Nearly three thousand years ago the Phoenicians set up trading colonies on the coast of North Africa, and ever since successive civilizations have been imposed on the local inhabitants, largely from outside. Carthaginians, Romans, vandals, Byzantines, Arabs, TUrks, French and Italians have all occupied the region in their time. The Romans governed this part of Africa for six hundred cities, twelve thousand miles of roads and hundreds of aquaducts, some fifty miles long. The remains of many of these structures can be seen today. At the height of its prosperity, during the second and third centuries AD, the area was the granary of Rome, and produced more olive oil than Italy itself. The broadening horizons of the Roman Empire provided scope for the particular talents of a number of Africa's sons: the writers Terence and Apuleius; the first African Roman Emperor Septimius Severus, famous Christian theologians like Tertulllian and Saint Augustine - these are just some who rose to meet the challenges of their age.

Some of the finest examples of Roman mosaics survive in Tunisa. The mosaics bring to life the rich dwellings, introducing a civilization which flourished between the first and fifth century AD. Illustrated with specially commissioned photographs, this book captures the beauty of these floors.

As the Roman Empire expanded its African settlements in the early centuries of the common era, thousands of mosaic floor pavements were fashioned to adorn the townhouses and rural estates of the African upper classes. Between the second and sixth centuries, mosaic art blossomed, particularly in Africa Proconsularis, the region comprising modern Tunisia. In contrast to the official art of imperial Rome, mosaics generally expressed the worldviews of private citizens. These artworks are remarkable for the intricate beauty of their polychromatic geometric and floral designs, as well as for figural scenes depicting the interests and activities of the patrons who commissioned them--scenes of daily life, athletic contests, gladiator spectacles, and classical literature and mythology. Abundantly illustrated throughout, Tunisian Mosaics: Treasures from Roman Africa offers the general reader a lively introduction to this extraordinary ancient art. Initial chapters survey the historical background of Roman Africa and discuss the development of mosaic art in the Mediterranean. Subsequent chapters profile Tunisia's major mosaic sites and tour the collections of important museums. A final chapter surveys current initiatives to preserve this heritage for future generations.

Analysing the cultural, social, and economic consequences of the Roman occupation of North Africa (c.50 BC-AD 250), this book offers a fresh look at the development and purpose of the north African frontier-system.

Between the second and the sixth centuries of the common era, elaborate mosaics were designed and created to pave the floors of town homes and rural estates of the Roman settlements in North Africa. These stunning mosaics were especially widespread in the colony of Africa Proconsularis, modern-day Tunisia, and covered a wide range of subject matter: from scenes of daily life and classical mythology, to abstract floral and geometric designs of rare vibrancy and complexity. A distinctive African style emerged, whose influence would extend throughout the Mediterranean basin and beyond. This catalogue is being published to coincide with an exhibition at the J. Paul Getty Museum at the Getty Villa from October 26, 2006, to April 30, 2007--the first major exhibition in the United States solely devoted to ancient mosaics. The twenty-seven mosaics in the exhibition come from Tunisia's leading museums, including the Bardo Museum in Tunis, the Sousse Museum and the El Jem Museum. Stories in Stone is structured around four principal themes--Nature, Theater and Spectacle, Myths and Gods, and Technique--and includes extensive material on mosaic conservation. In addition to color plates of all objects in the exhibit, this catalogue includes nine richly illustrated essays that illuminate the historical background of mosaic art, trace the development of principal themes, and examine the conservation of mosaics both in the museum setting and in situ. Contributors include Taher Ghalia, director of the Bardo Museum; Mongi Ennaifer, minister of cultural affairs, Tunisia; Thomas Roby, senior project specialist, Getty Conservation Institute; and Jerry Podany, head of antiquities conservation, J. Paul Getty Museum.

This book examines the environment and society of North Africa during the late Roman period (fourth and fifth centuries CE) through the writings of Helvius Vindicianus, Theodorus Priscianus, Caelius Aurelianus, and Cassius Felix. These four medical writers, whose translation into Latin of precious Greek texts has been hailed as "the achievement of the millennium" by one modern scholar, provide a unique opportunity to understand North Africa, the most prosperous region of the Roman World during Late Antiquity. Although focusing on medical knowledge and hygiene, their writings provide fresh insights on the environment, economy, population, language, and health facilities of the region. This study includes the first full discussion of the exceptional career of the physician Helvius Vindicianus, as well as a valuable reassessment of other writers whose works were read throughout the Middle Ages. It will therefore prove invaluable not only for scholars of Late Antiquity and North Africa, but also for those working on later periods.

This volume springs from the symposium Africa and the Danubian Provinces of the Roman Empire which was held in Timișoara on July 29-30, 2018.