Take a look at the drinking dive under a teashop where the original Rolling Stones were recruited, visit the places where skiffle was born, The Beatles played their last gig, and Paula Yates died. Rock Music Landmarks Of London is both a practical guidebook and an entertaining catalogue of stories featuring the rock stars who made parts of London famous simply by being there. All these London rock landmarks have their own stories, every one is on the London Tube system, each has a full address and a reference photograph.

London's rock 'n' roll history is in many ways the world's rock 'n' roll history. It has given birth to some of the most influential rock bands ever -- The Beatles, The Who, The Rolling Stones, Pink Floyd, Elton John, The Sex Pistols -- and many popular movements -- psychedelia, mod, punk, ska, and Brit-pop. This meticulously researched and entertaining guide explores London's long and occasionally sordid rock history from the 1950s to the present day, providing the casual traveler with a neighborhood-by-neighborhood look at the venues, clubs, pubs, people, studios, stores, and events that rocked the world. Where was David Bowie brought up? Where did the Beatles play their last gig? Where did Keith Moon spend his last night? Each chapter/neighborhood is accompanied by locator maps and detailed street directions, and is filled to the brim with stunning photographs, ephemera, and rock trivia.

London teemed with top-rated singers and musicians during the '60s and '70s, whether they were squatting, playing gigs or investing in multi-million pound mansions. Follow McCartney and co. to the quiet flat on Green Street that was their refuge before the Beatlemaniacs sought them out. Wind back time to when Loog Oldham locked Mick and Keith in their flat and demanded they compose a song. From the zany to the tragic - it was in St Mary Abbot's Hospital, Kensington where Jimi Hendrix was pronounced dead - this is a guidebook like no other, a pilgrimage dedicated to the rock 'n' roll greats. AUTHOR: Tony Barrell been a writer and journalist for more than 30 years. From 1998 to 2007 he was Chief Sub-Editor on The Sunday Times Magazine, during which time he wrote many major articles for the newspaper and interviewed many celebrities. Tony is the author of The Beatles on the Roof, the first book about The Beatles' rooftop performance in Savile Row, London, in January 1969. He has also written Born to Drum: The Truth About the World's Greatest Drummers, a book featuring interviews with 40 professional drummers, including Phil Collins (Genesis), Nick Mason (Pink Floyd), Clem Burke (Blondie) and Debbi Peterson (The Bangles). SELLING POINTS: * Discover the London landmarks associated with some of the biggest names in musical history * The culmination of detailed research into where the greats stayed, rehearsed, recorded and died * Forms part of a wider series that explores the UK capital Also in the series: Vinyl London ISBN 9781788840156 200 colour images

______________________________ The huge word-of-mouth bestseller – completely updated for 2019 THE LONDON THAT TOURISTS DON’T SEE Look beyond Big Ben and past the skyscrapers of the Square Mile, and you will find another London. This is the land of long-forgotten tube stations, burnt-out mansions and gently decaying factories. Welcome to DERELICT LONDON: a realm whose secrets are all around us, visible to anyone who cares to look . . . Paul Talling – our best-loved investigator of London’s underbelly – has spent over fifteen years uncovering the stories of this hidden world. Now, he brings together 100 of his favourite abandoned places from across the capital: many of them more magnificent, more beautiful and more evocative than you can imagine. Covering everything from the overgrown stands of Leyton Stadium to the windswept alleys of the Aylesbury Estate, DERELICT LONDON reveals a side of the city you never knew existed. It will change the way you see London. ______________________________ PRAISE FOR THE DERELICT LONDON PROJECT ‘Fascinating images showing some of London’s eeriest derelict sites show another side to the busy, built-up capital.’ Daily Mail ‘Talling has managed to show another side to the capital, one of abandoned buildings that somehow retain a sense of beauty.’ Metro ‘Excellent . . . As much as it is an inadvertent vision of how London might look after a catastrophe, DERELICT LONDON is valuable as a document of the one going on right in front of us.’ New Statesman ‘From the iconic empty shell of Battersea Power Station to the buried ‘ghost’ stations of the London Underground, the city is peppered with decaying buildings. Paul Talling knows these places better than anyone in the capital.’ Daily Express ‘[London has an] unusual (and deplorable) number of abandoned buildings. Paul Talling’s surprise bestseller, DERELICT LONDON, is their shabby Pevsner.’ Daily Telegraph ______________________________

Disappointed to learn that Hotel California isn’t actually in the phone book, radio producers Chris and Joe resolve to seek out the true spirit of rock and roll America. Roof down and stereo up, they drive coast to coast on a mission to ‘live the music’. It’s a tale of friendship tested to the limit, great melodies, and noble myths.

At lunchtime on a bitterly cold January day in 1969, the strains of guitar chords could be heard in the streets surrounding London’s Savile Row. Crowds gathered – At ground level and above. People climbed onto roofs and postboxes, skipped lunch to gather and listen: For the first time in more than two years, The Beatles were playing live. Ringing from the rooftops, disturbing the well-to-do ears of the tailors below, they upset the establishment and bewildered the police. It was filmed by director Michael Lindsay-Hogg, who hoped the footage would act as the finale to a celebratory TV special. When it finally surfaced, it was in the bleak, tumultuous documentary Let It Be. And The Beatles would never play live again. Tony Barrell examines the concert within the context of its time. He speaks to those who were there: the fans, film-makers, roadies, Apple Corps staff and police. He explores the politics of 1968, when peace gave way to protest, and how music promotion began to collide with cinéma vérité and reality TV. The Beatles on the Roof makes essential reading for anyone interested in the band’s reinventions and relationships, revealing why the rooftop concert happened at all, why it happened the way that it did, and why it would never happen again.