"Roman in the Provinces: Art on the Periphery of Empire" accompanies an exhibition of the same name that will open at Yale University Art Gallery in August 2014 and will travel to the McMullen Museum of Art at Boston College in February 2015. With objects assembled primarily from Yale University Art Gallery s world-class Roman and Byzantine collection and including a few significant loans from other institutions, "Roman in the Provinces" explores the varied ways in which different individuals, groups, and regions across the empire reacted to being Roman. Drawing especially on materials from Yale University s excavations at Gerasa and Dura-Europos, the exhibit presents material chronologically and geographically distant from imperial Rome. This focus encourages better characterization and understanding of the local responses and multiple identities in the provinces as they were expressed through material culture. Contributors to this publication offer new scholarship on a wide range of subjects, including religious practices, military customs, and epigraphy, with the common aim of ascertaining what the Roman Empire was actually like and how scholars should approach its study today. "

Presenting a new and revealing overview of the ruling classes of the Roman Empire, this volume explores aspects of the relations between the official state structures of Rome and local provincial elites. The central objective of the volume is to present as complex a picture as possible of the provincial leaderships and their many and varied responses to the official state structures. The perspectives from which issues are approached by the contributors are as multiple as the realities of the Roman world: from historical and epigraphic studies to research of philological and linguistic interpretations, and from architectural analyses to direct interpretations of the material culture. While some local potentates took pride in their relationship with Rome and their use of Latin, exhibiting their allegiances publicly as well as privately, others preferred to keep this display solely for public manifestation. These complex and complementary pieces of research provide an in-depth image of the power mechanisms within the Roman state. The chronological span of the volume is from Rome’s Republican conquest of Greece to the changing world of the fourth and fifth centuries AD, when a new ecclesiastical elite began to emerge.

The Roman Empire had a rich and multifaceted visual culture, which was often variegated due to the sprawling geography of its provinces. In this remarkable work of scholarship, a group of international scholars has come together to find alternative ways to discuss the nature and development of the art and archaeology of the Roman provinces. The result is a collection of nineteen compelling essays—accompanied by carefully curated visual documentation, seven detailed maps, and an extensive bibliography—organized around the four major themes of provincial contexts, tradition and innovation, networks and movements, and local accents in an imperial context. Easy assumptions about provincial dependence on metropolitian models give way to more complicated stories. Similarities and divergences in local and regional responses to Rome appear, but not always in predictable places and in far from predictable patterns. The authors dismiss entrenched barriers between art and archaeology, center and provinces, even “good art” and “bad art,” extending their observations well beyond the empire’s boundaries, and examining phenomena, sites, and monuments not often found in books about Roman art history or archaeology. The book thus functions to encourage continued critical engagement with how scholars study the material past of the Roman Empire and, indeed, of imperial systems in general.

Coins were the most deliberate of all symbols of public communal identities, yet the Roman historian will look in vain for any good introduction to, or systematic treatment of, the subject. Sixteen leading international scholars have sought to address this need by producing this authoritative collection of essays, which ranges over the whole Roman world from Britain to Egypt, from 200 BC to AD 300. The subject is approached through surveys of the broad geographical and chronological structure of the evidence, through chapters which focus on ways of expressing identity, and through regional studies which place the numismatic evidence in local context.

Completely re-evaluates evidence for the rule of the kings of Late Iron Age Britain

How, when and why did the Middle Ages begin? This reader gathers together a prestigious collection of revisionist thinking on questions of key research in medieval studies.

This study presents a comparative treatment of four East Roman provinces in the period 50 BC-AD 250 (Aphrodisias and Ephesos in Turkey, Athens in Greece, and Gerasa in Jordan), and it examines the instrumental factors behind regional and local urban developments. It argues that local communities were responsible for the organization and development of public space and buildings, which lends itself to an understanding of self-knowledge in these communities. Through a discussion of the interaction between architectural developments and historical and regional factors, this compelling study examines the interaction between the built environment, the social/political culture, and the urban identity in the eastern Roman Empire.