Determined to tread her own path, Austrian film sensation, Romy Schneider was talented, honest, prickly, loving and ultimately tragic. The star of over sixty movies including the cult, What's New Pussycat? Bloodline, The Assassination of Trotsky, The Cardinal and The Victors, at the height of her fame she ranked alongside Bardot, Loren and Cardinale. Reviled by the German Press when she fell in love with Alain Delon and moved to Paris and took French citizenship, she was sought out by the world's top producers and directors. Incredibly beautiful, after a brief flirtation with Hollywood, she chose to return to Europe where her talent shone brightly until her untimely death in 1982, aged just forty three. Romy has recently become a magnate for film makers and is currently the subject of two rival biopics. One is to be a big screen feature film and the other a high profile TV production. Jessica Schwarz of Perfume fame, is slated to play the lead role in Torsten Fischer's Romy. It is to be produced by Berlin based Phoenix-Film and has been written by Benedikt Roeskau. Shooting for the TV premier starts in Autumn 2009. Singer-actress Yvonne Catterfeld will play Schneider in Warner Bros' A Woman Like Romy, directed by Josef Rusnal. Raymond Danon, who produced Romy's last film in 1982, The Passerby, will produce the $36 million French-German co-production. It will launch in 2010.

This illuminating history examines the life and many legends of the 16th century Queen who was executed by her husband, King Henry VIII. Part biography, part cultural history, The Creation of Anne Boleyn is a fascinating reconstruction of Anne’s life and a revealing look at her afterlife in the popular imagination. Why is her story so compelling? Why has she inspired such extreme reactions? Was she the flaxen-haired martyr of Romantic paintings or the raven-haired seductress of twenty-first-century portrayals? (Answer: neither.) But the most provocative question of all concerns Anne’s death: How could Henry order the execution of a once beloved wife? Drawing on scholarship and critical analysis, Bordo probes the complexities of one of history’s most infamous relationships. She then demonstrates how generations of polemicists, biographers, novelists, and filmmakers have imagined and re-imagined Anne: whore, martyr, cautionary tale, proto “mean girl,” feminist icon, and everything in between. In The Creation of Anne Boleyn, Bordo steps off the well-trodden paths of Tudoriana to tease out the human being behind the competing mythologies, paintings, and on-screen portrayals.

The last decade has seen a revival of interest in John Ford and especially 'Tis Pity She's a Whore, his tragedy of religious scepticism, incestuous love, and revenge. This text in particular has provided a focus for scholarship as well as being the subject of a number of major theatrical productions. Simon Barker guides the reader through the full range of previous interpretations of the play; moving from an overview of traditional readings he goes on to enlarge upon new questions that have arisen as a consequence of critical and cultural theory.

This book is William's symbol for the military-industrial complex and all the dehumanizing trends it represents from mindless cocktail party chatter to bribery of officials to assassination plots directed against those who won't play the game, to attempted coups by right-wing zealots.

The Hermès scarf is a style icon. Worn by royalty and celebrities, coveted and admired, and now avidly collected, this deceptively simple square of silk is much more than just a fashion accessory: it is the stuff of legend. Since the first scarf made its debut in 1937, the House of Hermès has produced more than two thousand different designs. From the classic scarves that embody the Hermès tradition to the wildly imaginative stylings of contemporary designers, the House is always forging new paths and yet is never afraid to take a fresh and often witty approach to its own heritage. A scarf is not the work of a single individual; at each stage of its creation, talent and craftsmanship combine to create a work of art. These qualities shine through in the illustrations, by turns playful and poetic, which lead the reader into a richly colored world with a multitude of motifs. They range from the equestrian themes that are internationally associated with the Hermès brand, through French history and the natural world, to global cultures. From vibrant opulence to subtle harmony, every scarf conveys a mood and every one tells a story.

From his first starring role in "Just William to the huge TV successes with "The Sweeney and Minder, Dennis Waterman had an amazing theatrical career, which has also combined with an equally dramatic love life. There were affairs with Suzy Kendall and Romy Schneider, and some failed marriages, the last being with Rula Lenska. Now Waterman wants to set the record straight about his rumbustious, action-packed life. "From the Paperback edition.

WINNER OF THE 2020 PULITZER PRIZE IN GENERAL NONFICTION "The Undying is a startling, urgent intervention in our discourses about sickness and health, art and science, language and literature, and mortality and death. In dissecting what she terms 'the ideological regime of cancer,' Anne Boyer has produced a profound and unforgettable document on the experience of life itself." —Sally Rooney, author of Normal People "Anne Boyer’s radically unsentimental account of cancer and the 'carcinogenosphere' obliterates cliche. By demonstrating how her utterly specific experience is also irreducibly social, she opens up new spaces for thinking and feeling together. The Undying is an outraged, beautiful, and brilliant work of embodied critique." —Ben Lerner, author of The Topeka School A week after her forty-first birthday, the acclaimed poet Anne Boyer was diagnosed with highly aggressive triple-negative breast cancer. For a single mother living paycheck to paycheck who had always been the caregiver rather than the one needing care, the catastrophic illness was both a crisis and an initiation into new ideas about mortality and the gendered politics of illness. A twenty-first-century Illness as Metaphor, as well as a harrowing memoir of survival, The Undying explores the experience of illness as mediated by digital screens, weaving in ancient Roman dream diarists, cancer hoaxers and fetishists, cancer vloggers, corporate lies, John Donne, pro-pain ”dolorists,” the ecological costs of chemotherapy, and the many little murders of capitalism. It excoriates the pharmaceutical industry and the bland hypocrisies of ”pink ribbon culture” while also diving into the long literary line of women writing about their own illnesses and ongoing deaths: Audre Lorde, Kathy Acker, Susan Sontag, and others. A genre-bending memoir in the tradition of The Argonauts, The Undying will break your heart, make you angry enough to spit, and show you contemporary America as a thing both desperately ill and occasionally, perversely glorious. Includes black-and-white illustrations