Excerpt from Roll of Honour, 1914-1919 The next list, which is entitled Record of War Service, gives details, necessarily in a very concise form, of service in the Navy, Army, or Air Force, on the part of about seven thousand members of the University. Names which are included in the Roll of the Fallen are not repeated in this list. The particulars which are given have in general been furnished by the persons concerned, in reply to a circular issued by the University, and have been checked and supplemented by reference to Army and Navy Lists. Then follows a list of Orders, Decorations, and Mentions in Dispatches, which includes, with many other honours, five awards of the Victoria Cross. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Ireland’s Memorial Records, 1914-1918 contain the names of 49,435 enlisted men who were killed in the First World War. Commissioned in 1919 by the Lord Lieutenant of Ireland and published in 100 eight-volume sets, the Records are notable for stunning and elaborate page decorations by celebrated Irish illustrator Harry Clarke. Drawing from published and unpublished sources, Marguerite Helmers’ ground-breaking study provides a fascinating insight into the work of Harry Clarke as an extraordinary war artist and examines the process that led to the Records being commissioned through to the eventual placement of the Records within the Irish National War Memorial at Islandbridge, Dublin. With Harry Clarke’s illustrations taking center stage in the story, the Records and their genesis are of vital importance to our understanding of how art and commemoration can come together in a powerful visual creation.

The Artists Rifles originated in May 1860 as a corps of rifle volunteers, formed by an art student, Edward Sterling, from members of the artistic professions. Its first HQ was at Burlington House. It provided the largest contingent for the City Imperial Volunteers in the Boer War. When the Territorial Force was created in 1908 it became the 28th (County of London) Battalion, London Regiment. Shortly after the outbreak of the Great War second line and third line battalions were formed - numbered 2/28th and 3/28th, the original battalion being 1/28th. The latter arrived in France at the end of October 1914 and became an Officers Training Corps (OTC), first at Bailleul and in April 1915 at St Omer. In November 1915 it absorbed the 2/28th; the 3/28th (which remained in the UK) then became 2/28th. In the summer of 1917 cadet schools in France were closed and potential officers were sent to the UK for training, and 1/28th Battalion, freed at last from its OTC role, was sent to the front at the end of June 1917, allocated to 190th Brigade, 63rd (RN) Division where it remained to the end of the war. A short (17 pages) but very informative history of the battalion's service in the line is included in the preface. This remarkable book contains a complete record of all whose names have been inscribed in the regiment's Muster Roll since August 1914, showing commissions obtained, when and in which corps/regiments; honours and decorations awarded with citations where published; and a list of all casualties. There is a total of 15,022 names, that is everyone who at one time or another served in the Regiment in any capacity. 10,256 received commissions, eight VCs were awarded, and the casualties suffered throughout the war numbered 6,071 of whom 2,003 were killed. There are summary tables of awards and of casualties.

Unlike much of the traditional literature on the Great War, with its understandable fascination with the terrible experiences of 'Tommy in the Trenches', this book shifts our gaze. It focuses on how the Great War was experienced by other key participants, namely those communities involved in 'schooling' the nation's children. It emphasizes the need