Observers from the West, the book contends, have incorrectly projected rigid ethnocentric notions of love and marriage onto cultures around the world. Contributors look beyond each society's "official" institutions to explore expressions of love, offering new perspectives on arranged marriages and polygamy and reexaminging as well the other side of the equation: rejection and grief.

They were the Romantic generation, famous and infamous, and in their short, extraordinary lives, they left a legacy of glamorous and often shocking legend. In PASSION the interwoven lives and vivid personalities of Byron, Shelley and Keats are explored through the eyes of the women who knew and loved them - scandalously, intensely and sometimes tragically. From the salons of the Whig nobles and the penury and vitality of Grub Street, to the beauty and corruption of Venice and the carrion field of Waterloo, PASSION presents the Romantic generation in a new and dramatic light - actors in a stormy history that unleashed the energies of the modern world.

Originally published: Cambridge, Mass.: Harvard University Press, 1986.

Deftly probing the ambivalence of Romantic writers on the subjects of "passion" and "beauty," Robinson shows how this ambivalence is also central to the experience of the modern critic in Western society. Is the reader's experience of beauty in art an escape from troubling reality? Or does desire for beauty spur social criticism and reform? Does the representation of erotic passion, as a sign of social critique, exist to be transcended for disinterested spirituality? Or is such passion the very site of the struggle for individual and class rights? Robinson explores the problematic place of passion and beauty in Romanticism's radical sentiments and reformist politics. Tracing the intertwining of desire and disturbance, of eros and subversion, his meditations encompass poems, novels, diaries; key terms (such as Rousseau's "sentiment of existence"); writers' characteristic forms of expression or habits of mind (Wordsworth's "or"-grammar); figures in literary works (Goethe's Werther, Byron's Lambro); problems of genre (the relationship of the Romantic poem and the Romantic essay, the problem of closure, the nature of a "scene"); and larger political questions (feminism in Romantic literature, erotic passion and representations of radicalism). Evoking the original meaning of "essay" as experiment, Robinson has essayed a topography of the Romantic landscape. "This book is daring and it is brilliant. I also think it is right."--James R. Kincaid, University of Southern California

In her classic book, Elisabeth Elliot candidly shares her love story with Jim Elliot through letters, diary entries, and memories. She is honest about the temptations, difficulties, victories, and sacrifices of two young people whose commitment to Christ took priority over their love for each other. These revealing personal glimpses, combined with relevant biblical teaching, will remind readers that only by putting their human passion and desire through His fire can God purify their love. In a culture obsessed with dating, sex, and intimacy, the need for Elliot's freeing message is greater than ever. This beautifully repackaged edition will appeal to today's young people.

What's the worst thing that can happen to a werewolf? Unable to shift for three months, Mateo Cruz knows all too well. His wolf has taken up residence in his head, taunting him night and day with vividly violent and carnal thoughts. Convinced he's cursed, he needs the help of a powerful witch before he literally goes insane. ​Evie Savoie has always obeyed the house rules of her coven--no werewolves. They're known for being moody and volatile. So, when a distempered, dangerous werewolf strolls into the bar and almost strangles one of her late-night customers, she's ready to bounce him through the door. But the desperation in his eyes when he begs her to help him softens her heart and convinces her to bend the rules. ​What Evie doesn't know is that Mateo's wolf has a mind of his own. And now that she's in his sights, he wants only one thing. Her.

An unlikely pair of voices-the world's most recognizable beauty icon and "America's rabbi"-comes together to diagnose how meaningful, passionate sex is on the decline in Western culture, and what is necessary to save it. Sex is dying in America. Inundated with sex and starved for it, obsessed with it yet clueless about it, we are slowly forgetting how to make love. The crisis of modern sexuality is seen in high divorce rates, in the degradation of sexuality through pornography, and tasteless displays of empty, counterfeit erotica. Most of all, it's seen in sexless marriages and platonic relationships where cybersex has become more addictive than the real thing. Sex has become so trivialized, coarsened, and vulgarized that couples no longer feel its pull. The once powerful and irresistible magnetism of sex is being diluted and drained. The authors propose replacing the 1960s' sexual revolution with a new sensual revolution, a rediscovery of intimacy that encourages and ennobles human relationships, elevates healthy lust, and gets us from looking up from the glowing screens of our smartphones to the people around us, most especially the people we love the most. Lust for Love embraces the idea that what our most important relationships need most is lust. It is necessary to rediscover what's sexy again, how to bring back romance, and to understand that in addition to love, we need lust to repair our unfulfilling sex lives and broken relationships. Lust for Love proposes a return to what lovemaking was always meant to be: a desire to know and experience another person in the deepest possible way.