This work celebrates a great national pastime and tradition. Taking the reader behind the chutes, Wayne Wooden and Gavin Ehringer reveal the essential character of rodeo culture today and show why it retains such a strong hold on the American imagination.

"What would rodeo look like if we took it as a record, not of human triumph and resilience, but of human imperfection and stubbornness?” asks animal historian Susan Nance. Against the backdrop of the larger histories of ranching, cattle, horses, and the environment in the West, this book explores how the evolution of rodeo has reflected rural western beliefs and assumptions about the natural world that have led to environmental crises and served the beef empire. By unearthing behind-the-scenes stories of rodeo animals as diverse individuals, this book lays bare contradictions within rodeo and the rural West. For almost 150 years, westerners have used rodeo to symbolically reenact their struggles with animals and the land as uniformly progressive and triumphant. Nance upends that view with accounts of individual animals that reveal how diligently rodeo people have worked to make livestock into surrogates for the trials of rural life in the West and the violence in its history. Western horses and cattle were more than just props. Rodeo reclaims their lived history through compelling stories of anonymous roping steers and calves who inspired reform of the sport, such as the famed but abused bucker Steamboat, and the many broncs and bulls, famous or not, who unknowingly built an industry. Rodeo is a dangerous sport that reveals many westerners as people proudly tolerant of risk and violence, and ready to impose these values on livestock. In Rodeo: An Animal History, Nance pushes past standard histories and the sport’s publicity to show how rodeo was shot through with stubbornness and human failing as much as fortitude and community spirit.

They ride horses, rope calves, buck broncos, ride and fight bulls, and even wrestle steers. They are Black cowboys, and the legacies of their pursuits intersect with those of America’s struggle for racial equality, human rights, and social justice. Keith Ryan Cartwright brings to life the stories of such pioneers as Cleo Hearn, the first Black cowboy to professionally rope in the Rodeo Cowboy Association; Myrtis Dightman, who became known as the Jackie Robinson of Rodeo after being the first Black cowboy to qualify for the National Finals Rodeo; and Tex Williams, the first Black cowboy to become a state high school rodeo champion in Texas. Black Cowboys of Rodeo is a collection of one hundred years of stories, told by these revolutionary Black pioneers themselves and set against the backdrop of Reconstruction, Jim Crow, segregation, the civil rights movement, and eventually the integration of a racially divided country.

Swedish archbishop Uno von Troil (1746–1803) had a lifelong enthusiasm for travel and scientific study which led him to accompany the famous naturalist Sir Joseph Banks (1743–1820) on an expedition to Iceland in 1772. Banks was already well known for his role as botanist on Captain Cook's first voyage on the Endeavour, which mapped the Pacific and uncharted parts of Australia and New Zealand. This book, first published in 1780, is a compilation of letters written by von Troil, documenting the tour of Iceland. The letters describe volcanos and other geological features as well as providing meteorological information and an account of the northern lights. Through his amiable and enthusiastic correspondence, von Troil paints a picture of the Icelandic people, their national character and culture, including their diet and occupations. Also featured is an account of the religious history of Iceland and the organisation of the Icelandic church.

The Livingston Roundup Rodeo was started in 1926 by a group of local businessmen. Their goal was to create an event to keep travelers in Livingston. The rodeo continued until the onset of World War II and was canceled during the war years. In the late 1940s, a young man approached one of the local businessmen and asked to use money held at the First National Park Bank (today known as First Interstate Bank) to revive the old rodeo. Today, the Livingston Roundup Rodeo is one on the most renowned events of its kind. Visitors come from all over the world to attend this wonderful three-day event that occurs every year from July 2 to 4. Hosting more than 5,000 people every night, the rodeo has seen wedding parties, family reunions, and even a surprise engagement every now and then.

In this study, historian Michael Allen examines the image of the rodeo cowboy and the role this image has played in popular culture over in the 20th century. He sees rodeo as a significant American folk festival and the rodeo cowboy as the surviving avatar of a nearly vanished authentic figure - the real cowboy, who embodies the skills and values of traditional western rural culture.

Rodeo, located on the east shore of San Pablo Bay, was envisioned as the meatpacking center of the West when it was established by the Union Stockyard Company in 1890. That vision failed, but the town continued attracting residents for jobs at the nearby Hercules powder works, Selby smelter, and Oleum refinery. By the 1940s, a war-based industrial buildup made Rodeos population surge, and this was followed by a postwar boom in housing and retail construction. During these prosperous years, Rodeo was a regional hub for fishing and boating. Times have changed, but the images in these pages recall Rodeos early yearsthe marina, businesses and homes, schools, civic officials, and local industry, as well as the towns celebrations, such as the Holy Ghost and Aquatic Festivals.