Parlormaid seeks scientist! From New York Times bestselling author Gail Carriger comes a delightful lesbian Victorian romance featuring a maid bent on seducing an imprisoned cross-dressing inventor. FEATHER DUSTER Imogene Hale is a lowly parlormaid with a soul-crushing secret. Desperate to understand her own desires, she takes work at a local vampire hive, only to fall in love with the amazing lady inventor the vampires have imprisoned in their potting shed. LEATHER GOGGLES Genevieve Lefoux is lonely, brilliant, and French. Obsessed with her cogs and devices she refuses to risk her heart. With culture, class, and the scientist herself set against the match, can Imogene and her duster win Genevieve's love, or will the vampires suck both of them dry? "Carriger excels at wry humor and clever phrasing, and her ensemble cast is thoroughly charming and satisfyingly diverse. There's a genuine sense of whimsy and fun running throughout this story, making it a treat for fans of the series." ~ Publishers Weekly (Competence) Set in Carriger's popular steampunk Parasolverse, this story is full of class prejudice, elusive equations, and paranormal creatures taking tea. Perfect for those who enjoy Jenny Frame or Sarah Waters only bonus light-hearted urban fantasy. If Jane Austen dated Gentlemen Jack this charming stand-alone romance would be it. Supernatural Society stories can be read in any order, but if you're a stickler, this book falls in between the Parasol Protectorate series and the Custard Protocol series. Want more Sapphic ladies from Gail? Try Competence. Meet Imogene and Genevieve again in Reticence. Delicate Sensibilities? This story contains women pleasing women and ladies who know what they want and pursue it, sometimes in exquisite detail. Also by Gail Carriger set in the Parasolverse The Finishing School series (start with Etiquette & Espionage) The Delightfully Deadly stories The Parasol Protectorate series (start with Soulless) The Supernatural Society stories The Custard Protocol series (start with Prudence) The Claw & Courtship stories As G L Carriger The San Andreas Shifter series (start with The Sumage Solution) The 5th Gender

NYT and USAT bestselling author and screenwriter, Cindy Dees, brings her formidable skills as a master storyteller and master writing teacher to this encyclopedic series analyzing the major tropes used in modern commercial fiction. In this volume, Cindy explores 32 iconic hook romance tropes, stories that explore ways your hero and heroine meet and come together as a couple and how that initial meeting establishes a set of problems that must be overcome before the hero and heroine can achieve their happily ever after. . Written by a working writer for working writers, this is a comprehensive reference guide and brainstorming tool to help you quickly generate ideas, create characters and plot, revise and edit, brand and market your story. You’ll write faster, cleaner, and deliver your audience a story they’ll recognize and love. If you’re writing a novel, script, play, comic, graphic novel, video game script, or any other story format, this book is for you. If you’re writing a love story specifically, or you’re writing any genre of fiction in which you’d like to include a romantic relationship, this book is for you. Each trope entry includes: a detailed definition and analysis descriptions of all obligatory scenes necessary to structure this trope correctly lists of additional key scenes important to this trope an extensive list of questions to think about when writing this trope an extensive list of traps to avoid when writing this trope reasons why audiences love this trope a list of similar tropes a list of examples of each trope in action taken from television, film, and novels …writers in every genre of fiction are going to want these guides in their go-to reference books… …a tour de force how-to on creating stories audiences adore… …the books every writer has been waiting for—a comprehensive walk-through by an industry pro of everything to think about when building a story of pretty much any kind…

Romancing the Novel examines the ways in which romance forms characteristic of boys' books - as exemplified in the novels of Scott, Dumas, Verne, and Stevenson - influence narratives not generally put in the same category - both psychoanalytical accounts of the psyche and novels by authors as diverse as George Eliot, Ursual Le Guin, Joseph Conrad, and W. G. Sebald. Adventure has been most recently studied largely as a symptom of imperialism's ideological apparatus. But as an intensely familiar story available from the earliest reading, adventure conditions the narratable - its influence is felt from the nursery bed to the analyst's couch. By reading Maurice Sendak with Melanie Klein and Peter Rabbit with Daniel Deronda, Romancing the Novel argues that the power and depth of the generic constraints of the adventure form have not been recognized simply because they are so ubiquitous. Adventure fiction is not merely summer reading whose ephemeral effects dissipate, but rather a pervasive code that exerts powerful effects on the imaginable.

Uses Kenneth Burke to study the language of romance in religious sectarian rhetoric

Romancing the Market is a radical rethinking of marketing understanding. Marketing and consumer research are dominated by the neo-classical ideals of the Enlightenment such as rigour, dispassion and the search for scientific 'truth'. In a series of provocative essays, the contributors challenge these assumptions with reference to the individuality, innovation and imagination of the Romantic movement. The book contains essays by an international selection of the most creative contemporary marketing scholars, including Elizabeth Hirschman, Russell Belk, Craig Thompson and Robin Wensley. Illuminating, controversial and cutting edge, this is an essential work for all those interested in new directions in marketing and consumer research.

What is steampunk? Fashion craze, literary genre, lifestyle - or all of the above? Playing with the scientific innovations and aesthetics of the Victorian era, steampunk creatively warps history and presents an alternative future, imagined from a nineteenth-century perspective. In her interdisciplinary book, Claire Nally delves into this contemporary subculture, explaining how the fashion, music, visual culture, literature and politics of steampunk intersect with theories of gender and sexuality. Exploring and occasionally critiquing the ways in which gender functions in the movement, she addresses a range of different issues, including the controversial trope of the Victorian asylum; gender and the graphic novel; the legacies of colonialism; science and the role of Ada Lovelace as a feminist steampunk icon. Drawing upon interviews, theoretical readings and textual analysis, Nally asks: why are steampunks fascinated by our Victorian heritage, and what strategies do they use to reinvent history in the present?

"This book considers the unexpected and mostly unexamined popularity of the Mexican film Yesenia (Alfredo B. Crevenna, 1971) in the Soviet Union. Set during the Second Franco-Mexican war, this unassuming movie melodrama was based on a successful television series, itself an adaptation of a popular women's romance graphic novel, a genre that was extremely common in mid-century Mexico. Screened in the Soviet Union in 1975, Yesenia became the highest grossing film in the history of Soviet film exhibition, unsurpassed by any movie, foreign or domestic. Based on ticket sales alone, it was seen by an astounding 91.4 million viewes in only the first year of its release. Yesenia's popularity in the socialist bloc, largely unbeknown to its Mexican producers, continued for decades after its initial release as the film migrated from cinemas to television screens and video. Boosted by its success with Soviet audiences, the film enjoyed a similarly spectacular exhibition history in China in the late 1970s, when the country was opening itself up to more international media, paving the way for other Mexican and Latin American productions broadcasted on Chinese television in decades to follow. Approaching this period restrospectively, cognizant of more contemporary developments in the global media, I conceive of this episode in film history through a framework of television culture whose increasing impact, I argue, shaped both the film's Mexican production and its subsequent reception within the Socialist bloc. I also argue that Yesenia's popularity carved out a crucial node within the global circuit of cultural and industrial networks, further enabling Latin American media's transcontinental reach"--Provided by publisher.