...a great reference guide, detailing artists, chart activity, career milestones, tours and recent activity.

Vocals tinged with pain and desperation. The deep thuds of an upright bass. Women with short bangs and men in cuffed jeans. These elements and others are the unmistakable signatures of rockabilly, a musical genre normally associated with white male musicians of the 1950s. But in Los Angeles today, rockabilly's primary producers and consumers are Latinos and Latinas. Why are these "Razabillies" partaking in a visibly "un-Latino" subculture that's thought of as a white person's fixation everywhere else? As a Los Angeles Rockabilly insider, Nicholas F. Centino is the right person to answer this question. Pairing a decade of participant observation with interviews and historical research, Centino explores the reasons behind a Rockabilly renaissance in 1990s Los Angeles and demonstrates how, as a form of working-class leisure, this scene provides Razabillies with spaces of respite and conviviality within the alienating landscape of the urban metropolis. A nuanced account revealing how and why Los Angeles Latinas/os have turned to and transformed the music and aesthetic style of 1950s rockabilly, Razabilly offers rare insight into this musical subculture, its place in rock and roll history, and its passionate practitioners.

It was the twang heard ’round the world: Rockabilly was born out of country, bluegrass, jazz, and the blues in the 1950s, becoming rock ‘n’ roll and ruling the world. Here’s the story of Elvis Presley’s first Sun records that inspired all. And here’s Carl Perkins, Gene Vincent, Eddie Cochran, Jerry Lee Lewis, Johnny Cash, Roy Orbison, and many more rockabillies from the golden years of 1955—1959, in a book chock full of photos, collectible memorabilia, movie posters, rare records, fashion, and rebel lifestyle. The story continues today, with a rockabilly revival that began with stars, such as the Stray Cats and Robert Gordon, spreading around the globe from Europe to Japan. Today, rockabilly is better than ever, with bands like Rev. Horton Heat and others playing the music and living the life from Memphis to Helsinki to Tokyo. There’s still good rockin’ tonight!

A visual road trip from Route 66 to Route 666, this rockin' collection of more than 600 artworks presents the unapologetically fun and undeniably cool spirit of rockabilly and psychobilly. The 55 artists featured here represent a global subculture and are some of today's best lowbrow and cartoon artists, the de facto styles of the genre. Whether you're burning for nostalgia or learning more about the phenomenon, this massive collection is a study of some of the main themes of modern rockabilly culture: respect the past, be proudly defiant, and stay true to what you like. Here you'll see a broad range of stylistic influence from the 1930s to the 1990s as well as other sub-pop cultures like jazz, ska, surf, burlesque, punk, and horror adorning album art, show posters, comics, pin-ups, and more. Complete with a playlist curated by the artists, this is a must-have volume of art by artists who are finding success despite being outsiders.

Rockabilly, a musical designation coined by Billboard magazine in the mid-1950s, is a rambunctious rhythmic style combining the liveliest elements of country, gospel, and rhythm and blues. Popularized by such performers as Elvis Presley, Buddy Holly and Ricky Nelson, rockabilly has been a major influence on the music of Bob Dylan, the Beatles and Bruce Springsteen (among many others). This book captures the essence of life on the road and in the recording studio through interviews with many of rockabilly's foremost artists. Among those sharing their experiences are Jerry Allison and Sonny Curtis of the Crickets, Sonny Burgess, Wanda Jackson, Glen Glenn, the Collins Kids, Charlie Gracie and Deke Dickerson. Also included are several rare publicity photos.

In the 1950s, country music merged with the rising new fad called ""rock and roll"" to form what would become known as ""Rockabilly."" In short, Rockabilly was fast paced, guitar and bass driven ditties with thundering rhythms. The songs were often less than memorable made up with a conglomeration of silly lyrics and phrases like ""bop,""""shake,""""mama,"" and""go cat!"" Cars, especially Cadillacs, and colors, pink and black, were prevalent in many of the songs. Songs like ""Oobie Doobie,"" ""Ubangi Stomp,"" ""Be Boppin' Baby,"" and ""Rockin' In the Congo"" were common record chart contenders. Many up and coming country crooners would go on to achieve widespread acclaim as names like Presley, Holly and Orbison conquered radio station playlists. They, among others, would become R&R legends. Others like Jack Scott, Boyd Bennett, and Dale Hawkins, found success to a lesser degree in the new genre. It's many of these ""lesser knowns"" that Hepcats & Rockabilly Boys explores. Here are some of their stories...

(Guitar Method). This book teaches the techniques, licks, chords, scales and strums you need to play rockabilly guitar. It shows you how to play rhythm & lead for all kinds of rockabilly grooves, in the style of masters such as Carl Perkins, Brian Setzer, Cliff Gallup, Buddy Holly, Scotty Moore and others. Instead of learning exercises, you learn the classic rockabilly songs and solos that made the genre come together in the first place. The 58 audio tracks will help you catch the rhythms and nuances of the rockabilly style. Songs include: Be-Bop-A-Lula * Get Rhythm * Honey Don't * Milk Cow Blues * No Particular Place to Go * Rock Around the Clock * Rock This Town * Susie-Q * Train Kept A-Rollin' * and more!