When Lori discovers she's pregnant after a one night stand with a stranger she met in a bar, she decides to have an abortion to hide her infidelity from her husband. But when the abortion clinic is hit by several bolts of lightning, she takes it as a sign and decides to keep the baby and pass it off as her husband's. Meanwhile, Pazuzu, King of the Demons of the Wind, Bearer of Storms and Drought, is most displeased with Lori and her attempts to murder his Most Glorious Son. What is a demon to do with such a tedious and horrible woman? And what is to be done with the Tiny Little Man who dares to call himself a father to Pazuzu's Resplendant Seed? And what of his ex-girlfriend, the vengeful baby-killing demoness, Lamashtu? Perhaps the Great and Revered Dr. Phil would know what to do.... A tale about parenthood, and what it requires of us, and how it transforms us.

Return to the dark and haunting world of Rosemary’s Baby in Ira Levin’s beguiling sequel, Son of Rosemary. Levin’s Rosemary’s Baby, one of the best-selling books of all time, is the iconic classic that ushered in the era of modern horror. This shocking and darkly comic sequel is set well after the harrowing events of the first book, and is just as compelling and suspenseful. It is now 1999, and Rosemary Woodhouse awakens from a decades-long coma to find herself in a drastically changed world. She soon discovers her son is already thirty-three years old, an a charismatic spiritual leader worshipped the world over, preaching a message of tolerance and peace. But is “Andy” the savior the troubled world so desperately needs, or is he his father’s son—the Antichrist? Master of suspense Ira Levin’s sardonic and thought-provoking exploration of good and evil, Son of Rosemary, finds Rosemary and her child reunited in a battle of wills that could determine not just the course of the new millennium—but the very fate of humankind.

If you're an audience member or movie critic, you sit in a dark cinema and pray for a fascinating tale expertly told. If you are a producer, director, screenwriter or performer, you pray for a well-received and financially successful film. On June 12, 1968, prayers were answered. Rosemary's Baby hit American theatres. This book is a definitive illustrated history commemorating the 50th anniversary of this landmark picture, from director and casting choices to the kudos and condemnation it received upon its release.

Critically celebrated novelist Scott Spencer delivers a Rosemary's Baby-like novel of gothic horror, set against the backdrop of modern-day Upper East Side Manhattan. Alex and Leslie Twisden lead charmed lives-fabulous jobs, a luxurious town house on Manhattan's Upper East Side, a passionate marriage. What they don't have is a child, and as they try one infertility treatment after the next, yearning turns into obsession. As a last-ditch attempt to make their dream of parenthood come true, Alex and Leslie travel deep into Slovenia, where they submit to a painful and terrifying procedure that finally gives them what they so fervently desire . . . but with awful consequences. Ten years later, cosseted and adored but living in a house of secrets, the twins Adam and Alice find themselves locked into their rooms every night, with sounds coming from their parents' bedroom getting progressively louder, more violent, and more disturbing. Driven to a desperate search for answers, Adam and Alice set out on a quest to learn the true nature of the man and woman who raised them. Their discovery will upend everything they thought they knew about their parents and will reveal a threat so horrible that it must be escaped, at any cost.

Turner Classic Movies presents a collection of monster greats, modern and classic horror, and family-friendly cinematic treats that capture the spirit of Halloween, complete with reviews, behind-the-scenes stories, and iconic images. Fright Favorites spotlights 31 essential Halloween-time films, their associated sequels and remakes, and recommendations to expand your seasonal repertoire based on your favorites. Featured titles include Nosferatu (1922), Dracula (1931), Cat People (1942), Them (1953), House on Haunted Hill (1959), Black Sunday (1960), Rosemary's Baby (1968), Young Frankenstein (1976), Beetlejuice (1988), Get Out (2017), and many more.

In her deeply affecting, vividly written memoir, Rosemary L. Bray describes with remarkable frankness growing up poor in Chicago in the 1960s, and her childhood shaped by welfare, the Roman Catholic Church, and the civil rights movement. Bray writes poignantly of her lasting dread of the cold and the dark that characterized her years of poverty; of her mother's extraordinary strength and resourcefulness; and of the system that miraculously enabled her mother to scrape together enough to keep the children fed and clothed. Bray's parents, held together by their ambitions for their children and painfully divided by their poverty, punctuate young Rosemary's nights with their violent fights and define her days with their struggles. This powerful, ultimately inspiring book is a moving testimony of the history Bray overcame, and the racial obstacles she continues to see in her children's way.

Rosemary Woodhouse and her struggling actor husband Guy move into the Bramford, an old New York City apartment building with an ominous reputation and only elderly residents. Shortly after, Guy lands a plum Broadway role and Rosemary becomes pregnant. Their neighbours, the Castavets, start taking a special interest in her welfare. As Rosemary becomes increasingly isolated, she begins to suspect that the Castavets' circle is not what it seems.