Rose Wylie (born 1934) trained as an artist in the 1950s, but it was her re-engagement with painting in the early 1980s, after a period spent raising a family, that marked the beginning of a remarkable career that continues to evolve and impress. This monograph, the first of its kind, follows Wylie's fascinating artistic journey--celebrating her achievements while also examining her current practice. Rose Wylie's large-scale paintings are inspired by a wide range of visual culture. Her subject matter ranges from contemporary Egyptian Hajj wall paintings and Persian miniatures to films, news stories, celebrity gossip, and her observation of daily life. Often working from memory, she distills her subjects into succinct observations, using text to give additional emphasis to her recollections. In weaving together imagery from different sources with personal elements, Wylie's paintings offer a direct and wry commentary on contemporary culture. Her pictures refuse judgment but reveal a concern with the everyday that makes visible its enigmatic core. Drawing on a series of extended interviews with the artist, Clarrie Wallis unpacks the complexities of Wylie's visual language, providing an important contribution to our understanding and appreciation of a significant and increasingly celebrated figure in contemporary British art.

Marilyn Monroe, Ronaldinho, and now Lolita--the layers of newspaper that line Rose Wylie's studio floor are a frequent source of material for the artist. Drawing from such wide-ranging cultural areas as film, literature, mythology, news images, sports, and individuals she meets in her day-to-day life, Wylie paints colorful and exuberant compositions that are uniquely recognizable. This new limited-edition zine, titled Lolita's House, puts these larger-than-life works front and center, Wylie's animated, vivacious strokes now canvassing the page. Bold, wild, and continually humorous, Rose Wylie creates paintings and drawings that at first glance appear aesthetically simplistic, not seeming to align with any recognizable style or movement, but on closer inspection are revealed to be wittily observed and subtly sophisticated mediations on the nature of visual representation itself. These works make use of an idiosyncratic visual lexicon, the directness of cartoonish figures, and a flattened perspective, but simultaneously betray a deep awareness of art history and painterly conventions. Published on the occasion of Rose Wylie: Lolita's House, this zine presents a new series of paintings and works on paper made specifically for Wylie's second solo exhibition at David Zwirner, London in 2018. Loosely referencing a house that was constructed across the street from Wylie's residence in Kent, England, Lolita's House continues the artist's ongoing fascination with the shifting nature of memory and the multi-layered external associations that become attached to it over time.

Footballers and film stars: recent work by Rose Wylie, painter of the deceptively simple Rose Wylie (born 1934) is the third artist to participate in an exhibition collaboration between the Royal Academy and the Gallery at Windsor, Vero Beach, Florida. This book accompanies her show and features an interview with the artist by Tim Marlow, Artistic Director of the Royal Academy, and an essay by the actor and art collector Russell Tovey. The exhibition comprises new paintings and drawings--wittily observed and subtly sophisticated meditations on the nature of visual representation itself. Using images as a prompt, Wylie often works from memory, and the associated works on a single subject offer an insight into her complex creative process. Wylie's work has been the subject of renewed critical attention in recent years, with major shows in Europe at venues including the Turner Contemporary, Margate (2016), Serpentine Sackler Gallery, London (2017), Tate Modern, London (2018) and the Centro de Arte Contemporáneo, Málaga (2018).

The first international monograph on Britain's hottest new artist. Rose Wylie (Kent, 1934) was educated at Goldsmiths College and Royal College of Art. Her large-scale painting is energetic and gives a sense of freedom and spontaneity. Her images are drawn from memory and inspired by different levels of visual culture, from cartoons to films, daily events and art history. The raw brushstrokes laid on with tremendous physicality and the rough texture of impasto bring a sense of immediacy, and the combination of text and figure connects her work to Jean-Michel Basquiat and Philip Guston. Wylie's paintings combine simplicity and innocence, though under closer inspection they reveal a complex world of references and stories. Wylie received the Paul Hamlyn Award for Visual Arts in 2011 and was selected to represent the UK at the National Museum of Women in the Arts, Washington DC, 2010. Her work is included in many public art collections, such as the Contemporary Art Society and Arts Council England, London.

Through 140 drawings, thought experiments, recipes, activist instructions, gardening ideas, insurgences and personal revolutions, artists who spend their lives thinking outside the box guide you to a new worldview; where you and the planet are one. Everything here is new. We invite you to rip out pages, to hang them up at home, to draw and scribble, to cook, to meditate, to take the book to your nearest green space. Featuring Olafur Eliasson, Etel Adnan, Alexis Pauline Gumbs, Jane Fonda & Swoon, Judy Chicago, Black Quantum Futurism Collective, Vivienne Westwood, Cauleen Smith, Marina Abramovic, Karrabing Film Collective, and many more.

Published on the occasion of the twenty-five year anniversary of David Zwirner, this book paints a picture of the gallery’s growth and development through the lens of the artists that have shaped it. Since its founding in 1993, David Zwirner has above all else been guided by its artist-centric ethos. Beginning with the gallery's early days on Greens Street in SoHo, to its transition and expansion to Chelsea, London, the Upper East Side, and Hong Kong, this book captures David Zwirner's devotion to its inimitable roster of artists and estates. The heart of the publication is a wide-ranging, dynamic selection of the gallery's standout exhibitions—in many cases handpicked by David Zwirner himself. Many of these exhibitions highlight the countless works that ended up in major museum and private collections around the world. Also featured is an extensive gallery history that details all of the exhibitions by every artist and estate presented at David Zwirner, accompanied by archival imagery. With contributions by Richard Shiff and Robert Storr, as well as a foreword by David Zwirner, this publication offers rare insights into the growth of a commercial gallery through its long-term commitment to artists.

Turn cut-paper snowflakes into intricate fabric sewflakes that add dazzle to your quilts. 5 projects.