Presents 65 desert trips from Bishop to the Mexican border, including expanded coverage of popular destinations such as Death Valley National Park, Mojave National Preserve, and Anza-Borrego Desert State Park. This book makes high-walled canyons, lonely ghost towns, and soaring peaks from Mexico to the Great Basin easily accessible to recreational drivers. Tony Huegel's glove-box-sized Byways have been leading drivers to the hidden surprises found along unpaved backroads for more than 10 years. These books are for recreational drivers who want to use their four-wheel-drive or sport-utility vehicle beyond the pavement to explore, but who might not want to do hard-core or lengthy off-road driving. They are also for adventurers who use these trips as jumping-off points for muscle-powered exploration, such as hiking and mountain biking.

Can old stones talk? Yes, but not so much of themselves as lifeless bits of crystalline rock, rather through the art created by our Stone Age ancestors. They have left this for us to appreciate but for too long their portable rock art has been ignored or deprecated as meaningless, or even non-existent. The image that researchers of prehistory have passed down to us is of fearsome hunters, with brute mentalities, dressed in rough and ready skins, with little self-expression, minimal intelligence and, more to the point, they are devoid of any humour; ART! However, the issue is that it is not that the humour, self-expression, sarcasm, wit and art did not exist, it is just that those researchers who should know better lacked the latter and were just not appreciating it. Most of the art now left to us is from flint and chert knapping, while woodworking, as equally as important, has rotted away; but lest we forget, stone technology has been around for at least 90% of hominin & human existence. So, please join me on a journey of discovery through this ancient artform as I uncover and investigate the arty secrets, seeing how certain inspired ancestors wanted to be seen, as creative, imaginative, emotional beings - just like us!

From the high plains of Canada to caves in the southeastern United States, images etched into and painted on stone by ancient Native Americans have aroused in observers the desire to understand their origins and meanings. Rock paintings and engravings can be found in nearly every state and province, and each region has its own distinctive story of discovery and evolving investigation of the rock art record. Rock art in the twenty-first century enjoys a large and growing popularity fueled by scholarly research and public interest alike. This book explores the history of rock art research in North America and is the only volume in the past twenty-five years to provide coverage of the subject on a continental scale. Written by contributors active in rock art research, it examines sites that provide a cross-section of regions and topics and complements existing books on rock art by offering new information, insights, and approaches to research. The first part of the volume explores different regional approaches to the study of rock art, including a set of varied responses to a single site as well as an overview of broader regional research investigations. It tells how Writing-on-Stone in southern Alberta, Canada, reflects changing thought about rock art from the 1870s to today; it describes the role of avocational archaeologists in the Mississippi Valley, where rock art styles differ on each side of the river; it explores discoveries in southwestern mountains and southeastern caves; and it integrates the investigation of cupules along Georgia’s Yellow River into a full study of a site and its context. The book also compares the differences between rock art research in the United States and France: from the outset, rock art was of only marginal interest to most U.S. archaeologists, while French prehistorians considered cave art an integral part of archaeological research. The book’s second part is concerned with working with the images today and includes coverage of gender interests, government sponsorship, the role of amateurs in research, and chronometric studies. Much has changed in our understanding of rock art since Cotton Mather first wrote in 1714 of a strange inscription on a Massachusetts boulder, and the cutting-edge contributions in this volume tell us much about both the ancient place of these enduring images and their modern meanings. Discovering North American Rock Art distills today’s most authoritative knowledge of the field and is an essential volume for both specialists and hobbyists.

Guide to Rock Art Sites of the Owens Valley

This unique guide provides an artistic and archaeological journey deep into human history, exploring the petroglyphic and pictographic forms of rock art produced by the earliest humans to contemporary peoples around the world. Summarizes the diversity of views on ancient rock art from leading international scholars Includes new discoveries and research, illustrated with over 160 images (including 30 color plates) from major rock art sites around the world Examines key work of noted authorities (e.g. Lewis-Williams, Conkey, Whitley and Clottes), and outlines new directions for rock art research Is broadly international in scope, identifying rock art from North and South America, Australia, the Pacific, Africa, India, Siberia and Europe Represents new approaches in the archaeological study of rock art, exploring issues that include gender, shamanism, landscape, identity, indigeneity, heritage and tourism, as well as technological and methodological advances in rock art analyses

This unique full-color field guide is essential for anyone who seeks to understand why shamans in the Far West created rock art and what they sought to depict. Whitley is on the cutting edge of dating and interpreting the images as well as describing the