautiful young French woman who claims to have been Ted's research assistant and sometime lover. Sifting through Ted's notes and an unfinished manuscript titled Rousseau's Ghost, he finds a mysterious entry: "Inst Pol??!!" Not knowing what this might mean, he travels to Oxford to see his old tutor, who surmises that Ted's shorthand query refers to the Institutions Politiques, a manuscript on which Rousseau worked in the 1750s but later abandoned and burned, except for the small section we now know as the Social Contract. Could the rest of the manuscript have survived? Could Ted have found it? If so, was he murdered for his discovery? Could Jack and Danielle be next?

In Being after Rousseau, Richard L. Velkley presents Jean-Jacques Rousseau as the founder of a modern European tradition of reflection on the relation of philosophy to culture—a reflection that calls both into question. Tracing this tradition from Rousseau to Immanuel Kant, Friedrich Schelling, and Martin Heidegger, Velkley shows late modern philosophy as a series of ultimately unsuccessful attempts to resolve the dichotomies between nature and society, culture and civilization, and philosophy and society that Rousseau brought to the fore. The Rousseauian tradition begins, for Velkley, with Rousseau's criticism of modern political philosophy. Although the German Idealists such as Schelling accepted much of Rousseau's critique, they believed, unlike Rousseau, that human wholeness could be attained at the level of society and history. Heidegger and Nietzsche questioned this claim, but followed both Rousseau and the Idealists in their vision of the philosopher-poet striving to recover an original wholeness that the history of reason has distorted.

Few thinkers have enjoyed so pervasive an influence as Rousseau, who originated dissatisfaction with modernity. By exploring polarities articulated by Rousseau—nature versus society, self versus other, community versus individual, and compassion versus competitiveness—these fourteen original essays show how his thought continues to shape our ways of talking, feeling, thinking, and complaining. The volume begins by taking up a central theme noted by the late Allan Bloom—Rousseau's critique of the bourgeois as the dominant modern human type and as a being fundamentally in contradiction, caught between the sentiments of nature and the demands of society. It then turns to Rousseau's crucial polarity of nature and society and to the later conceptions of history and culture it gave rise to. The third part surveys Rousseau's legacy in both domestic and international politics. Finally, the book examines Rousseau's contributions to the virtues that have become central to the current sensibility: community, sincerity, and compassion. Contributors include Allan Bloom, François Furet, Pierre Hassner, Christopher Kelly, Roger Masters, and Arthur Melzer.

This collection brings together current research on topics that are perennially important to Romantic studies: the life and work of Jean-Jacques Rousseau, and the landscape and history of his native Switzerland.

How did composers and performers use the lost art of pantomime to explore and promote the Enlightenment ideals of free expression?

The Politics of Romanticism examines the relationship between two major traditions which have not been considered in conjunction: British Romanticism and social contract philosophy. She argues that an emerging political vocabulary was translated into a literary vocabulary in social contract theory, which shaped the literature of Romantic Britain, as well as German Idealism, the philosophical tradition through which Romanticism is more usually understood. Beenstock locates the Romantic movement's coherence in contract theory's definitive dilemma: the critical disruption of the individual and the social collective. By looking at the intersection of the social contract, Scottish Enlightenment philosophy, and canonical works of Romanticism and its political culture, her book provides an alternative to the model of retreat which has dominated accounts of Romanticism of the last century.

The Enlightenment remains widely associated with the rise of scientific progress and the loss of religious faith, a dual tendency that is thought to have contributed to the disenchantment of the world. In her wide-ranging and richly illustrated book, Tili Boon Cuillé questions the accuracy of this narrative by investigating the fate of the marvelous in the age of reason. Exploring the affinities between the natural sciences and the fine arts, Cuillé examines the representation of natural phenomena—whether harmonious or discordant—in natural history, painting, opera, and the novel from Buffon and Rameau to Ossian and Staël. She demonstrates that philosophical, artistic, and emotional responses to the "spectacle of nature" in eighteenth-century France included wonder, enthusiasm, melancholy, and the "sentiment of divinity." These "passions of the soul," traditionally associated with religion and considered antithetical to enlightenment, were linked to the faculties of reason, imagination, and memory that structured Diderot's Encyclopédie and to contemporary theorizations of the sublime. As Cuillé reveals, the marvelous was not eradicated but instead preserved through the establishment and reform of major French cultural institutions dedicated to science, art, religion, and folklore that were designed to inform, enchant, and persuade. This book has been made possible in part by the National Endowment for the Humanities: Exploring the human endeavor.