This book considers a moment at the turn of the nineteenth century, when literature and medicine seemed embattled in rivalry, to find the fields collaborating to develop interpretive analogies that saw literary texts as organic bodies and anatomical features as legible texts.

This book isn’t as scary as it looks! It’s funny, sexy, suspenseful and a little spooky. Think Nancy Drew all grown up, meeting a super-hot guy and encountering a ghost! Diana Iverson is a sharp, up and coming attorney with a logical, scientific mind and a handsome fiancé—until the rug is pulled out from under her feet and her life is upended. When her crazy Aunt Belinda dies, leaving her a big old house in Maine along with a box of Tarot cards, Diana takes the opportunity for a summer get-away far from the rat-race of Boston and the painful memories there. She doesn’t expect to meet up with Ethan Tannock, the handsome neighbor next door who seems to be some sort of eccentric ghost-buster—along with his big, black Labrador Retriever. But when the old house becomes the scene of vandalism and a number of break-ins, and it begins to appear as if Aunt Belinda’s death was not as it seemed, Diana finds that life isn’t always black and white and filled with logic. And then there are Aunt Belinda’s Tarot cards...which seem to be trying to tell her something from beyond the grave. In the tradition of Barbara Michaels and Mary Stewart comes a new take on a modern gothic by bestselling author Colleen Gleason.

In Amy Garvey's sexy new collection, Mr. Right actually shows up--but, wouldn't you know it, with some deadly complications. . . "My Love Life is Killing Me" Recent divorcee Alex Ramsay is ready to plunge back into the dating pool, and Matt Crawford looks like one sexy splash of a blind date--until she discovers that he's really John Tanner, private investigator, and that her real date is in the men's room. . .dead. Nothing like mystery to turn up the heat. . . "Dial M for Mortified" To perk up her struggling coffeehouse, Sacred Grounds, Darcy Bennett's "blind date night" turns out to be a great success, especially when gruff, sexy reporter Noah Gleason conducts an interview that gets steamier than an overworked espresso maker. Until someone screams and mingling becomes murder. . . "Dead Men Don't Write Checks" When Franny Gabriel isn't teaching elementary school, she's protecting her neighborhood against ruthless corporate interests by crashing fundraisers in a cocktail dress and heels. And hunky Theo Landry is about to get her message--in more ways than one--when death comes by way of dessert. . . "Garvey masters the delightfully surprising twist and the art of sexual tension touched with humor in all the right places." --Romantic Times

In 1846, Edgar Allen Poe wrote that 'the death of a beautiful woman is, unquestionably, the most poetic topic in the world'. The conjuction of death, art and femininity forms a rich and disturbing strata of Western culture, explored here in fascinating detail by Elisabeth Bronfen. Her examples range from Carmen to Little Nell, from Wuthering Heights to Vertigo, from Snow White to Frankenstein. The text is richly illustrated throughout with thirty-seven paintings and photographs.

An original study of late Enlightenment aesthetics, poetics, and environmental medicine as overlapping ways of comprehending the dislocations of historical existence lodged in the movements of bodies and minds This book studies later eighteenth-century medicine, aesthetics, and poetics as overlapping forms of knowledge increasingly concerned about the relationship between the geographical movements of persons displaced from home and the physiological or nervous "motions" within their bodies and minds. Looking beyond familiar narratives about medicine and art's shared therapeutic and harmonizing ideals, this book explores Enlightenment and Romantic-era aesthetics and poetics in relation to a central but less well known area of eighteenth-century environmental medicine: pathology. No mere system of diagnosis or classification, philosophical pathology was an art of interpretation, offering sophisticated ways of reading the multiple conditions and causes of disease, however absent from perception, in their palpable, embodied effects. For medical, anthropological, environmental, and literary authors alike, it helped to locate the dislocations of modern mobility when a full view of their causes and conditions remained imperfectly understood or still unfolding. Goodman traces the surprising afterlife of the period's exemplary but unexplained pathology of motion, medical nostalgia, within aesthetic theory and poetics, arguing that nostalgia persisted there not as a named condition but as a set of formal principles and practices, perturbing claims about the harmony, freedom, and free play of the mind.