Millionaire Joe Romano's surprise birthday gift is a live-in cook--Lucinda Barry. But the beautiful, blue-blooded blonde can't even fry an egg, so Joe instantly realizes it's all a scheme to find him a suitable wife! Joe decides to take his revenge on Lucinda and his matchmaking Italian grandmother by playing them at their own game. Surely Lucinda won't mind sharing his bed as part of her domestic duties?

What can we know about the everyday experiences of Christians during the fourth, fifth, and sixth centuries? How did non-elite men and women, enslaved, freed, and free persons, who did not renounce sex or choose voluntary poverty become Christian? They neither led a religious community nor did they live in entirely Christian settings. In this period, an age marked by "extraordinary" Christians--wonderworking saints, household ascetics, hermits, monks, nuns, pious aristocrats, pilgrims, and bishops--ordinary Christians went about their daily lives, in various occupations, raising families, sharing households, kitchens, and baths in religiously diverse cities. Occasionally they attended church liturgies, sought out local healers, and visited martyrs' shrines. Barely and rarely mentioned in ancient texts, common Christians remain nameless and undifferentiated. Unfinished Christians explores the sensory and affective dimensions of ordinary Christians who assembled for rituals. With precious few first-person accounts by common Christians, it relies on written sources not typically associated with lived religion: sermons, liturgical instruction books, and festal hymns. All three genres of writing are composed by clergy for use in ritual settings. Yet they may also provide glimpses of everyday Christians' lives and experiences. This book investigates the habits, objects, behaviors, and movements of ordinary Christians by mining festal preaching by John Chrysostom, Cyril of Jerusalem, Gregory of Nyssa, and Romanos the Melodist, among others. It also mines liturgical instructions to explore the psalms and other songs performed on various feast days. "Unfinished," then, connotes the creativity and agency of unremarkable Christians who engaged in making religious experiences: the "Christian-in-progress" who learns to work with material and bring something into being; the artisans who attended sermons; and, more widely, the bearers of embodied knowing.

Lucinda is chosen to be a live-in chef as a birthday present for Joe, a handsome bachelor and highly praised investor. According to his grandmother, the woman giving him the gift, Joe is gay. Lucy is ecstatic to hear this. After her family went bankrupt and her fiancé left her, she’s sick of love. But things take a sudden turn when Joe gives her a sweet but passionate kiss. At the touch of his lips, Lucinda is reminded of the most embarrassing night of her life, when she was forcibly kissed by the same man!

Papers presented at the Fifteenth International Conference on Patristic Studies held in Oxford 2007 (see also Studia Patristica 45, 46, 47, 48 and 49). The successive sets of Studia Patristica contain papers delivered at the International Conferences on Patristic Studies, which meet for a week once every four years in Oxford; they are held under the aegis of the Theology Faculty of the University. Members of these conferences come from all over the world and most offer papers. These range over the whole field, both East and West, from the second century to a section on the Nachleben of the Fathers. The majority are short papers dealing with some small and manageable point; they raise and sometimes resolve questions about the authenticity of documents, dates of events, and such like, and some unveil new texts. The smaller number of longer papers put such matters into context and indicate wider trends. The whole reflects the state of Patristic scholarship and demonstrates the vigour and popularity of the subject.

Paul's letter to the Romans is often regarded as the most profoundly doctrinal book in the Bible. While not overlooking its complex theology, Joseph Fitzmyer here shows Romans to be also a wellspring of devotional insight, accessible and deeply rewarding to all Christians. In this book Fitzmyer recasts the text of Romans into the form of meditations for devotional reflection in spiritual retreats, Bible studies, church classrooms, small groups, and other prayerful gatherings. Styled after the famous Spiritual Exercises of St. Ignatius Loyola, the book includes twenty-four meditations that can be divided in a variety of ways and fit to a range of reading schedules. Accompanying each meditation are questions to encourage reflection on the passage of Romans being considered and also a colloquy in the form of a psalm or New Testament hymn that matches the sentiment of the Pauline passage. A truly fulfilling approach to spirituality, Fitzmyer's Spiritual Exercises demonstrates the role of Scripture in properly ordering the Christian life.

This work covers Bronson's entire output in film and on television, and includes many film stills and photographs. Alphabetical entries list film or episode, complete cast and credits, and year of release. Accompanying each entry's plot synopsis and discussion is a survey of the critical responses to the work. The great Charles Laughton once said Bronson "has the strongest face in the business, and he is also one of its best actors." Pretty high praise for an actor who, though loved by fans worldwide, has been consistently underestimated by critics. Bronson's career has spanned five decades, from such television appearances in The Fugitive, Rawhide, Bonanza and Have Gun, Will Travel as well as the telemovie A Family of Cops (1995) and its two sequels. He will long be remembered for his role as urban vigilante Paul Kersey in the Death Wish films. Bronson is one of the most enigmatic, and also most recognizable, of all film stars.