Introducing insights from literary studies and narratology into international relations, this study examines the romantic narratives of pirates in Somalia, rebels in Libya and private military and security companies in Iraq.

This book presents an innovative approach to research in International Relations by examining 12 theoretical contributions to the field as competing narrative bids. It demonstrates the pervasive nature of storytelling and considers narratives as a means of causal explanation in the human sciences. By introducing four classic literary plot structures with their respective characters, events, moods and denouements, the book divides IR literature into tragedies, romances/epics, comedies and ironic/satirical stories. For each plot type, its characteristic features, logic and appeal are first reprised through some well-known prose examples before being employed in the analysis of major IR texts. King Lear, for example, helps bring out the tragic logic of Politics among Nations, and Sleeping Beauty demonstrates the romantic appeal inherent in The End of History. Twelfth Night is used to approach The Transformation of Political Community as a comedy, and A Modest Proposal paves the way for the examination of Bananas, Beaches and Bases as irony/satire. Rather than assess the absolute merits and shortcomings of the competing theories, the book discusses the relative strengths and weaknesses of stories that adhere to different plots in giving meaning to actors and events in the international arena. Discussing a broad range of theories, this text will be of interest to scholars and students of International Relations and World Politics, including various subcommunities such as specialists in peace research and Feminist IR.

This book introduces the concept of narrative tradition to study representation in international politics. Focusing specifically on the case of Turkey, the book shows how narrative traditions are constructed, maintained, and passed on by a loose epistemic community that involves practitioners and experts including scholars, journalists, diplomats, and political representatives. Employing an interpretative approach, the book distinguishes between four narrative traditions in the study of Turkey: Turkey as a state that is (1) getting lost, (2) standing at a decisive crossroad, (3) led by strongmen, and (4) struggling with a creeping Islamisation.These narrative traditions carry enduring beliefs that not only describe, moralise, judge, and stigmatise Turkey, but also contribute to the idea of the West. The book focuses on knowledge that is produced from a Western perspective, showing that Turkey provides a channel through which the Western self can be debated, challenged, celebrated, and judged.

This book presents an innovative approach to research in International Relations by examining 12 theoretical contributions to the field as competing narrative bids. It demonstrates the pervasive nature of storytelling and considers narratives as a means of causal explanation in the human sciences. By introducing four classic literary plot structures with their respective characters, events, moods and denouements, the book divides IR literature into tragedies, romances/epics, comedies and ironic/satirical stories. For each plot type, its characteristic features, logic and appeal are first reprised through some well-known prose examples before being employed in the analysis of major IR texts. King Lear, for example, helps bring out the tragic logic of Politics among Nations, and Sleeping Beauty demonstrates the romantic appeal inherent in The End of History. Twelfth Night is used to approach The Transformation of Political Community as a comedy, and A Modest Proposal paves the way for the examination of Bananas, Beaches and Bases as irony/satire. Rather than assess the absolute merits and shortcomings of the competing theories, the book discusses the relative strengths and weaknesses of stories that adhere to different plots in giving meaning to actors and events in the international arena. Discussing a broad range of theories, this text will be of interest to scholars and students of International Relations and World Politics, including various subcommunities such as specialists in peace research and Feminist IR.

Strategic Narratives, Ontological Security and Global Policy provides a pathbreaking account of why some states successfully convince others to join their policy initiatives, and why others fail. Examining China’s Belt and Road Initiative and COVID-19, Thomas Colley and Carolijn van Noort argue that strategic narratives can help persuade states to join global policy initiatives if they convincingly promise audiences material gain while avoiding undermining their ontological security. They make their case by analysing eight diverse countries: India, Italy, Kazakhstan, Mexico, the Maldives, the Netherlands, the UK and the USA. Theoretically novel and global in scope, this book provides a compelling explanation of how strategic narratives can help achieve the global policy coordination needed to confront vital challenges in contemporary international relations. The proposed strategic narrative buy-in framework is applicable to many global policy issues, be it promoting trade and infrastructure projects, mitigating climate change or managing pandemics.

The disintegration and questioning of global governance structures and a re-orientation toward national politics combined with the spread of technological innovations such as big data, social media, and phenomena like fake news, populism, or questions of global health policies make it necessary for the introduction of new methods of inquiry and the adaptation of established methods in Foreign Policy Analysis (FPA). This accessible handbook offers concise chapters from expert international contributors covering a diverse range of new and established FPA methods. Embracing methodological pluralism and a belief in the value of an open discussion about methods’ assumptions and diverging positions, it provides new, state-of-the-art research approaches, as well as introductions to a range of established methods. Each chapter follows the same approach, introducing the method and its development, discussing strengths, requirements, limitations, and potential pitfalls while illustrating the method’s application using examples from empirical research. Embracing methodological pluralism and problem-oriented research that engages with real-world questions, the authors examine quantitative and qualitative traditions, rationalist and interpretivist perspectives, as well as different substantive backgrounds. The book will be of interest to a wide range of scholars and students in global politics, foreign policy, and methods-related classes across the social sciences.

This Handbook examines the study of failure in social sciences, its manifestations in the contemporary world, and the modalities of dealing with it – both in theory and in practice. It draws together a comprehensive approach to failing, and invisible forms of cancelling out and denial of future perspectives. Underlining critical mechanisms for challenging and reimagining norms of success in contemporary society, it allows readers to understand how contemporary regimes of failure are being formed and institutionalized in relation to policy and economic models, such as neo-liberalism. While capturing the diversity of approaches in framing failure, it assesses the conflations and shifts which have occurred in the study of failure over time. Intended for scholars who research processes of inequality and invisibility, this Handbook aims to formulate a critical manifesto and activism agenda for contemporary society. Presenting an integrated view about failure, the Handbook will be an essential reading for students in sociology, social theory, anthropology, international relations and development research, organization theory, public policy, management studies, queer theory, disability studies, sports, and performance research.