Rosa goes through mixed emotions and falls in love with someone she never thought of. She is also determined to discover the truth about the family she thought was hers. Rosa, thinks she's a hybrid. She doesn't understand how she is so when her family is a vampire. How could this be? She knows a family is supposed to be about the truth, protecting each other, and being close. What would Rosa do if she knew she was actually living a lie? The only person who knows is her long-lost cousin Adrian, who helps her with her discoveries. This is Rosa's retribution. Would you help Rosa discover the truth?

Rosa goes through mixed emotions and falls in love with someone she never thought of. She is also determined to discover the truth about the family she thought was hers. Rosa, thinks she's a hybrid. She doesn't understand how she is so when her family is a vampire. How could this be? She knows a family is supposed to be about the truth, protecting each other, and being close. What would Rosa do if she knew she was actually living a lie? The only person who knows is her long-lost cousin Adrian, who helps her with her discoveries. This is Rosa's retribution. Would you help Rosa discover the truth?

In the winter of 1637, Luis de Rosas, a tough, two-fisted soldier, stood outside the convent door beating on its staves with a gloved hand. Appointed to the governorship of New Mexico, he had petitioned the viceregal authorities for permission to set out from the city of Mexico for Santa Fe in advance of the regular supply caravan. While he was initially obliged to curb his restlessness, he could wait no longer. He wanted the supply wagons loaded and for Fray Tomas Manso and the men of his escort to hit the trail. Who could know that, in his impatience to begin his long journey and thus assume his responsibilities as captain-general of the New Mexico Kingdom, he was merely hurrying toward a lengthy confrontation with New Mexico's recalcitrant soldier-colonists and priests, and ultimately to his own demise? This book forms the centerpiece of Lucero's trilogy about New Mexico's colonial history. It tells the story of his Baca, Gomez, Marquez, and Perez de Bustillo forebears in their bitter conflict with Rosas, the most interesting governor to serve prior to the Pueblo Indian Revolt of 1680. Because of Rosas's cruel tyranny, Lucero's ancestors become tragically entangled in the insanity of colonial affairs. Based on a true story, the book sets out the particulars of Church and State relations in New Mexico during the period 1637 – 1641 that led to the assassination of its governor and the beheading of the eight citizen-soldiers who were responsible for his death.

Combining history with discussions of dramatic cinema, Based on a True Story: Latin American History at the Movies examines how film has portrayed Latin America from the late fifteenth century to the present. The book opens with an introduction on the visual presentation of the past in the movies, while the rest of the book consists of essays that explore the best feature films on Latin America from the professional historian's perspective.

Award-winning and hugely popular artist Rosie Sanders showcases the beauty of the rose in her follow up to Rosie Sanders Flowers. Over 80 stunning paintings and sketches are shown for the first time. The artist writes a personal letter on each of her rose paintings (to be given unopened to the final recipient or buyer of the painting). Many of these personal letters sit alongside the paintings, as they explain the creative and emotional process she went through to create it. The book is a revealing insight into the artist's muse and the author's sketches and drawings are also included to show the full artistic process. The book is introduced by an extended essay on the resonance of the rose – all across the world – in our art, literature, poetry, folklore and gardens. The rose emblem is timeless and this book not only celebrates its beauty in art but tells the story of the rose as one of nature's most powerful motifs.

Includes Part 1, Books, Group 1, Nos. 1-155 (March - December, 1934)