This book examines the development of Roman temple architecture from its earliest history in the sixth century BC to the reigns of Hadrian and the Antonines in the second century AD. John Stamper analyzes the temples' formal qualities, the public spaces in which they were located and, most importantly, the authority of precedent in their designs. He also traces Rome's temple architecture as it evolved over time and how it accommodated changing political and religious contexts, as well as the affects of new stylistic influences.

Few things have had such a great cultural and architectural influence on Western society as the architecture of Roman temples. Where did the Romans find their inspiration? What did these temples really look like? Beautifully illustrated with Minecraft, "Roman Temple: A Story of its Origins and Construction" by Jessie Craft tells the story of the evolution of Roman temple architecture through the eyes of a young Vitruvius (a Roman architect during the Age of Augustus). Readers journey alongside Vitruvius to places near and far to find the answers to questions about inspiration and appearance. On this journey, they will witness the construction of some of the most well-known temples in antiquity: from the creation of mud bricks, quarrying of stone, and polishing of marble to the raising of huge stone pediments, and the decoration of the temple's interior and exterior. "Roman Temple" is a concise and succinct account of Roman temple architecture presented in a simple, straightforward and accessible language.

In his sixth satire, Juvenal speculates about how Roman wives busy themselves while their husbands are away, namely, by entertaining a revolving door of exotic visitors who include a eunuch of the eastern goddess Bellona, an impersonator of Egyptian Anubis, a Judean priestess, and Chaldean astrologers. From these self-proclaimed religious specialists women solicit services ranging from dream interpretation to the coercion of lovers. Juvenal's catalogue suggests the popularity of such "freelance" experts at the turn of the second century and their familiarity to his audience, whom he could expect to get the joke. Heidi Wendt investigates the backdrop of this enthusiasm for the religion of freelance experts by examining their rise during the first two centuries of the Roman Empire. Unlike civic priests and temple personnel, freelance experts had to generate their own authority and legitimacy, often through demonstrations of skill and learning in the streets, in marketplaces, and at the temple gates, among other locations in the Roman world. Wendt argues that these professionals participated in a highly competitive form of religious activity that intersected with multiple areas of specialty, particularly philosophy and medicine. Over the course of the imperial period freelance experts grew increasingly influential, more diverse with respect to their skills and methods, and more assorted in the ethnic coding of their practices. Wendt argues that this context engendered many of the innovative forms of religion that flourished in the second and third centuries, including phenomena linked with Persian Mithras, the Egyptian gods, and the Judean Christ. The evidence for freelance experts in religion is abundant, but scholars of ancient Mediterranean religion have only recently begun to appreciate their impact on the empire's changing religious landscape. At the Temple Gates integrates studies of Judaism, Christianity, mystery cults, astrology, magic, and philosophy to paint a colorful portrait of religious expertise in early Rome.

This is the first comparative study of Roman architecture on the Iberian peninsula, covering six centuries from the arrival of the Romans in the third century B.C. until the decline of urban life on the peninsula in the third century A.D. During this period, the peninsula became an influential cultural and political region in the Roman world. Iberia supplied writers, politicians, and emperors, a fact acknowledged by Romanists for centuries, though study of the peninsula itself has too often been brushed aside as insignificant and uninteresting. In this book William E. Mierse challenges such a view. By examining in depth the changing forms of temples and their placement within the urban fabric, Mierse shows that architecture on the peninsula displays great variation and unexpected connections. It was never a slavish imitation of an imported model but always a novel experiment. Sometimes the architectural forms are both new and unexpected; in some cases specific prototypes can be seen, but the Iberian form has been significantly altered to suit local needs. What at first may seem a repetition of forms upon closer investigation turns out to be theme and variation. Mierse brings to his quest an impressive learning, including knowledge of several modern and ancient languages and the archaeology of the Roman East, which allows him a unique perspective on the interaction between events and architecture.

This lavishly illustrated volume presents a comprehensive architectural study of 87 individual temples and sanctuaries built in the Roman East between the end of the 1st century BCE and the end of the 3rd century CE, within a broad region encompassing the modern states of Syria, Lebanon, Israel and Jordan. Religious architecture gave faithful expression to the complexity of the Roman East and to its multiplicity of traditions pertaining to ethnic and religious aspects as well as to the powerful influence of Imperial Rome. The source of this power lay in the uniformity of the architectural language, the inventory of forms, the choice of styles and the spatial layout of the buildings. Thus, while temples have an eclectic character, there is an underlying unity of form comprising the podium, the stairway between the terminating walls (antae) and the columns along the entrance front - in other words, the axiality, frontality and symmetry of the temple as viewed from outside. The temples and sanctuaries studied in this volume demonstrate individual nuances of plan, spatial design, location in the sanctuary and interrelations with the immediate vicinity but can be divided into two main categories: Vitruvian temples (derived from Hellenistic-Roman architecture) and Non-Vitruvian temples (those with plans and spatial designs that cannot be analysed according to architectural criteria such as those defined by Vitruvius). The individual descriptions presented focus solely upon the analysis of the external and internal space of the temples of all types and do not involve any cultural or ethnic discussion.

This work relies on the results of archaeological surveys and excavations of Roman temples, shrines and temene, discovered in Israel. Unfortunately, the literary sources are curiously silent with regard to most of the constructions. Nonetheless, literary sources, archaeological-architectural analogies and circumstantial evidence do provide some additional information for the understanding of their context, architecture, functions and religious-cultic perceptions. Their remains reflect a large scale of sacred buildings or complexes in the Roman period throughout the country, evincing the veneration and worship of many and varied deities of the Graeco-Roman and Oriental pantheons. Many temples and shrines are depicted on coins or mentioned in literary and epigraphic sources. These indicate that a large number of temples/shrines, dedicated to various gods, existed in Israel in the Roman period. Thus, it may be assumed that they reflect not only the architectural reality, but also the religious cultic atmosphere. It would seem that these architectural complexes had either been deliberately concealed and/or destroyed in Late Antiquity (fifth and sixth centuries CE) by order of the Christian authorities and Byzantine emperors, or converted into churches. Some of them were demolished by later generations, natural disasters, fires, conquests, etc. The chronological range of the temples/shrines and temene, discussed in this book, extends over a period of approximately 250 years, from Herod's reign up to the Severan era.

This book examines the influence of architectural design in the conservation of historic buildings by discussing in detail an important building complex in Rome: the Temple of Venus and Rome, the monastery of Santa Maria Nova and the church of Santa Francesca Romana. As the only most complete site in the Roman Forum that has reached our times with a rich architectural stratification almost intact, it is a clear product of continuous preservation and transformation, which has not been studied in its complexity until now. The Temple of Venus and Rome and Santa Francesca Romana at the Roman Forumunravels the original designs and the subsequent interventions, including Giacomo Boni's pioneering conservation of the monastery, carried out while excavating the Roman Forum in the early twentieth century. The projects are discussed in context to show their significance and the relationships between architects and patrons. Through its interdisciplinary focus on architectural design, conservation, archaeology, history and construction, this study is an ideal example for scholars, students and architects of how to carry out research in architectural conservation.