Rose Warren and Simon Trumbull may have been betrothed since birth, but that doesn't mean they have to like each other. Rose is certain the notoriously rakish Simon will never willingly settle down. And Simon certainly agrees. After all, some gentlemen prefer to choose their own destinies—like drinking and gambling with their mates...and not settling down with their bookish, bespectacled betrothed. But rumors of intrigue are circulating among the ton—including whispers of a murder through poisoning. Suddenly Rose and Simon find themselves working together to uncover a mystery. And Simon is discovering that Rose is not only a brilliant sleuth, but her flowing skirts disguise a body that’s unexpectedly sinful and delectable. For the first time, Simon sees Rose for who she truly is. Now he just has to convince his English Rose that this romance might be forever... Each book in the Lady Lancaster Garden Society series is STANDALONE: * Taming Her Forbidden Earl * Romancing His English Rose * Tempting Her Reluctant Viscount * Enticing Her Unexpected Bridegroom * A Rogue For Emily

This title provides a new account of the literary history of fourteenth-century England, arguing that many of this period's most distinctive literary experiments emerge through a productive dialogue with the 'Romance of the Rose', a jointly-authored medieval French poem.

"Do you play?" he asked. She touched the keys and pressed lightly on them. "A little." Her fingers spread out naturally and she closed her eyes as the instrument echoed softly. Demetrius recognized the composition and brought his arm around her so that his fingers rested above hers, gliding them along as she played. Then she suddenly paused and turned to look at him. How confused and lost she looked, but not anymore than he was. Their attraction grew stronger each time they encountered and no matter the dilemma making them take opposition, the animosity couldn't subdue the burning in their hearts. He leaned forward to kiss her when she turned her head downward. Caressing her chin, he raised it so that their lips lightly touched. Then he slowly brought his mouth to hers, prolonging the intense throb in her heart. The softness of her lips lured him in and he pulled her closer. He kissed her softly at first and when he found her tongue, his kiss intensified. Jen wrapped her arms around his neck and kissed him back harder. Then they withdrew and looked into each other's eyes without an understanding of where they were leading themselves.

The Romance of the Rose had a transformative effect on the multilingual literary culture of fourteenth-century England, leaving more material evidence for late medieval English-speaking readers than any other vernacular literary work from mainland Europe. This book examines its decisive effect on English literature of the fourteenth century, and new literary experiments it provoked from writers such as Geoffrey Chaucer, John Gower, William Langland, and the author of Sir Gawain and the Green Knight. Linking the English afterlife of the Rose to a host of ongoing cultural developments in mainland Europe, The Romance of the Rose and the Making of Fourteenth-Century English Literature reveals the deep interconnectedness of English and European literary culture. Examining courtly, clerical, and classicising orientations towards the text, it presents new arguments for the place of the Rose at the centre of fourteenth-century English literature, and explores its rich manuscript history to reveal new evidence about the cultural significance of this love allegory from thirteenth-century France. The chapters avoid an author-centred approach, arranging readings of the Rose and its relation with English literature in constellations that reveal complex unfolding inter-relation of the diverse readings of the Rose that took place in fourteenth-century England.

One of the most influential texts of its time, the Romance of the Rose offers readers a window into the world view of the late Middle Ages in Europe, including notions of moral philosophy and courtly love. Yet the Rose also explores topics that remain relevant to readers today, such as gender, desire, and the power of speech. Students, however, can find the work challenging because of its dual authorship by Guillaume de Lorris and Jean de Meun, its structure as an allegorical dream vision, and its encyclopedic length and scope. The essays in this volume offer strategies for teaching the poem with confidence and enjoyment. Part 1, "Materials," suggests helpful background resources. Part 2, "Approaches," presents contexts, critical approaches, and strategies for teaching the work and its classical and medieval sources, illustrations, and adaptations as well as the intellectual debates that surrounded it.

Lady Arabella Sutton is stunned to learn her brother has betrothed her to a stranger despite his promises for a season in London. Although she is the first to admit no man would suit, since she's more interested in horses than marriage, the last thing she wants is to become a brood mare to a stuffy old earl. Facing a future she cannot abide, she takes an impetuous ride to clear her head and ends up tending her injured mare instead.? Oliver Westwyck, the Earl of Marsdale, can't believe his luck when he stops at an inn the night before he's to meet his fiancée. In the stable, while tending the colt he intends to give to his future wife, he happens upon her—rain-drenched but beautiful. She assumes he's a stable hand, a fine joke he means to end...until Lady Arabella declares all noblemen are egotistical, conceited, and arrogant. How can he reveal his true identity before he's managed to change her mind and win her heart?

From the author of Magnolia Nights comes this steamy and tantalizing tale of a young British beauty and the lusty, Lone Star scoundrel who would win her heart, but never tame her spirit. The Wild West just got wilder . . . and a lot more passionate!