In 1926, Walter White, assistant secretary of the National Association for the Advancement of Colored People, broke the story of a horrific lynching in Aiken, South Carolina, in which three African Americans were murdered while more than one thousand spectators watched. Because of his light complexion, blonde hair, and blue eyes, White, an African American, was able to investigate first-hand more than forty lynchings and eight race riots. Following the lynchings in Aiken, White took a leave of absence from the NAACP and, with help from a Guggenheim grant, spent a year in France writing Rope and Faggot. Ironically subtitled “A Biography of Judge Lynch,” Rope and Faggot is a compelling example of partisan scholarship and is based on White's first-hand investigations. It was first published in 1929. Rope and Faggot debunked the "big lie" that lynching punished black men for raping white women and it provided White with an opportunity to deliver a penetrating critique of the southern culture that nourished this form of blood sport. White marshaled statistics demonstrating that accusations of rape or attempted rape accounted for less than 30 percent of all lynchings. Despite the emphasis on sexual issues in instances of lynching, White insisted that the fury and sadism with which white mobs attacked their victims stemmed primarily from a desire to keep blacks in their place and control the black labor force. Some of the strongest sections of Rope and Faggot deal with White's analysis of the economic and cultural foundations of lynching. Walter White's powerful study of a shameful practice in modern American history is now back in print, with a new introduction by Kenneth Robert Janken.

In 1926, Walter White, then assistant secretary of the National Association for the Advancement of Colored People, broke the story of an especially horrific triple lynching in Aiken, South Carolina. Aiken was White's forty-first lynching investigation in eight years. He returned to New York drained by the experience. The following year he took a leave of absence from the NAACP and, with help from a Guggenheim grant, spent a year in France writing Rope and Faggot. Ironically subtitled "A Biography of Judge Lynch," Rope and Faggot is a compelling example of partisan scholarship and is based on White's first-hand investigations. It was published in 1929. The book met two important goals for White: it debunked the "big lie" that lynching punished black men for raping white women and protected the purity of "the flower of the white race," and it provided White with an opportunity to deliver a penetrating critique of the southern culture that nourished this form of blood sport. White marshaled statistics demonstrating that accusations of rape or attempted rape accounted for less than 30 percent of the lynchings. Presenting evidence of white females of all classes crossing the color line for love -- evidence that white supremacists themselves used to agitate whites to support anti-miscegenation laws -- White insisted that most interracial unions were consensual and not forced. Despite the emphasis on sexual issues in instances of lynching, White also argued that the fury and sadism with which mobs attacked victims had more to do with keeping blacks in their place and with controlling the black labor force.

By lynching, burning, castrating, raping, and mutilating black people, contends Trudier Harris, white Americans were perfomring a rite of exorcism designed to eradicate the "black beast" from their midst, or, at the very least, to render him powerless and emasculated. Black writers have graphically portrayed such tragic incidents in their writings. In doing so, they seem to be acting out a communal role--a perpetuation of an oral tradition bent on the survival of the race. Exorcising Blackness demonstrates that the closeness and intensity of black people's historical experiences sometimes overshadows, frequently infuses and enhances, and definitely makes richer in texture the art of black writers. By reviewing the historical and literary interconnections of the rituals of exorcism, Harris opens up the hidden psyche--the soul--of black American writers.

The Fire in the Flint (1924) is a novel by Walter Francis White. Although he is generally recognized for his accomplishments as the longtime leader of the NAACP, White also wrote several novels during the Harlem Renaissance exploring the themes of Alain Locke’s New Negro Movement. Praised by W. E. B. Du Bois in The Crisis and by Konrad Bercovici in The Nation, The Fire in the Flint remains an invaluable testament to the power of fiction to address political matters. Dr. Kenneth Harper finds it difficult to overcome the deep inequities of life in the American South. Born and raised in Georgia, he returns to his hometown following his graduation from medical school and service in the First World War. Determined to open a clinic for his friends and neighbors, he avoids confrontation with white townspeople and focuses on the task at hand. Soon, however, he encounters opposition from neighbors who regard his success and intelligence as a threat to their power. Eventually, Harper is forced to lay his life on the line by opposing the Ku Klux Klan. The Fire in the Flint is a powerful bildungsroman grounded in truth and moral decency. Praised by Nobel Laureate Sinclair Lewis upon publication, White’s novel is a largely forgotten masterpiece of the Harlem Renaissance, perhaps the finest decade for art in the history of American culture. With a beautifully designed cover and professionally typeset manuscript, this edition of Walter Francis White’s The Fire in the Flint is a classic of African American literature reimagined for modern readers.

"Remarkable for its relentless truth-telling, and the depth and thoroughness of its investigation, for the freshness of its sources, and for the shock power of its findings. Even a reader who is not unfamiliar with the sources and literature of the subject can be jolted by its impact."--C. Vann Woodward, New York Review of Books "Dark Journey is a superb piece of scholarship, a book that all students of southern and African-American history will find valuable and informative."--David J. Garrow, Georgia Historical Quarterly