Publisher Description

This volume explores the role that republican political participation played in forging elite Roman masculinity. It situates familiarly "manly" traits like militarism, aggressive sexuality, and the pursuit of power within a political system based on power sharing and cooperation. In deliberations in the Senate, at social gatherings, and on military campaign, displays of consensus with other men greased the wheels of social discourse and built elite comradery. Through literary sources and inscriptions that offer censorious or affirmative appraisal of male behavior from the Middle and Late Republic (ca. 300–31 BCE) to the Principate or Early Empire (ca. 100 CE), this book shows how the vir bonus, or "good man," the Roman persona of male aristocratic excellence, modulated imperatives for personal distinction and military and sexual violence with political cooperation and moral exemplarity. While the advent of one-man rule in the Empire transformed political power relations, ideals forged in the Republic adapted to the new climate and provided a coherent model of masculinity for emperor and senator alike. Scholars often paint a picture of Republic and Principate as distinct landscapes, but enduring ideals of male self-fashioning constitute an important continuity. Roman Masculinity and Politics from Republic to Empire provides a fascinating insight into the intertwined nature of masculinity and political power for anyone interested in Roman political and social history, and those working on gender in the ancient world more broadly.

This book is an attempt to coax Roman history closer to the bone, to the breath and matter of the living being. Drawing from a remarkable array of ancient and modern sources, Carlin Barton offers the most complex understanding to date of the emotional and spiritual life of the ancient Romans. Her provocative and original inquiry focuses on the sentiments of honor that shaped the Romans' sense of themselves and their society. Speaking directly to the concerns and curiosities of the contemporary reader, Barton brings Roman society to life, elucidating the complex relation between the inner life of its citizens and its social fabric. Though thoroughly grounded in the ancient writings—especially the work of Seneca, Cicero, and Livy—this book also draws from contemporary theories of the self and social theory to deepen our understanding of ancient Rome. Barton explores the relation between inner desires and social behavior through an evocative analysis of the operation, in Roman society, of contests and ordeals, acts of supplication and confession, and the sense of shame. As she fleshes out Roman physical and psychological life, she particularly sheds new light on the consequential transition from republic to empire as a watershed of Roman social relations. Barton's ability to build productively on both old and new scholarship on Roman history, society, and culture and her imaginative use of a wide range of work in such fields as anthropology, sociology, psychology, modern history, and popular culture will make this book appealing for readers interested in many subjects. This beautifully written work not only generates insight into Roman history, but also uses that insight to bring us to a new understanding of ourselves, our modern codes of honor, and why it is that we think and act the way we do.

In this book, Colleen Conway looks at the construction of masculinity in New Testament depictions of Jesus. She argues that the New Testament writers necessarily engaged the predominant gender ideology of the Roman Empire, whether consciously or unconsciously. Although the notion of what constituted ideal masculinity in Greek and Roman cultures certainly pre-dated the Roman Empire, the emergence of the Principate concentrated this gender ideology on the figure of the emperor. Indeed, critical to the success of the empire was the portrayal of the emperor as the ideal man and the Roman citizen as one who aspired to be the same. Any person who was held up alongside the emperor as another source of authority would be assessed in terms of the cultural values represented in this Roman image of the "manly man." Conway examines a variety of ancient ideas of masculinity, as found in philosophical discourses, medical treaties, imperial documents, and ancient inscriptions. Manliness, in these accounts, was achieved through self-control over passions such as lust, anger, and greed. It was also gained through manly displays of courage, the endurance of pain, and death on behalf of others. With these texts as a starting point, Conway shows how the New Testament writings approach Jesus' gender identity. From Paul's early letters to the Gospels and Acts, to the book of Revelation, Christian writings in the Bible confront the potentially emasculating scandal of the cross and affirm Jesus as ideally masculine. Conway's study touches on such themes as the relationship between divinity and masculinity; the role of the body in relation to gender identity; and belief in Jesus as a means of achieving a more ideal form of masculinity. This impeccably researched and highly readable book reveals the importance of ancient gender ideology for the interpretation of Christian texts.

Examines ancient notions of what constitutes a "good man"

This volume examines the use of a central concept in the self-definition of any Greek speaking male: Andreia, the notion of courage and manliness. The nature and use of value terms quickly leads the researcher to core issues of cultural identity: through a combination of lexical or semantic and conceptual studies the discourse of manliness and its role in the construction of social order is studied, in a variety of authors, genres, and communicative situations. This book is of interest to students of the classical world, the history of values, gender studies, and cultural historians.

Romans in Victorian literature are at once pagan persecutors, pious statesmen, pleasure-seeking decadents, and heroes of empire: this volume examines how these manifold and often contradictory representations are deployed in a range of ways in the works of authors from Thomas Macaulay to Rudyard Kipling to create useable models of masculinity.