The tendency of ancient Romans to look to mythical and historical figures for role models is everywhere evident in their surviving literary and material culture. This book broadens the horizon of the long-standing scholarly interest in role models in several ways, looking beyond the more familiar famous heroes---such as Achilles and Alexander the Great---and the paternal figures, both mythological and historical, that gave inspiration to later leaders and authors. From the adoption of specific aspects of a favored role model, to the creation of new visual languages for different social groups, to the deliberate counter of common models, this collection demonstrates the importance of exemplary figures in inspiring imitation and assimilation in the creation of new identities. Featuring world-renowned scholars and essays from a broad range of fields, including literature, art, and historiography, Role Models in the Roman World is a groundbreaking collection at the cusp of the newest scholarship of the classical world. "Role Models in the Roman World is an exciting collection, striking for the interdisciplinary range of its contributors and for their vigorous debates---indeed, strong disagreements---about ideas that are currently of fundamental importance in Roman studies: identity construction, exemplarity, memory, monumentality. In framing these crucial issues, and in displaying the range and diversity of current approaches to them, this collection will be useful to every student of the Roman world." ---Matthew Roller, Professor of Classics, Johns Hopkins University "This collection covers a full range of topics, from how the Romans interpreted their origins from the ashes of Troy on through themes in Roman literature, historiography, declamation, and art, ending with how Christians may have defined their self-presentation in part through reference to earlier, non-Christian models. The editors have shown themselves wonderfully adept at their task, and the result is a uniformly fine volume that will be widely consulted." ---Anthony Corbeill, Professor and Graduate Advisor, Department of Classics, University of Kansas "Significant essays by leading archaeologists, philologists, and art historians on a theme of central importance in the Roman world." ---Barbara Kellum, Professor and Chair, Department of Art, Smith College Jacket illustration: Side view of statue of Togato Barberini © Araldo de Luca/CORBIS

Presents a coherent model for understanding historical examples in Ancient Rome and their rhetorical, moral and historiographical functions.

This landmark handbook, written by distinguished Pauline scholars, and first published in 2003, remains the first and only work to offer lucid and insightful examinations of Paul and his world in such depth. Together the two volumes that constitute the handbook in its much revised form provide a comprehensive reference resource for new testament scholars looking to understand the classical world in which Paul lived and work. Each chapter provides an overview of a particular social convention, literary of rhetorical topos, social practice, or cultural mores of the world in which Paul and his audiences were at home. In addition, the sections use carefully chosen examples to demonstrate how particularly features of Greco-Roman culture shed light on Paul's letters and on his readers' possible perception of them. For the new edition all the contributions have been fully revised to take into account the last ten years of methodological change and the helpful chapter bibliographies fully updated. Wholly new chapters cover such issues as Paul and Memory, Paul's Economics, honor and shame in Paul's writings and the Greek novel.

This volume, rather than concentrating on politics and imperial administration, studies the manifold ways in which people were ritually engaged in producing, consuming, organising and worshipping that fitted the changing realities of empire, focusing on how individuals and groups tried to do things 'the right way', the Greco-Roman imperial way. Given the deep cultural entrenchment of ritualistic practices, an imperial identity firmly grounded in such practices might well have been instrumental not just to the long-lasting stability of the Roman imperial order but also to the persistency of its ideals well into post-Roman times.

Questions on identity have been often the main focus of Classical Studies. The starting point of this book is that identity is not a monolithic idea. Instead of exploring what exactly ‘identity’ is, the contributors here examine how the concept of ‘self-presentation’ can facilitate our understanding of how individuals present their identities. Moreover, the interpretation of the means and character of this self-presentation itself enables more general conclusions to be drawn. Topics covered in this volume include identities shaped through the self-presentation of authors in Latin literature, and explorations on epigraphy and historical analyses. Overall, using the theme of self-presentation, the contributors offer a glimpse into various subjects and suggest new ways for students and scholars to approach the different forms of individual and communal identities.

Michael Peachin is Professor of Classics at New York University. --Book Jacket.

By their social and material context as markers of graves, dedications and public signs of honour, inscriptions offer a distinct perspective on the social lives, occupations, family belonging, mobility, ethnicity, religious affiliations, public honour and legal status of Roman women ranging from slaves and freedwomen to women of the elite and the imperial family, both in Rome and in Italian and provincial towns. They thus shed light on women who are largely overlooked by the literary sources. The wide range of inscriptions and graffiti included in this book show women participating not only in their families and households but also in the social and professional life of their cities. Moreover, they offer us a glimpse of women's own voices. Marital ideals and problems, love and hate, friendship, birth and bereavement, joy and hardship all figure in inscriptions, revealing some of the richness and variety of life in the ancient world.