Did you go to high school? Did you want to go to high school? Or, God forbid, did you ever teach high school? Roofing with a Naked Lady is for you–perhaps it’s about you. During 30 years of teaching, Fred Anderson has found himself in hilarious, serious, and sometimes dangerous situations. In this collection of sometimes amazing but always true stories, Fred battles a falling barn, an army of cockroaches, an undercover superintendent, and teenagers wielding assorted powertools—and weapons. Fred Anderson has taught guitar, theater lighting design, leather work, metal fabrication, drafting, auto mechanics, wood-working, cabinet making, pattern making, and construction trades, and of course, roofing. His love of teaching is second only to his passion for writing and telling his stories.

Fear and Other Stories is a collection of short stories by Achmed Abdullah. Ranging from mystery to adventure to outright horror, these are stories of men caught up by intrigues and mysteries beyond their wildest conceptions!

Dvora Baron (1887-1956), the first modern Hebrew woman writer, was born in a small Lithuanian town in 1887. Her father, a rabbi, gave his daughter a thorough education, an extraordinary act at the time. Baron immigrated to Palestine in 1910, married a prominent Zionist activist, but defied the implicit ideological demands of the Zionist literary scene by continuing to write of the shtetl life she had left behind. The eighteen stories in this superb collection offer an intimate re-creation of Jewish Eastern Europe from a perspective seldom represented in Hebrew and Yiddish literature of the late nineteenth and early twentieth centuries. Baron brings vividly to life the shtetl experiences of women and other disenfranchised members of the Jewish community. Her stories relate the feelings of a newborn girl, a "Jewish" dog, an impoverished bookkeeper, a young widow who must hire herself out as a wet-nurse, and others who face emotional and physical hardships. Baron's fluid writing style pushes the flexibility of Hebrew and Yiddish syntax to its limits, while her profound knowledge of both biblical and rabbinical literature lends rich subtleties to her stories. A companion to Conversations with Dvora: An Experimental Biography of the First Modern Hebrew Woman Writer, by Amia Lieblich (California, 1997), this collection is drawn from Baron's earlier as well as later works.

These thirteen short stories were written between 1924 and 1928. Eleven were collected in The Woman Who Rode Away (1928), though 'The Man Who Loved Islands' appeared in the American edition only and the other two in The Lovely Lady (1933). An unpublished fragment 'A Pure Witch' is also included.

Museums and Women gathers twenty-nine short stories from the 1960s and early 1970s. It is John Updike’s most various collection, a book as full of departures and surprises as the historical period that produced them. Some stories, such as the title piece, have the tone and personality of essays. Others objectify the chimeras of middle-class life, especially life in a fictional New England enclave called Tarbox. The illustrated jeux d’esprit in the section called “Other Modes” place Updike somewhere between Robert Benchley and Donald Barthelme as a toymaker in prose. Crowning the collection are five scenes from the marriage of Richard and Joan Maple, a story sequence with the narrative interest and cumulative power of a novel.

Rain and Other Stories is a book of eleven short stories about people in crisis. Stories like Rope and The Last Day are about educators who have reached crisis moments in their lives and must find some kind of resolution. A man wants to live forever in Immortal, and in The River and Snow Falling readers will find out how dangerous it is to betray the trust of the McKinley women. Rain tells the tale of a young boy abducted by a rebel army in Africa, and The Green Chain deals with the dangers of working in a sawmill in Northeastern Montana. All of these stories are about the pivotal moments of ordinary people, and their responses show us something about how we survive as human beings.

These stories of myth and resurrection, of uncanny events and violent impulse, were with one exception written and published in the latter half of the 1920s.