This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Looks at why witch-trials failed to gain momentum and escalate into 'witch-crazes' in certain parts of early modern Europe. Exames the rich legal records of the German city of Rothenburg ob der Tauber, a city which experienced a very restrained pattern of witch-trials and just one execution for witchcraft between 1561 and 1652. Explores the social and psychological conflicts that lay behind the making of accusations and confessions of witchcraft. Offers insights into other areas of early modern life, such as experiences of and beliefs about communal conflict, magic, motherhood, childhood and illness. Offers a critique of existing explanations for the gender bias of witch-trials, and a new explanation as to why most witches were women.

The concept of the medieval city is fixed in the modern imagination, conjuring visions of fortified walls, towering churches, and winding streets. In Riemenschneider in Rothenburg, Katherine M. Boivin investigates how medieval urban planning and artistic programming worked together to form dynamic environments, demonstrating the agency of objects, styles, and spaces in mapping the late medieval city. Using altarpieces by the famed medieval artist Tilman Riemenschneider as touchstones for her argument, Boivin explores how artwork in Germany’s preeminent medieval city, Rothenburg ob der Tauber, deliberately propagated civic ideals. She argues that the numerous artistic pieces commissioned by the city’s elected council over the course of two centuries built upon one another, creating a cohesive structural network that attracted religious pilgrims and furthered the theological ideals of the parish church. By contextualizing some of Rothenburg’s most significant architectural and artistic works, such as St. James’s Church and Riemenschneider’s Altarpiece of the Holy Blood, Boivin shows how the city government employed these works to establish a local aesthetic that awed visitors, raising Rothenburg’s profile and putting it on the pilgrimage map of Europe. Carefully documented and convincingly argued, this book sheds important new light on the history of one of Germany’s major tourist destinations. It will be of considerable interest to medieval art historians and scholars working in the fields of cultural and urban history.

A new heroine from the creator of the internationally bestselling Amelia Peabody series A missing masterwork in wood, the last creation of a master carver who died in the violent tumult of sixteenth century Germany, may be hidden in the medieval castle in the town of Rothenburg. The prize has called to Vicky Bliss, drawing her and an arrogant male colleague into the forbidding citadel and its dark secrets. But the treasure hunt soon turns deadly. Here, where the blood of the long forgotten stains ancient stones, Vicky must face two perilous possibilities: either a powerful supernatural evil inhabits the place... or someone frighteningly real is willing to kill for what Vicky is determined to find.

Since its discovery by German romantics and nationalists, Rothenburg has been an established icon of the German nation and its medieval past. By tracing Rothenburg's historical development as a place of national importance, this book examines the cultural politics of historical preservation and tourism in general. In exploring the shifting practice and importance of tourism in Rothenburg and how this relates to broader debates about German culture and identity, Preservation, Tourism and Nationalism offers an important and original perspective on the changing dynamics of romanticized historical landscapes and how events are used to further national, cultural and political agendas. It also analyses the changing practices of historical preservation, and in particular, how historic preservation in Rothenburg reflects a desire to make it more historic and more German. With important insights into what it means to be German, how Germans relate to the past and how the answers to these questions have changed over time, this richly illustrated and detailed volume offers an important narrative of the rise, evolution and contestation of memory in German culture.

A holiday is a time to relax, unwind and see the sights. But for two adventurous sexagenarians, the sights have a tendency to include dead bodies. Etta and Dora, both newly retired teachers, travel from their home in Southern Italy to a fairy-tale German town for their first home swap holiday, delighted by their neighbours' warm welcome. But the welcome turns sour when the Night Watchman of Rothenburg is brutally murdered while his tour group takes photographs nearby, a halberd buried in his chest and a peculiar iron mask by his side. When the murderer claims a second victim and the son of their hospitable neighbours becomes the number-one suspect, Etta's analytical mind goes to work. Why was a shame mask left at the scene of each murder? Is there a clandestine trade going on behind the scenes of apparently upstanding local businesses? And why does every lead take her back to the sinister Devil's Ale pub and the terrifying gang who lurk within? Meanwhile, Dora has a puzzle of her own - how can she persuade Etta that a loveably disobedient Basset Hound called Napoleon is now a permanent part of their lives? ◆◆◆ Pack your bags, jump into the backseat of Etta and Dora's old Fiat 500, and join them on their travels around Europe. There'll be mystery, murder and mayhem aplenty wherever they go. ◆◆◆ The Night Watchman of Rothenburg Dies is the first book in The Homeswappers Mysteries a new travel mystery series from Italian author Adriana Licio.

Heresy and Citizenship examines the anti-heretical campaigns in late-medieval Augsburg, Rothenburg ob der Tauber, Strasbourg, and other cities. By focusing on the unprecedented period of persecution between 1390 and 1404, this study demonstrates how heretical presence in cities was exploited in ecclesiastical, political, and social conflicts between the cities and their external rivals, and between urban elites. These anti-heretical campaigns targeted Waldensians who believed in lay preaching and simplified forms of Christian worship. Groups of individuals identified as Waldensians underwent public penance, execution, or expulsion. In each case, the course and outcome of inquisitions reveal tensions between institutions within each city, most often between city councils and local bishops or archbishops. In such cases, competing sides used the persecution of heresy to assert their authority over others. As a result, persecution of urban Waldensians acquired meaning beyond mere correction of religious error. By placing the anti-heretical campaigns of this period in their socio-political and religious context, Heresy and Citizenship also engages with studies of social and political conflict in late medieval towns. It examines the role the exclusion of religiously and socially deviant groups played in the development of urban governments, and the rise of ideologies of good citizenship and the common good. It will be of interest to scholars and students interested in medieval urban and religious history, and the history of heresy and its persecution.