This Is A New Release Of The Original 1873 Edition.

Willa Knight: Dweller. Slave. Non-magical being. In Minatsol, being a dweller means that you are literally no better than dirt. In fact, dirt might actually be more useful than Willa. Her life will be one of servitude to the sols, the magic-blessed beings who could one day be chosen to become gods. At least her outer village is far removed from the cities of the sols, and she won't ever be forced to present herself to them... Until one small mistake changes everything, and Willa is awarded a position to serve at Blesswood, the top sol academy in the world-a position that she definitely did not earn. Under the sudden, watchful eye of the gods, she will be tasked to serve the Abcurse brothers, five sols built of arrogance, perfection and power. They are almost gods themselves, and under their service she is either going to end up sentenced to death, or else they are going to ruin her so badly that she will wish for it. Either way, she is in trouble.This is a full novel, 90,000 words. Book 1 of 5 in the Curse of the Gods Series

Nothing prepares you for finding your sister's lifeless body covered in blood. But when the police arrest her ex, a man I know is innocent, I can't sit by and do nothing. Not when I've been secretly in love with him for years. Heath may not want my help, but I won't take no for an answer. To catch a killer, I'm forced to take a job at Saint View Prison. Maximum security. The place they send the worst of the worst. But it's not just Heath who doesn't want me there. Rowe, the sinfully sexy head guard has made it clear I don't belong. I'd tell him where to go with my middle finger up, if my skin didn't prickle with awareness every time he touches me. And then there's Liam, hotshot lawyer and my old high school enemy. All that tension and chemistry is still there, burning between us like flames. I need his help, but I'll be damned if I beg for it. With every lie we uncover, every secret we expose, the danger mounts. Until there's only one thing we know for sure. The killer is still out there. And I'm his next target. Locked Up Liars is an adult, #whychoose romance, meaning the main character has more than one love interest. This book contains enemies-to-lovers and romantic suspense / dark themes that may trigger some readers. It is the first book in an ongoing trilogy. Download or 1-click this hot new romance today.

Anna Harriette Leonowens' 'The Romance of the Harem' is a fascinating exploration of the exotic and mysterious world of the Middle Eastern harem. Through vivid descriptions and captivating storytelling, Leonowens delves into the intricacies of these secluded spaces, unveiling the complex lives of the women who inhabit them. Written in a flowing and eloquent style, the book transports readers to a time and place where tradition and passion collide, offering a unique perspective on a culture shrouded in secrecy. Leonowens' attention to detail and rich imagery make 'The Romance of the Harem' a literary gem that is sure to captivate readers with its beauty and insight.

The Sheik—E. M. Hull’s best-selling novel that became a wildly popular film starring Rudolph Valentino—kindled “sheik fever” across the Western world in the 1920s. A craze for all things romantically “Oriental” swept through fashion, film, and literature, spawning imitations and parodies without number. While that fervor has largely subsided, tales of passion between Western women and Arab men continue to enthrall readers of today’s mass-market romance novels. In this groundbreaking cultural history, Hsu-Ming Teo traces the literary lineage of these desert romances and historical bodice rippers from the twelfth to the twenty-first century and explores the gendered cultural and political purposes that they have served at various historical moments. Drawing on “high” literature, erotica, and popular romance fiction and films, Teo examines the changing meanings of Orientalist tropes such as crusades and conversion, abduction by Barbary pirates, sexual slavery, the fear of renegades, the Oriental despot and his harem, the figure of the powerful Western concubine, and fantasies of escape from the harem. She analyzes the impact of imperialism, decolonization, sexual liberation, feminism, and American involvement in the Middle East on women’s Orientalist fiction. Teo suggests that the rise of female-authored romance novels dramatically transformed the nature of Orientalism because it feminized the discourse; made white women central as producers, consumers, and imagined actors; and revised, reversed, or collapsed the binaries inherent in traditional analyses of Orientalism.