Thirteen tales are unspun from the deeply familiar, and woven anew into a collection of fairy tales that wind back through time. Acclaimed Irish author Emma Donoghue reveals heroines young and old in unexpected alliances--sometimes treacherous, sometimes erotic, but always courageous. Told with luminous voices that shimmer with sensuality and truth, these age-old characters shed their antiquated cloaks to travel a seductive new landscape, radiantly transformed.Cinderella forsakes the handsome prince and runs off with the fairy godmother; Beauty discovers the Beast behind the mask is not so very different from the face she sees in the mirror; Snow White is awakened from slumber by the bittersweet fruit of an unnamed desire. Acclaimed writer Emma Donoghue spins new tales out of old in a magical web of thirteen interconnected stories about power and transformation and choosing one's own path in the world. In these fairy tales, women young and old tell their own stories of love and hate, honor and revenge, passion and deception. Using the intricate patterns and oral rhythms of traditional fairy tales, Emma Donoghue wraps age-old characters in a dazzling new skin. 2000 List of Popular Paperbacks for YA

The themes of betrayal, romance, love and mystery underpin this epic drama about Annee Palmer, one of the most memorable characters in Jamaica's history who was the bewitching owner of a plantation; Millie, a beautiful and determined slave; and John Rutherford who was caught in the middle of the torrid love story.

Witchcraft and yoga share many similarities that are, for the first time, explored in combination in this groundbreaking new title from Sarah Robinson, certified yoga instructor and experienced witch.

Newbery Medalist Laura Amy Schlitz brings her sorcery to a Victorian gothic thriller — an enthralling, darkly comic tale that would do Dickens proud. The master puppeteer, Gaspare Grisini, is so expert at manipulating his stringed puppets that they appear alive. Clara Wintermute, the only child of a wealthy doctor, is spellbound by Grisini’s act and invites him to entertain at her birthday party. Seeing his chance to make a fortune, Grisini accepts and makes a splendidly gaudy entrance with caravan, puppets, and his two orphaned assistants. Lizzie Rose and Parsefall are dazzled by the Wintermute home. Clara seems to have everything they lack — adoring parents, warmth, and plenty to eat. In fact, Clara’s life is shadowed by grief, guilt, and secrets. When Clara vanishes that night, suspicion of kidnapping falls upon the puppeteer and, by association, Lizzie Rose and Parsefall. As they seek to puzzle out Clara’s whereabouts, Lizzie and Parse uncover Grisini’s criminal past and wake up to his evil intentions. Fleeing London, they find themselves caught in a trap set by Grisini’s ancient rival, a witch with a deadly inheritance to shed before it’s too late. Newbery Medal winner Laura Amy Schlitz’s Victorian gothic is a rich banquet of dark comedy, scorching magic, and the brilliant and bewitching storytelling that is her trademark.

He was a grandfather looking for the grandchild he had never met. The child was an offspring of a wartime romance, which the son had not lived to see its final fruition. What he got was a nightmare involving a cult that, like the suit in a deck of cards, always had thirteen members. It preyed on the very young and was led by a character called the Father, who seemed to have been here forever. Not only did Father have some strange power over the community, he also came with a connection to the strange rose that only came out at night. The rose was scattered throughout the town, especially in the cemetery before trailing up into the mountainside. It was also a rose seemingly found nowhere else in the world. The Father's connection to the child ran through a silver-haired woman who seemed to be the wild card in Father's deck of life. At times she seemed good while at evil. Still she seemed to be the only chance for a child connected to the grandfather by the beyond-the-grave love of a father.

Possession. Power. Passion. New York Times bestselling novelist M.J. Rose creates her most provocative spellbinder to date in this gothic novel set against the lavish backdrop of Belle Époque Paris. Indie Next Pick • Library Reads Pick • People Magazine Pick • Boston Globe Pick of the Week Called an “elegant tale of rare depth and beauty, as brilliantly crafted as it is wondrously told” by the Providence Journal, The Witch of Painted Sorrows “melds the normal and paranormal in the kind of seamless fashion reserved for such classic ghost stories as Henry James’s The Turn of the Screw.” New York socialite Sandrine Salome flees an abusive husband for her grandmother’s Paris mansion, despite warnings that the lavish family home is undergoing renovation and too dangerous to enter. There Sandrine meets Julien Duplessi, a mesmerizing architect who introduces her to the City of Lights—its art world, forbidden occult underground, nightclubs—and to her own untapped desires. Soon Sandrine’s husband tracks her down and an insidious spirit takes hold: La Lune, a witch and a legendary sixteenth-century courtesan who exposes Sandrine to a deadly darkness. “M.J. Rose has a talent for compelling writing, and this time she has outdone herself. Fear, desire, lust, and raw emotion ooze off the page,” says the Associated Press. In her instantly absorbing tour de force, Rose imagines Sandrine’s “wild night of the soul” dramatically underwritten by a tragic love story and a family curse that illuminates the fine line between explosive passion and complete ruination.