A dark mafia trilogy by USA Today Bestselling Author Nikita Slater. Shaun's life changes in an instant when she's kidnapped from a hospital where she works as a surgeon with Doctors Without Borders. She's faced with two choices; save the mafia informant or die. She finds herself in a dangerous situation where the only man she can trust is the vicious enforcer to a crime family. Jozef Koba. From the operating room to an opulent glittering ballroom and a forced engagement, Shaun is wildly out of her depth. Every step she takes is monitored and the man who kidnapped her watches her like a feral dog preparing to strike. A mob war. A family in crisis. A rise to power. Together, Jozef and Shaun, must show the world a new Koba empire, built from the ashes of destruction and put back together with the strength of their love. NOTE: The Sinner's Empire Trilogy contains sensitive subject matter, with some scenes containing elements of PTSD and panic attacks, please read with caution. Keywords: romance series, romance trilogy, possessive alpha male, dark romance, jealous possessive, gothic romance, seductive romance, alpha hero, antihero, antihero romance, antihero dark romance, suffering heroine, obsessive hero, abduction to love, passionate lovers, tortured heroine, sexually romantic books, series, romantic suspense, forbidden romance, capture fantasy, thriller, crime, mafia romance, enforcer, kidnap, love books, love stories, contemporary mafia romance, family saga, enemies to lovers, mobster, dark mafia romance, billionaire romance, possessive alpha romance, bestselling series, bad boy, non-verbal, no cheating, kidnapping, nonverbal, stalker, mercenary, doctor, protective, steamy, abused heroine, dominance submission, caged, marriage, captive romance, mob boss

Romancing the Novel examines the ways in which romance forms characteristic of boys' books - as exemplified in the novels of Scott, Dumas, Verne, and Stevenson - influence narratives not generally put in the same category - both psychoanalytical accounts of the psyche and novels by authors as diverse as George Eliot, Ursual Le Guin, Joseph Conrad, and W. G. Sebald. Adventure has been most recently studied largely as a symptom of imperialism's ideological apparatus. But as an intensely familiar story available from the earliest reading, adventure conditions the narratable - its influence is felt from the nursery bed to the analyst's couch. By reading Maurice Sendak with Melanie Klein and Peter Rabbit with Daniel Deronda, Romancing the Novel argues that the power and depth of the generic constraints of the adventure form have not been recognized simply because they are so ubiquitous. Adventure fiction is not merely summer reading whose ephemeral effects dissipate, but rather a pervasive code that exerts powerful effects on the imaginable.

Romance is a varied and fluid literary genre, notoriously difficult to define. This groundbreaking Companion surveys the many permutations of romance throughout the ages. Considers the literary and historical development of the romance genre from its classical origins to the present day Incorporates discussion of the changing readership of romance and of romance’s special relation to women readers Comprises 30 essays written by leading authorities on different periods and sub-genres Challenges the idea that the appeal of romance is exclusively escapist Draws on a wide range of specific and influential literary examples

How a preoccupation with charismatic leadership in African American culture has influenced literature from World War I to the present

Witnessing the end of a war that nearly terminated the nation, the abolition of racial slavery and rise of legal segregation, the rise of Modernism and Hollywood, the closing of the frontier and two World Wars, the literary historical period represented in this volume constitutes the crucible of American literary history. Here, 35 essays by top researchers in the field detail how considerations of race and citizenship; immigration and assimilation; gender and sexuality; nationalism and empire; all reverberate throughout novels written in the United States between 1870 and 1940. Contributors discuss the professionalization of literary production after the Civil War alongside legal and political debates over segregation and citizenship; while chapters on journalism, geography, religion, and immigration offer discussions on everything from the lasting role of literary realism in American fiction to the Spanish-American War's effect on developing theories of aesthetics and popular culture. The volume offers thorough coverage of the emergence of serial fiction, children's fiction, crime and detective fiction, science fiction, and even cinema and comics, as new media and artistic revolutions like the Harlem Renaissance helped usher in the new international aesthetic movement of Modernism. The final chapters in the volume explore the relationship of the novel to the emergence of "American literature" as a category in the academy, in public criticism and journalism, and in mass culture.

Reveals the diversity crisis in children's and young adult media as not only a lack of representation, but a lack of imagination Stories provide portals into other worlds, both real and imagined. The promise of escape draws people from all backgrounds to speculative fiction, but when people of color seek passageways into the fantastic, the doors are often barred. This problem lies not only with children’s publishing, but also with the television and film executives tasked with adapting these stories into a visual world. When characters of color do appear, they are often marginalized or subjected to violence, reinforcing for audiences that not all lives matter. The Dark Fantastic is an engaging and provocative exploration of race in popular youth and young adult speculative fiction. Grounded in her experiences as YA novelist, fanfiction writer, and scholar of education, Thomas considers four black girl protagonists from some of the most popular stories of the early 21st century: Bonnie Bennett from the CW’s The Vampire Diaries, Rue from Suzanne Collins’s The Hunger Games, Gwen from the BBC’s Merlin, and Angelina Johnson from J.K. Rowling’s Harry Potter. Analyzing their narratives and audience reactions to them reveals how these characters mirror the violence against black and brown people in our own world. In response, Thomas uncovers and builds upon a tradition of fantasy and radical imagination in Black feminism and Afrofuturism to reveal new possibilities. Through fanfiction and other modes of counter-storytelling, young people of color have reinvisioned fantastic worlds that reflect their own experiences, their own lives. As Thomas powerfully asserts, “we dark girls deserve more, because we are more.”