This book presents a little-known and ingenious artefact of the Roman world: a small puzzle padlock whose font plate bears a face or ‘mask’ of ‘Celtic’ style.

This book presents a little-known and ingenious artefact of the Roman world: a small puzzle padlock whose font plate bears a face or 'mask' of 'Celtic' style. The padlocks were designed to secure small bags or pouches and their distribution extended across Europe with the majority found in the Danubian region and in the vicinity of Aquileia. The authors examine the cultural context, the origins and uses of the padlocks, and provide detailed solutions to the puzzle mechanisms. The publication provides a fully-illustrated catalog of the known 156 examples, categorises their types according to construction and style, and explores the technicalities of the subject by the process of constructing replica mask puzzle padlocks.

The burial tumulus of Lofkend lies in one of the richest archaeological areas of Albania (ancient "Illyria"), home to a number of burial tumuli spanning the Bronze and Iron Ages of later prehistory. Some were robbed long ago, others were reused for modern burials; few were excavated under scientific conditions. Modern understanding of the pre- and protohistory of Illyria has largely been shaped by the contents of such burial mounds. What inspired the systematic exploration of Lofkend by UCLA was more than the promise of an unplundered necropolis; it was also a chance to revisit the significance of this tumulus and its fellows for the emergence of urbanism and complexity in ancient Illyria. In addition to artifacts, the recovery of surviving plant remains, bones, and other organic material contribute insights into the environmental and ecological history of the region.

The 15 Puzzle Book contains an illustrated history of one of the most popular and important mechanical puzzles of all time. It can be argued that the 15 Puzzle in 1880 had the greatest impact on American and European society of any mechanical puzzle the world has ever known. Books by famous mathematicians tell that a deaf mute invented the 15 Puzzle but other sources claim it was invented by Sam Loyd, who Martin Gardner called, "America's greatest puzzle designer." Or has Sam Loyd, who claimed to invent the puzzle, continued to fool the world for more than 100 years? The true story of the puzzle is told here for the first time: - The real inventor and his patent application records were found. - The story of how the puzzle came to be manufactured. - Proof that the 15 Puzzle is mathematically impossible to solve. - How a young New Yorker solved it. - The worldwide puzzle craze that it created.

One of the great seats of learning and repositories of knowledge in the ancient world, Alexandria, and the great school of thought to which it gave its name, made a vital contribution to the development of intellectual and cultural heritage in the Occidental world. This book brings together twenty papers delivered at a symposium held at the J. Paul Getty Museum on the subject of Alexandria and Alexandrianism. Subjects range from “The Library of Alexandria and Ancient Egyptian Learning” and “Alexander’s Alexandria” to “Alexandria and the Origins of Baroque Architecture.” With nearly two hundred illustrations, this handsome volume presents some of the world’s leading scholars on the continuing influence and fascination of this great city. The distinguished contributors include Peter Green, R. R. R. Smith, and the late Bernard Bothmer.

Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.

This volume contains reports on excavations undertaken in the lower walled city at Lincoln, which lies on sloping ground on the northern scarp of the Witham gap, and its adjacent suburbs between 1972 and 1987, and forms a companion volume to LAS volumes 2 and 3 which cover other parts of the historic city. The earliest features encountered were discovered both near to the line of Ermine Street and towards Broadgate. Remains of timber storage buildings were found, probably associated with the Roman legionary occupation in the later 1st century AD. The earliest occupation of the hillside after the foundation of the colonia towards the end of the century consisted mainly of commercial premises, modest residences, and storage buildings. It seems likely that the boundary of the lower enclosure was designated before it was fortified in the later 2nd century with the street pattern belonging to the earlier part of the century. Larger aristocratic residences came to dominate the hillside with public facilities fronting on to the line of the zigzagging main route. In the 4th century, the fortifications were enlarged and two new gates inserted. Examples of so-called ‘Dark Earth’ deposits were here dated to the very latest phases of Roman occupation. Elements of some Roman structures survived to be reused in subsequent centuries. There are hints of one focus in the Middle Saxon period, in the area of St. Peter’s church, but occupation of an urban nature did not recommence until the late 9th century with the first phases of Anglo-Scandinavian occupation recorded here. Sequences of increasingly intensive occupation from the 10th century were identified, with plentiful evidence for industrial activity, including pottery, metalworking and other, crafts, as well as parish churches. Markets were established in the 11th century and stone began to replace timber for residential structures from the mid-12th century with clear evidence of the quality of some of the houses. With the decline in the city’s fortunes from the late 13th century, the fringe sites became depopulated and there was much rebuilding elsewhere, including some fine new houses. There was a further revival in the later post-medieval period, but much of the earlier fabric, and surviving stretches of Roman city wall, were swept away in the 19th century.