Mara Benjamin argues that Rosenzweig's reinvention of scripture illuminates the complex interactions between modern readers and ancient sacred texts.

The volume collects a series of groundbreaking new studies which delve into the work of Franz Rosenzweig and assess its enduring yet still unacknowledged value for Epistemology, Aesthetics, Moral and Political Philosophy, going far beyond Theology and Philosophy of Religion.

Tracing its history from Moses Mendelssohn to today, Alan Levenson explores the factors that shaped what is the modern Jewish Bible and its centrality in Jewish life today. The Making of the Modern Jewish Bible explains how Jewish translators, commentators, and scholars made the Bible a keystone of Jewish life in Germany, Israel and America. Levenson argues that German Jews created a religious Bible, Israeli Jews a national Bible, and American Jews an ethnic one. In each site, scholars wrestled with the demands of the non-Jewish environment and their own indigenous traditions, trying to balance fidelity and independence from the commentaries of the rabbinic and medieval world.

In The Jewish Bible: A Material History, David Stern explores the Jewish Bible as a material object—the Bibles that Jews have actually held in their hands—from its beginnings in the Ancient Near Eastern world through to the Middle Ages to the present moment. Drawing on the most recent scholarship on the history of the book, Stern shows how the Bible has been not only a medium for transmitting its text—the word of God—but a physical object with a meaning of its own. That meaning has changed, as the material shape of the Bible has changed, from scroll to codex, and from manuscript to printed book. By tracing the material form of the Torah, Stern demonstrates how the process of these transformations echo the cultural, political, intellectual, religious, and geographic changes of the Jewish community. With tremendous historical range and breadth, this book offers a fresh approach to understanding the Bible’s place and significance in Jewish culture.

Franz Rosenzweig's near-conversion to Christianity in the summer of 1913 and his subsequent decision three months later to recommit himself to Judaism is one of the foundational narratives of modern Jewish thought. In this new account of events, Benjamin Pollock suggests that what lay at the heart of Rosenzweig's religious crisis was not a struggle between faith and reason, but skepticism about the world and hope for personal salvation. A close examination of this important time in Rosenzweig's life, the book also sheds light on the full trajectory of his philosophical development.

Scripture and Translation is the first English translation of an essential work on translation theory and the modern literary study of the Bible. First published in Germany in 1936 as Die Schrift und ihre Verdeutschung, the book grew out of Buber and Rosenzweig's work on an innovative and still controversial German translation of the Hebrew Bible. Rather than provide an idiomatic rendering, the Buber-Rosenzweig translation recasts the German language on the model of biblical Hebrew by attempting to reproduce the spoken quality, structure, and ordering of poetic devices found in the original texts. These essays articulate the rationale for the translation, both in theoretical terms and through close readings of specific texts. This edition also includes the first publication in any language of Martin Buber's essay ""The How and Why of Our Biblical Translation"".

Between 1780 and 1937, Jews in Germany produced numerous new translations of the Hebrew Bible into German. Intended for Jews who were trilingual, reading Yiddish, Hebrew, and German, they were meant less for religious use than to promote educational and cultural goals. Not only did translations give Jews vernacular access to their scripture without Christian intervention, but they also helped showcase the Hebrew Bible as a work of literature and the foundational text of modern Jewish identity. This book is the first in English to offer a close analysis of German Jewish translations as part of a larger cultural project. Looking at four distinct waves of translations, Abigail Gillman juxtaposes translations within each that sought to achieve similar goals through differing means. As she details the history of successive translations, we gain new insight into the opportunities and problems the Bible posed for different generations and gain a new perspective on modern German Jewish history.