This incisive, in-depth study unearths the significance of a neglected group of early medieval manuscripts, those which transmit the Ordines Romani. These texts present detailed scripts for Christian ceremonies that narrate the gestures, motions, actions and settings of ritual performance, with particular orientation to the Roman church. While they are usually understood as liturgical, and thus lacking any particular creative flair, Arthur Westwell here foregrounds their manuscript permutations in order to reveal their extraordinary dynamism. He reflects on how the Carolingian Church undertook to improve liturgical practice and understanding, questioning the accepted idea of a “reform” aimed at uniformity led by the monarch. Through these manuscripts, Westwell reveals a diversity of motivations in the recording of Roman liturgy and demonstrates the remarkable sophistication of Carolingian manuscript compilers.

The series of beautiful sacramentaries made at Saint-Amand in the later ninth century offer us unique insight into an early medieval scriptorium at work. These manuscripts contain principally the prayer texts for the celebration of the Mass, a ceremony which stood at the centre of monastic life in this period. They display how this largely neglected genre discloses creativity and initiative on the part of the monks of Saint-Amand, who re-organised and re-composed this especially versatile literature. They made their books uniquely comprehensive and full of insight into how the mass liturgy was re-made at a critical period in its development. This innovative study makes these sources accessible for the first time. In-depth study of script, decoration, and content enables a new appreciation of the context in which the deluxe Saint-Amand manuscripts were produced. It foregrounds ecclesiastical patronage, the political and intellectual dynamics at the waning of Carolingian power, and the intensive collaboration of scribes, artists, and liturgical composers, as well as the unique ways liturgical manuscripts can inform our understanding of medieval life and thought.

We live in a world riven through with standards. To understand more of their deep, rich past is to understand ourselves better. The two volumes, Standardization in the Middle Ages. Volume 1: The North and Standardization in the Middle Ages. Volume 2: Europe, turn to the Middle Ages to give a deeper understanding of the medieval ideas and practices that produced--and were produced by--standards and standardization. At first glance, the Middle Ages might appear an unlikely place to look for standardization. The editors argue that, on the contrary, generating predictability is a precondition for meaningful cultural interaction in any historical period and that we may look to the Middle Ages to learn more about the historical, social, and cognitive processes of standardization. This multidisciplinary venture, which includes medievalists from the fields of history, intellectual history, art history, philology, numismatics, and more, as well as scholars of cognitive science, informatics, and anthropology, interrogates how medieval people and groups envisioned and enforced predictability, uniformity, and order, and how they attempted to obtain and maintain standards across vast distances and heterogeneous social and cultural structures.

Drawing on the expertise of 26 distinguished scholars, this important volume covers the major issues in the study of medieval Europe, highlighting the significant impact the time period had on cultural forms and institutions central to European identity. Examines changing approaches to the study of medieval Europe, its periodization, and central themes Includes coverage of important questions such as identity and the self, sexuality and gender, emotionality and ethnicity, as well as more traditional topics such as economic and demographic expansion; kingship; and the rise of the West Explores Europe’s understanding of the wider world to place the study of the medieval society in a global context

Formerly Essential Catholicism, this book has been retitled to reflect how, through the centuries, the Roman Catholic Church has evolved in many aspects of its teaching. The new title also reflects how theologians today grapple with ever new ways of understanding many facets of Catholic belief and practice. Who is Jesus? Or Mary? Who are the saints? How are theologians trying to understand such topics as marriage, divorce, homosexuality? What of social justice? The relationship of conscience to papal authority? Thomas Bokenkotter masterfully shows how these questions and many others have been answered in different ways through the centuries. He also translates the latest theological writings on these topics into plain language. "My aim," he says, "has been to sift through and select what seems most helpful and enlightening for those who seek an understanding of the essentials of Catholicism today." Here, then, is a book for all Catholics -- those assured in their belief and those questioning it.

An exploration of the significance of medieval Rome, both as a physical city and an idea with immense cultural capital.

Gregory, bishop of Tours (573-594), was among the most prolific writers of his age and uniquely managed to cover the genres of history, hagiography, and ecclesiastical instruction. He not only wrote about events (of the secular, spiritual, and even natural variety) but about himself as an actor and witness. Though his work (especially the Histories) has been recycled and studied for centuries, our grasp of an even basic understanding of it, never mind Gregory’s significance in the history of the late antique West, has hardly yet attained a definitive perspective. A Companion to Gregory of Tours brings together fourteen scholars who provide an expert guide to interpreting his works, his period, and his legacy in religious and historical studies. Contributors are: Pascale Bourgain, Roger Collins, John J. Contreni, Stefan Esders, Martin Heinzelmann, Yitzhak Hen, John K. Kitchen, Simon Loseby, Alexander Callander Murray, Patrick Périn, Joachim Pizarro, Helmut Reimitz, Michael Roberts, Richard Shaw.