Focusing primarily on Rome and other cities of central Italy, James C. Anderson, jr., describes the training, career path, and social status of both architects and builders. He explains how the construction industry was organized—from marble and timber suppliers to bricklayers and carpenters. He examines the political, legal, and economic factors that determined what would be built, and where. And he shows how the various types of public and private Roman buildings relate to the urban space as a whole. Drawing on ancient literary sources as well as on contemporary scholarship, Roman Architecture and Society examines the origins of the architectural achievements, construction techniques, and discoveries that have had an incalculable influence on the postclassical Western world. This detailed and concise account will appeal not only to students and scholars of Roman history, but to all with an interest in ancient architecture and urban society.

In this study, Marcello Mogetta examines the origins and early dissemination of concrete technology in Roman Republican architecture. Framing the genesis of innovative building processes and techniques within the context of Rome's early expansion, he traces technological change in monumental construction in long-established urban centers and new Roman colonial cites founded in the 2nd century BCE in central Italy. Mogetta weaves together excavation data from both public monuments and private domestic architecture that have been previously studied in isolation. Highlighting the organization of the building industry, he also explores the political motivations and cultural aspirations of patrons of monumental architecture, reconstructing how they negotiated economic and logistical constraints by drawing from both local traditions and long-distance networks. By incorporating the available evidence into the development of concrete technology, Mogetta also demonstrates the contributions of anonymous builders and contractors, shining a light on their ability to exploit locally available resources.

The architects of ancient Rome developed a vibrant and enduring tradition, inspiring those who followed in their profession even to this day. This book explores how Roman architects went about the creative process.

This book provides a survey of the architecture and urbanism of Provence during the Roman era. Provence, or "Gallia Narbonensis" as the Romans called it, was one of the earliest Roman colonies in Western Europe. In this book, James C. Anderson, jr. examines the layout and planning of towns in the region, both those founded by the Romans and those redeveloped from native settlements. He provides an in-depth study of the chronology, dating, and remains of every type of Roman building for which there is evidence in Provence. The stamp of Roman civilization is apparent today in such cities as Orange, Nimes, and Arles, where spectacular remains of bridges, theaters, fora, and temples attest to the sophisticated civilization that existed in this area during the imperial period and late antiquity. This book focuses on the remains of buildings that can still be seen, exploring decorative elements and their influence from Rome and local traditions, as well as their functions within the urban environment.

This groundbreaking study traces the development of Roman architecture and its sculpture from the earliest days to the middle of the 5th century BCE. Existing narratives cast the Greeks as the progenitors of classical art and architecture or rely on historical sources dating centuries after the fact to establish the Roman context. Author John North Hopkins, however, allows the material and visual record to play the primary role in telling the story of Rome’s origins, synthesizing important new evidence from recent excavations. Hopkins’s detailed account of urban growth and artistic, political, and social exchange establishes strong parallels with communities across the Mediterranean. From the late 7th century, Romans looked to increasingly distant lands for shifts in artistic production. By the end of the archaic period they were building temples that would outstrip the monumentality of even those on the Greek mainland. The book’s extensive illustrations feature new reconstructions, allowing readers a rare visual exploration of this fragmentary evidence.

Challenging the idea that heritage is a purely modern phenomenon, this volume addresses how historic buildings were treated in Imperial Rome, examining the way in which the ancients restored the monuments they inherited from earlier generations and developing our understanding of the Roman concept of built heritage.

Every society builds, and many, if not all, utilize architectural structures as markers to define place, patron, or experience. Often we consider these architectural markers as “monuments” or “monumental” buildings. Ancient Rome, in particular, is a society recognized for the monumentality of its buildings. While few would deny that the term “monumental” is appropriate for ancient Roman architecture, the nature of this characterization and its development in pre-Roman Italy is rarely considered carefully. What is “monumental” about Etruscan and early Roman architecture? Delving into the crucial period before the zenith of Imperial Roman building, Monumentality in Etruscan and Early Roman Architecture addresses such questions as, “What factors drove the emergence of scale as a defining element of ancient Italian architecture?” and “How did monumentality arise as a key feature of Roman architecture?” Contributors Elizabeth Colantoni, Anthony Tuck, Nancy A. Winter, P. Gregory Warden, John N. Hopkins, Penelope J. E. Davies, and Ingrid Edlund-Berry reflect on the ways in which ancient Etruscans and Romans utilized the concepts of commemoration, durability, and visibility to achieve monumentality. The editors’ preface and introduction underscore the notion of architectural evolution toward monumentality as being connected to the changing social and political strategies of the ruling elites. By also considering technical components, this collection emphasizes the development and the ideological significance of Etruscan and early Roman monumentality from a variety of viewpoints and disciplines. The result is a broad range of interpretations celebrating both ancient and modern perspectives.