Romantic Immanence examines literary examples of an alternative experience of otherness—an experience of alterity the Romantics understood as an embodied, immanent encounter with raw reality. The Romantics' enthusiasm for encounters in nature and the imagination that exceeded the limits of rational thought is well known. Yet these encounters have largely been interpreted in terms of the sublime or the Gothic. Drawing attention to the influence of Spinozist and Stoic philosophy on Romantic thought and aesthetics, Elizabeth A. Fay argues that immanence was another, perhaps even more important, form of alterity, particularly during this era of social and political upheaval. Investigating works such as Coleridge's Rime of the Ancient Mariner, Dorothy Wordsworth's Grasmere Journals, and Percy Shelley's Triumph of Life alongside Schelling's unfinished Ages of the World and Schlegel's Athenaeum Fragments, Fay demonstrates how Romantic immanence, despite going largely unrecognized with the loss of its initial context, remains vividly present in these works.

Explores the role of poetry as a transfigurative process

For Jürgen Moltmann, theological anthropology must be liberating. It should take a stand against dehumanizing images and concepts of human life and point out ways to “true humanity.” In his view, a theologian can develop such a liberating anthropology only if he speaks explicitly from the perspective of God’s kingdom as conceived in the Bible and the Christian tradition and if he speaks to and in his context, as one who experiences contemporary sufferings and hopes. But how? This book analyzes the development of Moltmann’s theology in the light of this quest for a liberating view on human life. It examines the anthropological concerns in the different stages of his theological enterprise: his post-war Trümmertheologie, the “loose theological threads” of the 1950s, his theology of hope and promise in the 1960s, his theology of the cross, human rights and play in the 1970s and his ecological and “charismatic” theology of the 1980s and 1990s. Moltmann’s theological thinking has taken place consciously at the intersection of personal experiences, historical challenges, biblical testimony and the fundamentals of the Christian tradition. Analyzing his quest for a liberating anthropology in a chronological way, this study therefore gives an impression of the frictions and fault lines of Christian anthropology in the context of the societal changes during the second half of the twentieth century. A concluding chapter discusses some of the problems accentuated in the course of this analysis and evaluates some valuable leads for a Christian anthropology today.

"The fundamental concern of Romanticism, which brought about its inception, determined its development, and set its end, was the need to create a new language for religion"--

An exploration of the treatment of Mary Shelley's Frankenstein in popular art and culture, this book examines adaptations in film, comics, theatre, art, video-games and more, to illuminate how the novel's myth has evolved in the two centuries since its publication. Divided into four sections, The Afterlives of Frankenstein considers the cultural dialogues Mary Shelley's novel has engaged with in specific historical moments; the extraordinary examples of how Frankenstein has suffused our cultural consciousness; and how the Frankenstein myth has become something to play with, a locus for reinvention and imaginative interpretation. In the final part, artists respond to the Frankenstein legacy today, reintroducing it into cultural circulation in ways that speak creatively to current anxieties and concerns. Bringing together popular interventions that riff off Shelley's major themes, chapters survey such works as Frankenstein in Baghdad, Bob Dylan's recent “My Own Version of You”, the graphic novel series Destroyer with its Black cast of characters, Jane Louden's The Mummy!, the first Japanese translation of Frankenstein, “The New Creator”, the iconic Frankenstein mask and Kenneth Brannagh's Mary Shelley's Frankenstein film. A deep-dive into the crevasses of Frankenstein adaptation and lore, this volume offers compelling new directions for scholarship surrounding the novel through dynamic critical and creative responses to Shelley's original.