Kendra doesn’t need rescued. Kendra Maddox isn’t thrilled when Stetson Wright steps in to help fend off her overanxious date at a wedding. A new Christian, she’s struggling with a promiscuous past, and Stetson’s firm belief that true love waits only makes his gallant attempt to defend her honor even more unwanted. Then her friends continually push her and Stetson together. . .but can’t they see she’ll never be good enough for him? Stetson doesn’t need any distractions. And Kendra Maddox is definitely a distraction. From his job as the new youth director at church to moonlighting as a rodeo clown, Stetson has other things to think about. Finding the perfect wife will have to wait. When Stetson saves a prominent bull rider, he makes headline news, and Kendra’s ad agency is hired to promote the rodeo hero. Attraction simmers, but will they be able to accept each other for who God sees?

They ride horses, rope calves, buck broncos, ride and fight bulls, and even wrestle steers. They are Black cowboys, and the legacies of their pursuits intersect with those of America’s struggle for racial equality, human rights, and social justice. Keith Ryan Cartwright brings to life the stories of such pioneers as Cleo Hearn, the first Black cowboy to professionally rope in the Rodeo Cowboy Association; Myrtis Dightman, who became known as the Jackie Robinson of Rodeo after being the first Black cowboy to qualify for the National Finals Rodeo; and Tex Williams, the first Black cowboy to become a state high school rodeo champion in Texas. Black Cowboys of Rodeo is a collection of one hundred years of stories, told by these revolutionary Black pioneers themselves and set against the backdrop of Reconstruction, Jim Crow, segregation, the civil rights movement, and eventually the integration of a racially divided country.

"This book examines how (and why) rodeo has provided diverse communities ways in which they can prove themselves as real Americans, real men, and real heroes, often through the enactment of ever-shifting concepts like authenticity, tradition, and heritage. The author analyzes how the space of the rodeo arena has exposed fractures in the narrative of the cowboy over the twentieth century, focusing particularly on the experiences of non-normative cowboys and cowgirls to demonstrate how people stripped of their place in a collectively imagined Western past have both challenged and reinforced the cowboy as an icon of American authenticity. The case studies include female bronc-riders in the 1910s and 1920s, convict cowboys in the mid-twentieth century, all-black rodeos in the 1960s and 1970s, and gay rodeoers in the late century. Cast out of popular Western mythology and pushed to the fringes in everyday life, these people found belonging and meaning at the rodeo, staking a claim to national inclusion through regional performance. Yet, alongside their challenges to the restrictive definition of the cowboy, they also contributed to the persistent idea of an authentic Western identity"--]cProvided by publisher.

As business interests have commercialized the American West and publishers and studios have created compelling imagery, the expectations of readers and moviegoers have influenced perceptions of the cowboy as a hero. This book describes the evolution of the cowboy hero as a mythic persona created by dime novels, television and Hollywood. Much of our concept of the cowboy comes to us from movies and the book's main focus is his changing image in cinema. The development of the hero image and the fictional West is traced from early novels and films to the present, along with shifting audience expectations and economic pressures.

TOUGH LOVE

Analyzes the modern myth of the cowboy as it appears in movies, advertising, the rodeo, and fiction, and gauges its effect on American thought

Most armadillos are happy scratching sand and eating, but Bo longs for adventure. And adventure Bo gets, the day Harmony Jean breaks in her brand-new chili-pepper-red cowboy boots by the banks of Can Creek. Peering out across the creek bed, Bo is sure he's spotted a rip-roarin', rootin'-tootin', shiny red armadillo! Bo's off and running after his new friend--right down to the Curly H Rodeo. There Bo gets to do all the things he's dreamed of doing: he rides a bronc, eats red-hot chili peppers, and even tries the two-step. Bo is ready to follow his pal off into the sunset, but he is about to discover his new friend is no ordinary armadillo. Jan Brett turns her considerable storytelling talents toward the Texas countryside in this warm and funny story of an armadillo on his own. Luckily, Ma Armadillo and her boys are searching for Bo in the borders to bring him back home.